After The Flood Starring Deborah Conway

Feature-After the Flood

This November, a major new work of Australian Jewish theatre comes to Melbourne. After the Flood is an original contemporary musical that reimagines the biblical story of Noah and the flood through one Melbourne Jewish family confronting a world that can no longer be recovered.

As the waters approach, old wounds rise to the surface. A family gathered around a Shabbat table must confront questions of faith, inheritance, grief and love – and decide what they will carry with them into whatever comes next.

With music and lyrics by Melbourne composer and theatre-maker Ari Jacob and a book by Jacob and Josh Gurgiel, After the Flood brings together an all-Jewish cast and creative team for an ambitious new work of Australian musical theatre. The production stars acclaimed singer, songwriter and performer Deborah Conway as Naama, alongside Simon Starr as Noah. Rounding out the cast of five are Michelle Swersky, Eli Faraday and Amira Cherrie.

We are introduced to the family as they gather around the Shabbat table. There, brimming strife and turmoil threaten the family’s unity. Eventually, Noah has a vision of a catastrophic flood and this is dismissed by the family as the product of an overactive imagination. But as rain begins to fall and an Ark takes shape, the family is forced to reckon with the fractures that have quietly been growing between them.

Deborah Conway & Simon Starr in AFTER THE FLOOD.png

Noah’s three children are each facing their own questions about identity, faith, love and the future. As the world they know begins to disappear, the family must decide whether they can let go of the inherited beliefs and burdens that keep them apart – and make a new promise to remain connected.

At its heart, After the Flood is a story about mourning: mourning the people, places and worlds we have lost, while facing the possibility that something new might emerge from their ruins.

Jacob’s score will be performed live by a ten-piece band. It includes traditional oud and kamancheh played by two Iranian musicians Jacob connected with during the recent war – bringing sounds and musical influences from across the region into the production.

Deborah Conway remarked “I am fortunate that I have been presented the opportunity to play in these themes, a sweet, idyllic calm in amongst the tempestuous times.”

The production is directed by Rebecca Skovron, with movement direction by Yakira Abraham and musical direction by Adam Starr. Together with Jacob and co-writer Josh Gurgiel, they lead a wider creative team of Jewish Australian artists working across theatre, music, movement, design and production.

After the Flood was commissioned with support from the Victorian Government’s Connecting Cultures program, with additional support from the Pratt Foundation, the Liberman Foundation, the Victor Smorgon Group and the Dindas Charitable Fund.

At a time when Jewish artists are navigating an increasingly difficult cultural landscape, After the Flood is an act of Jewish artistic creation in Melbourne: an ancient story retold by Jewish artists, for a contemporary audience, on a major Melbourne stage.

The strictly limited season runs for six performances from 4-9 November 2026 in Melbourne. Venue details will be provided to ticket holders 24 hours before each performance.
Website for further information & tickets: afterthefloodmusical.com

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Co-producers Of ‘Heathers The Musical’ To Bring The Magic Of Banjo Patterson To The Stage In A New Australian Musical

Feature-Clancy of the Outback

Stoddart Entertainment Group is proud to announce the commissioning of a new Australian musical, Clancy of the Outback, for development. Renowned for staging productions such as The Play That Goes Wrong, Evil Dead The Musical, and Heathers The Musical, the company will present this uniquely Australian story exploring identity, family, community, and acceptance through a uniquely Australian lens. The production is scheduled for its premiere in 2027.

The production is based on Phil Kettle and Bob Andersen’s beloved children’s book series, Clancy of the Outback, which drew its inspiration from Clancy of the Overflow, one of Banjo Paterson’s most famous poems, which is told from the perspective of an urban dweller who encounters the legendary drover and shearer, Clancy, and comes to long for the idealized pleasures of his outback lifestyle.

This original, one-act theatrical adventure will bring one of Australia’s most iconic children’s outback heroes to the stage, creating a fresh homegrown production that promises to captivate both young audiences and families.

Stoddart Entertainment Group CEO/Producer Daniel Stoddart said, “Australian stories deserve to be told on our stages, especially for young audiences. Clancy is adventurous, funny and deeply heartfelt, but what excites me most is that it doesn’t talk down to children. It treats them as intelligent, thoughtful audiences and invites families to experience all the hallmarks of a full-scale musical together.”

“At a time of significant change for Australia’s theatre industry, we’re incredibly proud to be investing in new Australian musical theatre. Original work is the lifeblood of our industry, and Australian stories deserve to be created by Australian artists and shared with audiences across the country. Clancy of the Outback is more than a new production – it’s an investment in Australian creativity, in emerging talent, and in the future of home-grown musical theatre.”

The production will feature book and lyrics crafted by an all Australian team led by Green Room Award-nominated writer Dylan Marshall, with an original score by Earl Marrows, a celebrated Australian composer and alumnus of New York University’s esteemed TISCH School of the Arts.

Writer/Lyricist Dylan Marshall said, “Clancy is a story about finding where you belong. While it’s wrapped in adventure and humour, at its heart it’s about connection – to people, to place and to community. Those themes feel incredibly relevant today.”

Composer Earl Marrows added, “The score draws inspiration from the Australian landscape itself. We wanted the music to feel big-hearted, emotional and distinctly Australian while still delivering the excitement, humour and spectacle audiences expect from musical theatre.”

Bursting with humour, heart and thirteen original songs, Clancy of the Outback will follow a city kid who finds himself thrust into the heart of regional Australia. At The Overflow Station, Clancy learns to fit in with the lively dust-covered community, raises a baby kangaroo, discovers the beauty and hardship of life in the outback, and faces an environmental emergency that challenges his courage, resilience and sense of belonging.

The production forms part of Stoddart Entertainment Group’s ongoing commitment to championing Australian stories and investing in the future of new Australian musical theatre.

Further details, including premiere dates, creative team and casting, will be announced in the coming months.

 

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