Finesse: An Australian First

Finesse

Finesse Rating

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10

Whilst always being required of course for Salsa and Latin dance classes, ‘heels’ have rarely been seen in a regular dance school until very recently. Now you can find ‘heels’ classes on many weekly dance timetables at studios everywhere, but reviewing the first specific heels dance show in Australia, is very exciting!

The Siren Heels Company “Finesse” launch on Friday 5th July 2024 promised “delicate, impressive and sexy”. Excellent and engaging dancers, Estelle, Georgia, Jaime, Jessica, Jordan, Kimmie, Liam, Lia, Maddy, Sarah and Vicki, bring the vision together with Director and Founder of the new venture, 25 year old Peyton Leete.

Rehearsals must have indeed been taxing but worth the long hours as their timing and syncopation on the accents of the music is slick and their energy endless. All the dancers, including Peyton herself, are a tight team for the entire program – smooth transitions and incredible stamina is also on show here, and yes, you’ll hold your breath and your heart will skip a beat or two in parts.

Firstly, the music choices on the program can’t be beaten, they are perfectly selected from yesteryear’s Hollywood glamour to a modern day Catwalk vibe. Secondly, great costuming must be praised and it would have taken some very creative wardrobe brains to think of how black lace and a red garter would go strutting alongside a bright orange puffer jacket and make it work!  

In the showcased burlesque items, I wonder what designers of the essential corset undergarment in early centuries women’s fashion would say about these current elegant pieces, which definitely do not seem to hinder any breathing or ability to move.

Act 1 is full to the brim of everything ‘JAZZ’ – A fitting opening “Feeling Good”, choreographed by Peyton, has everyone on-stage and in the audience knowing that a long awaited night is now full steam ahead!

So, let me get right to the point, no dance show taking you back in time is complete without Fosse and a favourite was surely ‘Big Spender’. Originally written for the musical Sweet Charity, I doubt there’s another song even remotely similar that packs a punch like it does. A flashback moment in itself, I remembered performing to this song in my own youth as I watched Maddy’s solo, though the moves were a lot more tame back then (haha), and Maddy a lot more daring!

Fun fact, whilst ‘Big Spender’ is famous for Shirley Bassey and Peggy Lee, it was actually recently discovered that Cilla Black first performed it at London’s Savoy Hotel in 1966, by a forgotten tape found by her family. It makes a memorable moment to watch dancers perform to a song with interesting history. My grandmother would have known the words off by heart and although if she were here today she may not have approved entirely of Maddy’s attire, my 18 year old daughter sitting beside me and listening to the song for the first time, loved it!

‘Jaguar’ performed by Jordan is eye-catching choreography and her technical training is obvious, but her interaction with the audience was what stood out for me with this solo and I’ve seen a zillion dance solos over the years. Her gorgeous persona shone, she was mysterious and told the story she wanted to tell while we listened.

Act 2 is themed ‘FRENCH’ – filling the theatre with anticipation on shadows as ‘Derniere Danse’ dimmed the lights and ‘Fever’ heated up the lighting. However, I had seen in advance that ‘Toxic’ was on next – you know when you want to say turn up the volume, because Jessica definitely did that defining single justice. Then a WOW with ‘Roxane’ (I’m a tango fan), performed by Sarah – insane dancing, flawless execution.

Act 3 titled ‘FAME’ – I absolutely have to give a shout out to Liam for his solo ‘Queen of Pop’. Boys who dance never cease to be an incredible inspiration and steadfastly prove that this industry is definitely for both sexes and who doesn’t love a death drop, especially when you least expect it. The crowd did go wild!

If we were not informed by now that the growing popularity in ‘heels’ classes can incorporate many genres of dance, Kimmie’s talent certainly amplified this in her very rhythmic and more commercial style solo, before the group remix of Britney Spears’ hits was the showstopper highlight.

I won’t give anything else away, there’s a LOT in this show, there’s a lot of dancing, a lot of iconic music, a lot of smiling, clapping, jaw-dropping action, but mostly I would say there is LOVE. Love for dance, love for showcasing dancing in heels with excitement, and of course it’s sultry and sassy from start to finish, so the show suits older teens and adults because it does have mature themes throughout.

Peyton created Siren Heels Company because she wanted to create a space that nurtures passion and creativity. This company is for dancers who want to inspire each other and challenge the ideas of Heels dancing which encompasses many genres and styles. The idea for Siren Heels Company came to her five years ago and she started planning. Her new company embodies the values of treating people fairly, working hard, having fun and supporting each other.

