84 Charing Cross Road

84 Charing Cross Road

84 Charing Cross Road Rating

★★★★★

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7

84 Charing Cross Road embraces the audience like a warm cup of tea. Upon entering the theatre (and after enjoying a complimentary drink), I was greeted with my first look at the detailed cosy set that perfectly introduced me to the atmosphere of the play. At first glance an untidy New York brownstone might not have much in common with an antique London store, however the two locations perfectly compliment each other as they have one major set dressing in common: an abundance of books. This play is a bibliophile’s dream and the set’s numerous piles of haphazardly stacked books and well stocked shelves beautifully reflect the script’s repeated references to classic and obscure literary titles.

After a few minutes of taking in the detailed set before me, actors entered and I was able to sit back and enjoy a show that I, unusually, had absolutely no prior knowledge of.

Set across two cities and two decades, 84 Charing Cross Road tells the story of a New York playwright who, after struggling to find nice copies of rare books in America, reaches out to an antique book store in London. Told entirely through letters, the play explores what becomes a very close friendship between the bookseller and the playwright.

 

Due to the nature of the script, essentially a large collection of monologues, this is a play that could very easily fall into the trap of being visually boring. However the emotional dedication of lead actors Helen Ellis and Andy Rigby, coupled with the stellar efforts of ensemble members Sarah Sundstrom, Stuart Daddo-Langlois, Bethany Backo, Rosemary Buchanan, Madeleine Brown and Tim Byron. The cohesion of the cast was phenomenal, from the many, many period accurate costumes to the easy nature with which they moved about the stage and the familiarity with which they interacted with each other.

Special props must be given to actress Helen Ellis who portrays wanderlust playwright Helene Hanff. Separated from her castmates by an ocean (and a wall of books), Ellis represents the New York half of the show alone, holding down a unique accent and maintaining a captivating stage presence despite having no one to interact with for the entirety of the play. The role requires a marathon of acting and Ellis performs it with apparent ease, fluidly welcoming both the bookstore and the audience into her little brownstone.

I would strongly recommend this heart tuggingly emotional, cosy little play to fans of theatre and literature alike.

To book tickets to 84 Charing Cross Road , please visit https://thebasintheatre.au/event/84-charing-cross-road-by-james-roose-evans/2026-08-09/.

Photographer: Jason Triggs

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How Education Can Change It All

Educating Rita

Educating Rita Rating

★★★★★

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2

Educating Rita is an interesting and thoughtful but slow-moving show. Consisting solely of conversations in a single room, on a single topic of education. This show follows Rita, a 27-year-old hair dresser in Liverpool beginning university, and engaging 1:1 with her professor, Dr Frank Bryant, in his office. Rita and Frank debate and discuss education, class, and alcoholism. Educating Rita’s strong script consistently obtains laughs from the audience, a credit to the comedic timing of the actors and the keen direction of Sharon Maine. This show was engaging and pulled in the audience through the powerful relationship it builds between its protagonists. The morally split and endearing characters create space for the audience to ask themselves the value of education, and its impact on social class.

This production boasts an interesting and authentic set, with piles of books that weaved in and out of the story. The characters moved about the office comfortably aided by simple and appropriate lighting. Rita and Frank sport funky costumes, exhibiting era and class appropriate wardrobes that support the audience’s immersion into Rita and Frank’s world. All the components of the show worked well together to bring Frank’s office to life.

 

 

This is clearly a show that wants its audience to question education and its value, as opposed to or in direct conflict of social capital and value. Rita and Frank toy with the educational imbalance and social inequality between them, creating and building tension in their relationship. Appropriately, or sadly (for me), the show contains some literary references that went over my head, but likely more educated people will understand. Perhaps that was a purposeful design, for the characters to highlight their educational and social superiority. Either way, the literary references enhanced the experience of the show, bringing literature to the forefront of Rita and Frank’s discussions.

At different points of the show Rita struggles with writing papers, alluding to the challenges of womanhood. Rita struggles to balance her work, domestic duties, and school. In her dissolution of society Rita notices neighbours becoming numb and looking for purpose, Frank and Rita’s conversation turns towards the awe and wonderment of life, traversing trivial struggles and mounting monumental issues we all face in life. Rita notes that there is ‘not enough time to find myself,’ alluding to the feminist struggle and desire to take on the world. Rita faces the struggle of conforming to society and giving in to peer pressure, or pushing against social expectation to achieve academically.

This play determines how education changes us, or not. It maintains a quiet sense of humour throughout, allowing the impact of heavy themes to wash over the audience amongst light hearted quips between Rita and Frank. The divergence of ideas and values pulls the characters apart, the central relationship splintering over time.

To book tickets to Educating Rita, please visit https://thebasintheatre.au/event/season-4-2025/2025-08-07/.

Photographer: Jason Triggs

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