Arts Theatre Cronulla Presents: The 39 Steps

The 39 Steps

The 39 Steps Rating

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3

High-paced physical comedy and a wildly multi-talented cast carry this chaotic and hilarious staged version of Hitchcock’s The 39 Steps at Cronulla Arts Theatre.

Director Cheryl Butler’s production is charming and deft. With a cast of four and a character list of more than 150, this production is a serious ask of its ensemble. The four actors switch accents, attitudes, and hats at pace throughout the play and manage to get both laughs and sympathetic groans from the crowd.

 

Gavin Leahy’s Richard Hannay is charming and moves almost like Ray Bolger’s Scarecrow in the Wizard of Oz film; his pratfalls and facial expressions add jokes to the already enjoyable script. He and Angela Gibson (who play the three key female characters who cross Hannay’s path) both have genuine chemistry and some of the most precise timed visual gags.

The two clowns, Gary Clark and Kathryn Bray have several sequences where the gags are layered as they switch characters and accents with simple movements or costume shifts. These two actors create the groundwork for the moments of romantic chemistry, always following them with a wink and a nudge.

Despite a reasonably long run time for a comedy, the show doesn’t lose your attention. The night we attended, the laughs only seemed to build as the night went along. Using a standalone door as a prop starts slightly funny and grows to be consistently hilarious. The suits are sharp, the staging is mostly minimal, and that’s also worked into the comedy of the thing. The prop work, especially from Kathryn Bray, is excellent.

 

Patrick Barlow’s stage adaptation takes a loving and goofy approach to the source material. The iconic plane chase appears in shadow puppet relief, and there’s a dramatic and hilarious action sequence on a train that both pays tribute to and pokes fun at the original.

If you’re looking for a faithful Hitchcock adaptation, this is not the play for you, but some passing knowledge of the film will deepen the experience of the show and add a few jokes that might go over the head of someone going in cold. The energy required to convincingly carry off a clowning play is immense, and Cronulla Arts Theatre’s production of The 39 Steps has it and then some. I would thoroughly recommend it.

For Tickets to The 39 Steps, please book @ https://www.artstheatrecronulla.com.au/the39steps

The season runs from 25 October to 30 November, with Wednesday, Friday, and Saturday at 8 p.m. and Sunday matinees on 27 October and 3, 17, and 24 November at 2 p.m.

Photographer: Dan Binger, Graham West, Jeffrey Gall, Mark Phillips, Peter Gale

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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The Butterfly Who Flew Into The Rave

The Butterfly Who Flew Into The Rave

The Butterfly Who Flew Into The Rave Rating

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2

‘The Butterfly Who Flew Into The Rave’ is a dance and movement work that pulses with all the varied energy of an hours-long dance floor. Created in Auckland by queer, indigenous director Oli Mathieson, three dancer-choreographers in the cavernous Bay 21 at Carriageworks create such a concentrated swirl of storytelling movement that the audience cheers and hollers at the most striking moments.

Lucy Lynch, Sharvon Mortimer and Oli Mathieson move in mesmerising unison for the majority of the piece, making their moments of breaking out of it exhilarating. Stylistically, dance forms from the rave and techno worlds need personality, not just precision, and they bring it in spades. Their sneaker-clad feet hit the floor in such tight rhythm that the beat feels like it could be coming from their steps, not the booming sound system.

The lights hang low and blue as the trio begins in the far corner, moving even as we enter. People have their phones out filming and taking photos as we find places to watch from; the program encourages this. The Butterfly Who Flew Into The Rave doesn’t let up the pace once.

The soundtrack is the entirety of ‘Nocturbulous Sounds’ by Suburban Knight, an album with no breaks that flows through gritty beats from across the techno spectrum, harsh and pulsing in turn. The movements, as they take us through the experience of a 3-day rave over the course of an hour and a half, follow this same arc: elbows and limbs are thrown with both abandon and precision, sweat towels are lowered from the ceiling, and there’s crawling, rolling, grabbing each other’s hands like a life-raft. Their dancing makes you want to dance.

The sweat rolls off each performer, and the red cups they grab twice throughout the show to hydrate are thrown offstage to keep dancing. The minimal props feel mainly like tributes to different rave subcultures rather than specific features and are less important than the bodies manipulating them.

Of the Liveworks program in 2024, ‘The Butterfly Who Flew Into The Rave’ is one of the sexier, more high-octane offerings. There are strobe sequences, a brief and striking use of black light and transcendent performances from the three dancers. There is a wild commitment to every movement, and Lynch, Mortimer and Mathieson seem to have both the soundtrack and their choreography in their bones rather than brains. The delivery of the show is slick, despite relishing in the essence of the dirty dance floors it was inspired by, and absolutely transporting.

This show is part of the Liveworks Festival 2024, which will be hosted at The Carriageworks Performance Space from 23rd to 27th October.

Follow the link to book in for this or any other shows during the festival @ https://carriageworks.com.au/events/liveworks-festival-2024/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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