“Heels is often misconceived as being hyper sexualised and in actual fact this show is all about class and fun” Peyton said, and after countless rejections from those who have not always treated her like the professional that she is proud to be, she wants Heels dancing to be appreciated as the art form it deserves to be known for.

If you are interested to see what it’s all about, there is still time to grab a last minute ticket for Saturday 6th July 7pm via trybooking https://www.trybooking.com/events/landing/1230831 or keep an eye out for the next Siren Heels show – auditions are open and this is just the beginning …..

Congratulations to Peyton, who has been brave enough after dancing for more than two decades herself to develop her own dance company and put her heart and love into what she and her cast clearly love, those HIGH HEELS!

ps. the Silver Boots – where do you get them????

NOTE: This show was hosted at Melbourne Dance Centre, Brunswick. Parking is easy in the street or near Coles – walking distance away. The theatre venue is warm with tiered seating and a glass of wine was on offer with a welcoming atmosphere.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Sam King presents TA DA: The Ramblings of a Magician

Sam King presents TA DA: The Ramblings of a Magician

Sam King presents TA DA Rating

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Great magic does not have to be big and extravagant to entertain, and Sam King proves this in his award-winning show, “Sam King Presents TA DA: The Ramblings of a Magician”.

Perfectly located at Melbourne’s quirky and iconic Butterfly Club, the friendly staff immediately welcomes you, and Sam himself personally greets each guest in the intimate theatre space.

From start to finish, Sam brings warmth and connection to the audience, putting the entire room at ease. Sam brings a calm confidence to the stage, keeping the audience completely engaged throughout the entire show.

Although a magic show at its core, the sheer talent of Sam’s stand-up comedy routine bits cannot be overlooked. Simple and effective magic tricks and illusions are cleverly connected to his ingeniously crafted comedic narratives.

At times reminiscent of the comedy stylings of Noel Fielding and Julian Barratt (of ‘The Mighty Boosh’ fame), Sam has created a magic show that masterfully intertwines his passion for magic with his quick wit and brilliant talent in comedy.

With an intimate audience, it wasn’t long before Sam had the entire room entranced and taken on an unexpected and utterly entertaining narrative journey. We were introduced to unforgettable characters, including Gary, the bitter violin case, Thumper the rabbit who had met an unfortunate and untimely end, and a strangely hilarious unfinished wooden ventriloquist puppet.

There is nothing better in the world of entertainment than watching a creative artist do what they love on stage. From start to finish, it was clear that Sam not only loves what he does but is also extremely talented.

Sam’s passion for magic and comedy fed directly into the audience. Laughter abounded in those brilliantly placed comedic moments, and the audience was openly amazed by the magic and illusions that were thoughtfully paced throughout the show.

Although some people cringe at the thought of being involved in audience participation, Sam masterfully involved a large proportion of audience members, finding that lovely ‘sweet spot’ where people feel comfortable enough to want to actively engage and be a part of the show.

This was quite simply one of those feel-good shows that give the audience exactly what we all need more of these days: a really good belly laugh and an escape from the humdrum of daily life.

‘TA DA’ is on until the 6th of July at the Butterfly Club.

Sam’s next show, ‘Tricks & Stuff,’ his award-winning close-up magic experience, runs from July 9 to 13 at 483 Swanston Street.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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The Exotic Lives of Lola Montez at Chapel Off Chapel

FINUCANE & SMITH’S THE EXOTIC LIVES OF LOLA MONTEZ

The Exotic Lives of Lola Montez Rating

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2

Attending the latest production of “The Exotic Lives of Lola Montez” at Chapel Off Chapel was an exhilarating and unforgettable experience. This show is a kaleidoscopic journey through the life of one of history’s most controversial and audacious women, brought to life by an all-female presenting cast.

The performance is a brilliant blend of fantastic singing, ranging from Broadway show tunes to opera and everything in between. It also includes burlesque dancers performing classic fan dances to full-frontal nudity, showcasing a spectrum of artistry and boldness.

The show is a highly feminist work, written and directed by women, and it tackles numerous significant questions relevant during Lola Montez’s time and today. Lola’s assertion that her body was her own and belonged to no one else remains a powerful statement in the current context.

Caroline Lee, a triple Best Actress winner and a direct descendant of Lola Montez herself, delivers a stellar performance. She expertly portrays a woman living life on her own terms in a time when women had limited choices. The narrative delves deep into what it means to live a life defined by one’s own desires and terms, questioning the value of a life lived outside societal norms.

