The Bogong’s Song: A Call To Country

The Bogong’s Song: A Call To Country

The Bogong’s Song: A Call To Country Rating

Click if you liked this article

3

The Bogong’s Song: A Call To Country at Bangarra Dance Theatre is an ingenious new production developed by Yolande Brown and Chenoa Deemal. It is sure to be another award-winning success following their previous highly acclaimed work Waru – Journey Of The Small Turtle which engaged thousands of children last year. The Bogong’s Song presents a truly unique, culturally significant and entertaining performance.

The inclusion of puppets and shadow puppets was captivating and worked seamlessly with Justin Harrison’s fabulous video designs and projected images. Vanessa Ellis excelled as the puppet master and maker; her expertise elevated and transformed the performance into something unique and magical.

The music by Brendon Boney and Yolande Brown, who was also the songwriter and composer, was atmospheric and illuminating. It perfectly complemented the dance choreography with First Nations cultural influences interwoven beautifully throughout. I immensely appreciated the inclusion of Australian bush sounds and animals and First Nations instruments such as tapping sticks and the didgeridoo. These intricate details highlighted and celebrated the cultural significance of the performance.

The lighting by Ben Hughes and Eben Love allowed the audience to transcend into the dreaming experience with mystical effects and timely poignant moments. Particularly impressive was the green lighting for the grass and the beautiful starry scattered lighting.

 

 

The performers Benjin Maza and Tjilala Brown-Roberts delivered a majestic performance. They both showcased exquisite artistry in their dancing, acting and singing. They showcased the artistic choreography by Yolande Brown which was an eclectic fusion of First Nations influence combined with hip hop and contemporary dance. Benjin wowed the audience with fabulous strength in his acrobatic tricks and tight, clean movements throughout. Tjilala likewise delivered a flawless performance with soft smooth elegance. Benjin and Tijala both excelled in engaging audience participation and in delivering meaningful heartfelt messages and raising awareness to pressing community issues.

The story highlights environmental concerns of Australia’s endangered Bogong Moth. It interweaves fascinating information which will hopefully inspire discussions and awareness to save this admirable insect. The content also delves into unsettling concerns of juvenile detainment and spreads awareness that children as young as ten years old are being imprisoned. This is heartbreaking and our nation can and should do better by our children. There are infinitely superior ways to help children grow and learn to be respectful and responsible future adults.

The performance also highlights our younger generation’s phone addiction and how they are sadly spending less time being at one with the outdoors and nature. They discuss how essential it is to one’s health and well-being to feel grounded to the earth and mother nature.

The Bogong’s Song at Bangarra Dance Theatre is a thoroughly entertaining cultural experience to be enjoyed by all ages.
They beautifully capture First Nations culture in the past, present and future and take the audience on a remarkable dreaming experience. The Bogong’s Song is a meaningful and rewarding performance not to be missed.

To book tickets to The Bogong’s Song: A Call To Country, please visit https://www.bangarra.com.au/productions/the-bogongs-song/.

Spread the word on your favourite platform!

A Generational Voyage – Waru: Journey of the Small Turtle

Waru: Journey of the Small Turtle

Bangarra Dance Theatre’s Waru: Journey of the Small Turtle follows the generational journey of a turtle coming out of its egg, finding its way to the sea, growing up big and strong, and returning to lay eggs of their own.

The audience walks in to see a beautifully set stage with fairy lights and magical dot lighting on the walls, like millions of fireflies in the night sky. The ambient music and beach sounds complete the scene and allow the young audience to ponder what they will see when the performance begins.

The first words the audience hears are in a whisper. A voice pays respect to the Gadigal people of the Eora Nation, on which the performance takes place, and tells the audience a little bit about what is to come in the production. As the play is aimed at a younger audience, this whisper was an absolutely beautiful way to ease them into the performance space.

The turtle’s story is told from the perspective of a grandmother who lives on the beach and acts as the guardian of the turtles. As such, the journey of the small turtle is told from her perspective and includes many delightful moments of dance, kung fu and song.

The performance itself consisted of two actors – Elma Kris and Aba Beru. Elma’s voice as the grandmother was welcoming, encouraging, and engaging, and her energy was wonderful and drew in the audience. Aba embodied their multiple roles full-heartedly and met their unique energies with joy and consideration.

Audience engagement and interaction was a large part of this performance, and on opening night, the crowd followed Elma’s gentle-paced storytelling through dancing and singing. As the story followed the journey of two mother turtles, the dances and songs were repeated. This repetition was perfect for the young audience to help them remember the dances after the performance.

Another wonderfully age-considerate inclusion was that the play notes the change in ambient music as a foreboding tool. When the lighting and music change and Elma asks the audience, “Can you feel it?” this not only helps the young audience follow in the drama of the story at that moment but also helps them on a broader scale to pay attention to the soundscape and lighting of the show in general.

Waru: Journey of a Small Turtle is the first dedicated children’s performance from the Bangarra Dance Theatre, and for their first production, they got a lot of things right. The drama of the piece and the warm nature of the grandmother’s character kept the engagement levels high for all ages. The story was told in a way that I was not expecting, and I would encourage anyone with small children to give them the opportunity to see this story told on stage.

Performances are running in Gadigal Country (Sydney) until October 14th, then will move to Wadawarrung Country (Geelong) until October 21st.

Spread the word on your favourite platform!

Spread the word on your favourite platform!