Madwoman Monologues

Madwoman Monologues

Madwoman Monologues Rating

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The Butterfly Club has once again been set alight by brilliantly talented performers as part of the final season of Madwoman Monologues.

The show is produced by female-oriented theatre company Baggage Productions. Founded in 1999, Baggage Productions has staged Madwoman Monologues every year since 2011, bringing together actors, directors, and creatives from the Melbourne region.

Programme One of this season’s Madwoman Monologues sees six monologues encompassing loss and heartbreak as an overwhelming theme.

Opening with ‘Moll’s Wighty Task’ performed by Melina Wylie, the audience welcomes her abundant technical skill and dedication to character. Following the story of a widowed Englishwoman, Wylie explores hilariously absurd ideas with bold confidence, before slowing the monologue down toward its grief-stricken cornerstone. Between detailed costuming and carefully placed accenting Wylie’s monologue was able to leave a lingering shadow throughout the night.

 

‘Scrub’ written by Louise Hopewell is performed by Kate Mulqueen. The successive monologue offers an effective contrast as the audience follows the story of a millennial-aged woman beginning a new job on a construction site after losing her partner to an affair. The script offers an abundance of hilariously put profanity, with supportive use of props and stage design adding to an indulgent use of characterization. Mulqueen’s performance is heartening, relatable, and soul-bearing as she intertwines the tragic loss of family members throughout her story.

Alice Daly took to the stage next with her performance of ‘Buttered Toast’ by Isabella Gilbert. Gilbert’s stunning script paired with Alice Daly’s committed performance made for a highlight of the night. Audiences were entertained with Daly’s dictation of a hilariously awkward first date, and charmed by her commitment to numerous comedic demands.

‘Anything’s Possible’ performed by Phoebe Taylor, written by Adele Shelley earned a wave of praise from the audience. Her story follows the chaotic life of a mother wiggling her way out of an inconvenient run-in with a police officer. Taylor pools humor and lively storytelling together to create one ever-relatable monologue.

The evening was halted by a sweeping performance of ‘Hole’, written by Sarah Durickovic and performed by Melanie Madrigali. The profoundly emotional monologue featured a well-crafted representation of a woman suffering tragic loss and deep sorrow. Madrigali delivered an emotionally charged series of thoughts with utter devotion, despite the direction of the monologue being at first unclear.

Co-founder of Baggage Productions and esteemed actress Christina Costigan closed the program with ‘ICDHT’ written by Kate Rotherham. ‘ICDHT’ tells the story of a mother dealing with heartache through cold morning swims, as advised by her therapist. Her story is hilariously bold, inspiring, and gripping as she commits with total devotion to her character.

The annual Madwoman Monologues are particularly special for they are written by women and performed by women. Each monologue explores grief and loss, comedy, and the charm of small wins in the lives of everyday women. The production brings together communities of actresses, creatives, and audiences to appreciate female talent in writing and drama. Madwomen Monologues is a more than pleasant way to spend a low-key night in Melbourne CBD.

Book in now for one of the remaining session dates/times @ https://thebutterflyclub.com/show/madwomen-monologues

Remaining Shows
Wednesday 13 November 2024 7:00pm
Wednesday 13 November 2024 8:30pm
Thursday 14 November 2024 7:00pm
Thursday 14 November 2024 8:30pm
Friday 15 November 2024 7:00pm
Friday 15 November 2024 8:30pm
Saturday 16 November 2024 7:00pm
Saturday 16 November 2024 8:30pm

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Sam King presents TA DA: The Ramblings of a Magician

Sam King presents TA DA: The Ramblings of a Magician

Sam King presents TA DA Rating

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Great magic does not have to be big and extravagant to entertain, and Sam King proves this in his award-winning show, “Sam King Presents TA DA: The Ramblings of a Magician”.

Perfectly located at Melbourne’s quirky and iconic Butterfly Club, the friendly staff immediately welcomes you, and Sam himself personally greets each guest in the intimate theatre space.

