It’s simply MARVELous: A Risque Parody

Marvel

MARVEL: A Risque Parody Rating

Click if you liked this article

6

The big energy opening number to MARVELous: A Risque Parody gave the audience a taste of what was to come. There were showgirls dressed in sexy red, white and blue outfits, high kicking, singing and dancing around a muscular square jawed Captain America, played by Luka Lea-Vestic holding up his big round shield.

It was reminiscent to a scene from Captain America named “The Star Spangled Man with a Plan” except director, creator and composer Samwise Holmes cleverly wrote a parody called “The Man with America’s Ass” with lyrics such as “Who’s got a glorious gluteus maximus? The vote for the world’s greatest bum is unanimous. A posterior that’s all class. The man with America’s Ass”!

From here I guessed that this was going to be a mix between a satirical musical, a flamboyant gathering of colourful costumes and cheeky burlesque dancing. What I didn’t foresee was another layer – one which involved not only raunchy strip dancing, but dancing in many different styles, including a ballet act, dancing using a whirlpole and a modern puppet master dance led by Scarlet Witch, played by Brea Holland. Added into the mix was a good dose of aerial and stage acrobatics, with risqué humour woven in. Listening to the audience’s reaction to the performances around the theatre, it was clear that MARVELous was hitting all the right notes!

Each performance involved a seperate Marvel character act, unique to them and was unrelated to others. There was not a storyline from start to finish, rather a series of acts where the Marvel characters embodied their character traits and special powers. They performed a particular dance, sometimes singing along to parodies of a well known scene from a movie. When they were not performing as their main Marvel character, the cast of 12 supported each other by playing other roles onstage.

One stand out performance was by Megan Wonfor, who played Black Widow. Her fight scene with two ninjas dressed head to toe in black was phenomenal. The three of them did a “dance fight” full of acrobatic tumbles and sharp acrobatic leaps, all in time to music. It was visually one of the most beautiful fight scenes I’ve ever seen!

Another performance I really enjoyed was from Fat Thor, played by Thomas Remaili, who used the pole in his routine and made climbing up it and hanging off at zig zag angles look easy, despite wearing croc slip on shoes and having his legs and arms covered, which left me wondering how he was able to grip the pole. His huge prosthetic belly didn’t hinder Fat Thor as he performed his routine, and his humour had the audience laughing and cheering him on.

Deadpool, played by Justin Wise, was the show’s sassy narrator. When he was onstage, his role as the storyteller appeared to be more of a stand up comedian and involved him bantering with the audience to bring the show to a more personal level.

The choreography of all the dance acts was so varied, and executed with precision by the actors. If all the dance routines were too similar, it would have been a lacklustre show. Choreographer Luka Lea-Vestic ensured that audiences would be treated to a mix of styles that captured our attention.

James Wallis’ lighting, in combination with the creative three-story cityscapes scaffolding set design by Dan Potra, was effective throughout the show to both elevate the vibrancy of the mood and to build the suspense in darkened scenes. In one performance Iron Woman, played by Lulani Rawson, led a multi woman lineup of Marvel characters in a dance, with each performer using her lights on her hands to create exciting paths of lights into the audience as the male performers lit them up from behind. This was a mesmerising scene.

Action Reaction Entertainment have brought a dynamic show to the Chatswood Concourse theatre for fans of the Marvel Cinematic Universe. There were cheers and laughter as they understood and appreciated the jokes and references throughout the performance. Even if you weren’t familiar with all the characters, there were acts which brought in parodies of some very well known musicals as well. Despite some opening night hiccups with the sound, the soundtrack paired with the casts’ high energy performances ensured the audience had plenty of laughs and a MARVELous night out.

MARVELous: A Risque Parody is playing at the Chatswood Concourse.
Be aware that it is an 18 + event.

Show Run: Friday 26 July – 10 August 2024
Tickets: from $59 – $125

www.marveloustheshow.com.au

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!

Shaken and Stirred – An Evening With James Bond

When listening to some movie soundtracks, certain iconic notes link that song to a movie and are immediately recognisable, similar to lines recited where you know precisely which Shakespeare play they hail from.

In the case of the James Bond franchise, they are the first four notes of the opening theme. You know them, that first scene – where the black camera lens swirls open, and James Bond appears, dressed in formal attire, confidently holding his weapon. These four notes are followed by a tune that places listeners in a particular era; one of intrigue, one of suave sophistication, one where the men are debonair and the women breathtakingly beautiful. The “Bond, James Bond” era.

On Saturday night, 3 February, this is exactly where everyone went in their memories inside the theatre at The Concourse Concert Hall in Chatswood. The sixty-plus musicians from the Willoughby Symphonic Orchestra (WSO) presented an evening of James Bond movie themes.

Delightfully conducted by Dr Nicholas Milton AM, the WSO took us on a musical memory journey from Dr No in 1962 to 2012’s Skyfall. The distinct sounds of the sixty decades shone through with each theme, and I immediately visualised the actor playing James Bond and the associated colourful villain in the film. After all, one doesn’t exist without the other – the hero and the villain. They seesaw much like the music’s portrayal of deception, danger and determination. Performed one after another, it was interesting to hear the recurring recognisable 007 leitmotif pop into a few different theme songs. All orchestrations were by Nic Raine.

Dr Nicholas Milton was dynamic in conducting the WSO. From the opening theme song and throughout the many changing tempos, his enthusiasm was infectious and enabled the audience to be swept along with his energy. As well as being a Concertmaster, Dr Milton showcased his skill as a musician and joined in as a pianist on one of the songs. This was only one part of a show where people on stage had dual roles. During Live and Let Die, musicians sang the backup vocals, which surprised and delighted the audience and in Another Way to Die, I interpreted the strings section performing a visual type of ‘Mexican Wave’ with their bows in the air, which I loved seeing.

This was not a show to be silent the whole time, with the audience showing their full appreciation with claps and cheers after musicians’ solos, such as when Rick Cassar and Lars Mehlan showcased their talents on their trumpets. The WSO received a standing ovation at the concert’s end, prompting an encore of two more James Bond movie songs.

Some James Bond themes are not purely instrumental, and we were fortunate enough to have been treated to the vocals of incredibly talented British singer Mary Carewe. Mary is an established and well-respected recording artist and recitalist with an extensive repertoire, including Broadway musical songs, cabaret, and jazz. She seamlessly brought her own style to the songs, and I was impressed by how she sang life into the body of the music. Certainly not surprising, as she has made a CD of The Music of James Bond with the Royal Philharmonic Orchestra. Not to be understated were Carewe’s beautiful outfits, with one in particular, a sparkling and glittering nod to the true glamour of James Bond.

The 21 songs that the Willoughby Symphonic Orchestra performed were perfectly chosen to showcase the talents of the musicians. The slow, romantic ballads of For Your Eyes Only and All Time High were sweet and earnest, whilst the stand-out song for me with the varied slow and then frenzied tempo was Live and Let Die. A perfect song to close the first half of the concert.

It was impressive that the WSO performed all except a handful of James Bond theme songs. Even if you haven’t seen these movies, this orchestra’s renditions made for a beautiful evening of classic British 007 music. It was an immersive performance, and as I left the concert hall, I knew I’d be humming those four-plus notes all night.

Running Time: 90 minutes with a 20-minute interval
The Concourse Concert Hall, Chatswood
Saturday 3 February, 7pm
Sunday 4 February, 2pm

This review also appears on It’s On The House and with more reviews at Dark Stories Theatre Reviews to see what else is on in your town.

An Evening With James Bond