The storyline beautifully intertwines Lola’s life with the historical context of Victoria and Melbourne, referencing artifacts that can still be seen in the National Gallery of Victoria. One notable episode from Lola’s life that is vividly depicted is her infamous horsewhipping incident involving the editor of the Ballarat Star. This event, among many others, is recounted with both humour and drama, creating a captivating narrative.

FINUCANE & SMITH’S THE EXOTIC LIVES OF LOLA MONTEZ

The show also features burlesque performances that range from historical references to modern interpretations, including a male performer stripping down to a single piece of tape, leaving the audience in suspense. This daring and unapologetic approach is a recurring theme throughout the show, making it both provocative and thought-provoking.

Despite a few minor hiccups, such as occasional line drops by the performers, the overall experience was incredibly enjoyable. The production’s raw honesty, combined with its mix of storytelling and sensual performances, makes it a must-see.

Don’t miss out on this incredible performance that celebrates the life and legacy of Lola Montez in the most spectacular and unapologetic fashion.

**Performance Details:**

**Dates:** 21 – 30 June

**Times:**

  • Friday 21 June, 8pm
  • Saturday 22 June, 8pm
  • Sunday 23 June, 6pm
  • Wednesday 26 June, 8pm
  • Friday 28 June, 8pm
  • Saturday 29 June, 8pm
  • Sunday 30 June, 6pm

– **Tickets:**

  • $88 Table Seat*
  • $48 Standard
  • $38 Concession
  • $38 Groups 6+

**Duration:** 80 minutes (no interval)

**Contains:** Theatrical haze, coarse language, nudity, and lots of dancing. Suitable for ages 15+.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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The Last Train to Madeline

The Last Train to Madeline

The Last Train to Madeline Rating

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4

The Last Train to Madeline is an emotive and nostalgic play that follows childhood best friends Maddy and Luke in Wangaratta from the ages of 8, 16, and 23 as their lives collide.

Staged at the Meat Market in North Melbourne, the set was immediately striking: the floor was filled with three old TVs flickering with static, while the rest of the space was filled with train tracks, fake plants, and a structure above.

The chemistry between the two leads (Ruby Maishman as Maddy and Eddie Orton as Luke) carries the show- it’s no easy feat to have a production with only 2 characters, and they make it look effortless, with a natural rapport. Much like the world of a child that revolves around only yourself and your best friend – we never see any other characters on stage, but their presence is felt – especially that of Maddy’s father, the driving force behind many of her actions.

Maishman’s Maddy effectively transitioned from an 8-year-old coming to terms with a stifling town and a mother who can’t look after her properly to a teenager desperate to escape. The audience can see how Orton’s Luke has been deeply impacted by Maddy’s actions—from a hopeful and eager-to-please 8-year-old to a 23-year-old who tells her that he is “tired.”

Utilising the same costumes for all 3 time periods, we as the audience are clued in by Maishman and Orton’s juvenile lilt and innocent conversations to indicate they are 8; these are noticeably absent as the characters age before our eyes.

At times, I felt anxious for the fate of the seminal prop of the video camera- especially in the scenes as 8-year-olds where it was getting thrown around – but both actors exhibited immense skill in their physicality, dodging the many TVs lining the stage and climbing the elevated structure (sitting on the edge of a row gave me an advantage of having the best view for these scenes).

The projection of the video camera’s live film onto the TVs reinforced the sense that these vignettes of Maddy and Luke’s lives were Luke’s memories being replayed. The play’s pacing continually draws you in, as the pieces of two characters’ lives are constantly being put together, and we revisit their most formative moments.

Despite the heightened, biting dialogue between the two leads, humour shined through: “You can’t marry your dog; she’s a girl,” says 8-year-old Luke…. “It’s 2003,” replies Maddy, cleverly grounding the audience in the past amid a soundtrack of 2000s-2010s indie pop and classics.

I wouldn’t be surprised if a movie or TV show of The Last Train to Madeline were a possibility for the future; the audience couldn’t help but root for (and sometimes see themselves in) the two youths. The dreamlike quality of the staging and the ruthlessly accurate adolescent dialogue made for exhilarating and comforting viewing.

The Last Train To Madeline is in its final week. Sessions run each night at 7:30 p.m. with the closing night scheduled for 6 p.m. on June 29th. Please don’t miss your chance to see this unique new Australian play.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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