From start to finish, Sam brings warmth and connection to the audience, putting the entire room at ease. Sam brings a calm confidence to the stage, keeping the audience completely engaged throughout the entire show.

Although a magic show at its core, the sheer talent of Sam’s stand-up comedy routine bits cannot be overlooked. Simple and effective magic tricks and illusions are cleverly connected to his ingeniously crafted comedic narratives.

At times reminiscent of the comedy stylings of Noel Fielding and Julian Barratt (of ‘The Mighty Boosh’ fame), Sam has created a magic show that masterfully intertwines his passion for magic with his quick wit and brilliant talent in comedy.

With an intimate audience, it wasn’t long before Sam had the entire room entranced and taken on an unexpected and utterly entertaining narrative journey. We were introduced to unforgettable characters, including Gary, the bitter violin case, Thumper the rabbit who had met an unfortunate and untimely end, and a strangely hilarious unfinished wooden ventriloquist puppet.

There is nothing better in the world of entertainment than watching a creative artist do what they love on stage. From start to finish, it was clear that Sam not only loves what he does but is also extremely talented.

Sam’s passion for magic and comedy fed directly into the audience. Laughter abounded in those brilliantly placed comedic moments, and the audience was openly amazed by the magic and illusions that were thoughtfully paced throughout the show.

Although some people cringe at the thought of being involved in audience participation, Sam masterfully involved a large proportion of audience members, finding that lovely ‘sweet spot’ where people feel comfortable enough to want to actively engage and be a part of the show.

This was quite simply one of those feel-good shows that give the audience exactly what we all need more of these days: a really good belly laugh and an escape from the humdrum of daily life.

‘TA DA’ is on until the 6th of July at the Butterfly Club.

Sam’s next show, ‘Tricks & Stuff,’ his award-winning close-up magic experience, runs from July 9 to 13 at 483 Swanston Street.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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The Last Word

The Last Word

The Last Word Rating

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3

With an eye-catching poster featuring an image of the star throwing a bunch of SCRABBLE tiles off the board into the air, one could be forgiven, walking into the Butterfly Club, on a cold Melbourne night, that the show, like the poster, may just be a bunch of ideas and various tiles haphazardly thrown together in the hopes a decent score is found. All doubt was removed at the second “The Last Word” star and creator slinked onto the stage.

It’s not often a performer that you are not familiar with, takes a stage, and with literally just a raise of their eyebrow has you giggling and instantly at ease, this is however the feat that Imogen Whittaker managed in her sold-out Monday night performance.

With nothing but a microphone and a piano, along with a whole bunch of therapy behind her (though, as Imogen tells us, she was dumped by her therapist- ouch!), she launches into song and starts the show. Within just a few bars, you know you are in the hands of an up-and-coming pro, instantly the clever, humorous wording has you thinking you are in the hands of a star like Tim Minchin. The music and lyrics already feel like they belong in a smash hit like Matilda (we won’t talk about Ground Hog Day), and the audience takes an audible sigh of relief knowing that the hard slog to get out on a wet Monday will well and truly be worth it.

Through the next 50 minutes or so, Imogen Whittaker draws you in with her charm, honesty, and a little self-deprecation. Managing to tell stories that are uniquely her own, though with wording and feelings that like today’s Astrology Star Sign forecast, the audience could easily interpret to be current and applicable to themselves.

A particular favorite was – Last First Date
“I think I’m going to get RSI
From how many times
I swipe left and right
And put on my nice shoes and dress
Just to be in evidently unimpressed”

A hilarious ode to the pitfalls of dating and kind of a Groundhog Day (not the Minchin one- no, this one wasn’t tedious) of first date after first date after first date and how they all start to feel the same, the guys all sadly similarly bland and not right and how Imogen wishes that she could find the one and have her “Last First date”. Knowing laughter from the audience and friends nudging each other in agreeance throughout.

The Last Word

Other stories of the wacky world of dating are put into song- like the one about the guy she dated for some time, to then find out the reason he was emotionally unavailable was that he was married and bumped into him and his wife at a country bakery where he introduced her as “a family friend”. Awkward. But hey, this ‘ACE’ of a guy brought her a piano- so I guess he is ok?

Another about a failed ‘showmance’ in what we are repeatedly and cheekily told was “the worst production of FAME ever staged” that leaves Imogen wondering if she was in love with the actor or the character. Then there is “Drunk Call”, awaiting an ex who has moved on, but she “Leaves my phone on even though I know you are out, in case I’m the one you‘re still thinking about”.

With brilliant lyrics and music that have you reminded of Missy Higgins, Musicals like Once and Matilda, and an instantly likable personality that draws you in, this was a joyous night at the theatre held by a performer who knows her talent and leans into it with grace and confidence. Despite some sound issues, from the microphone not sounding on for the first number to then barely being able to hear the wonderful piano playing for a few numbers, this is a highly recommended show.

“The Last Word” like the show’s promo poster, is a collection of letters and words of Imogen Whittaker’s experiences. She played a brilliant game and clearly won with the tiles of life that have been dealt her way.

I can’t help but feel that she still holds her ‘Q’ and ‘Z’ close to her chest. But I tell you, when she does decide to put them on the table, not only will she win again, she will score big and it will be one of the most exciting games. This is not Imogen’s last word, and I eagerly await her next.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Mystery Radio Theatre

Mystery Radio Theatre

Mystery Radio Theatre Rating

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3

If you need a night of laughter, intrigue, and a touch of whimsy, the Mystery Radio Theatre at The Butterfly Club in Melbourne is your perfect destination. This unique theatre experience is a triple threat, blending musical comedy, improv, and sketch shows into one captivating performance that will leave you wanting more.

From the moment you step into The Butterfly Club’s cozy confines, you’re transported to a world of mystery and mirth. The atmosphere is electric, and the anticipation is palpable as you settle in for an evening of entertainment.

This month’s original play, “Murder Me Again, My Darling,” delivers a punchy blend of gritty comedy-noir and slapstick humour. Led by the soft-boiled detective Jake Steele, the audience is thrust into a web of intrigue involving beautiful identical twins, crime bosses, corrupt politicians, and a gumshoe who still lives with his parents. It’s a hilarious homage to film noir, complete with unexpected twists and turns that keep you guessing until the end.

What truly sets Mystery Radio Theatre apart is its ensemble cast of talented actors who breathe life into each character. Their mastery of minimal rehearsal allows for a fresh, spontaneous performance that feels like improv. Quippy lines and charming ad-libs only add to the infectious energy of the show, creating moments that are as endearing as they are hilarious.

But it’s not just the performances that shine—The Butterfly Club is a star. Nestled in a classic Melbourne laneway, this quirky venue oozes charm and character. As you descend into the intimate performance space, you’re embraced by the crowd’s warmth and the madcap antics unfolding on stage. With no bad seat in the house, you’re treated to up-close views of every facial expression and comedic flourish, making you feel like a part of the show.

The attention to detail extends to the sound design, with cleverly timed sound effects that enhance the show’s overall ambience. From the crackle of a vintage radio to the footsteps of a gumshoe on the trail, every auditory cue adds to the immersive experience.

And the excitement doesn’t end with one show—each month brings a new live radio play with its unique storyline and cast of characters. From English country estates to Agatha Christie-inspired murder mysteries, there’s always something fresh and exciting. Live ad reads, musical guests, and interactive elements keep audiences engaged from start to finish, ensuring that no two performances are the same, and you’re always in for a delightful surprise.

With a stellar lineup of actors, a charming venue, and a rotating roster of original comedy murder mysteries, the Mystery Radio Theatre at The Butterfly Club is a must-see for theatre lovers and comedy enthusiasts alike. So, grab a cocktail, settle in, and prepare for an evening of laughter, suspense, and fun. Can you spot the killer? There’s only one way to find out.

Showing monthly from June to September this year, grab your seat now; the venue is small and will most likely sell out.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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