Sir Terry Pratchett’s The Fifth Elephant

The Fifth Elephant

The Fifth Elephant Rating

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6

The Fifth Elephant, one of Terry Pratchett’s many successful fantasy novels, inspires this whimsical and spellbinding stage play from Brisbane Arts Theatre Company. This production, directed by Sarah Drew and Eleni Koutsoukis, was especially exciting to attend as I was interested to see how the themes and characters of Pratchett’s Discworld novels come to life.

While the stage design was simple, the crew used contemporary methods to convey scene changes and effective space use. In the top right corner of the stage was a black, long staircase from which characters could emerge to signify a character’s status or moods and give group scenes more varied dynamics. It was well received in each instance and an adequate expression.

Something of note was the use of lighting and projections. In the first act, the lighting crew encountered occasional timing issues a few times. Despite this, each time, they recovered quickly, and it became less of a distraction as the show went on, and their cues were more on point. The use of red flashing lights during one of the action scenes and the red lighting during one of the final scenes aligned well with what was happening and engaged viewers. Using projected images to signify scene changes was a simple but clear way to manage the design and cast movement. Instead of moving furniture between scenes and waiting for transitions, the cast could immediately focus on the next one.

 

As for the actors and actresses, I was very impressed by the amount of talent and focus they conveyed in each scene. The physical demands of the roles of those who played werewolves/wolves/talking dogs were also commendable, as they often had to move about the stage reasonably quickly during action scenes.

Especially notable mentions include the roles of Commander Vimes, Carrot, Igor (all of them), Wolfgang, Littlebottom and Skimmer. I enjoyed seeing how all of these characters interact and how the actors professionally and thoughtfully executed them. Their use of comic relief, tension, body language, and vocal tone made each scene stand out in quite a unique way. If I were to pick one scene that the audience and I seemed to have favoured and thoroughly enjoyed, it would be the final scene between Vimes and Wolfgang. The audience also enjoyed the Igor scenes; many spoke lovingly of them during intermission.

Each actor, whether in a major or minor role, did an amazing job, and I am eager to see how their skills are utilised in the next production.

The Fifth Elephant runs until the 2nd November. Book your tickets for one of the remaining performances @ https://www.artstheatre.com.au/productions/sir-terry-pratchetts-the-fifth-elephant/

Friday 25th October – 8pm
Saturday 26th October – 7pm
Sunday 27th October – 2pm
Thursday 31st October – 8pm
Friday 1st November – 8pm
Saturday 2nd November – 7pm

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Terry Pratchett’s The Truth – A Delight for Discworld Fans

As a longtime fan of the Discworld series, I had the pleasure of experiencing the stage adaptation of Terry Pratchett’s The Truth. The production, presented by Roleystone Theatre at the Don Russell Performing Arts Centre, successfully brings the vibrant world of Ankh-Morpok to life.

The storyline revolves around William de Worde’s bold steps into the role of Discworld’s first investigative journalist. And it is a baptism of fire as scandalous charges of attempted murder and embezzlement against the esteemed leader of Ankh-Morpok, Lord Havelock Vetinari, emerges.

The cast is large, with highlight performances from Lord Vetinari(Lilly Litchfield), Gangsters Mr Pin(Aaron O’Neill) and Mr Tulip(Peter Carr), William De Worde(William Darlington) himself. However, due to the large ensemble, keeping up with the frequent scene changes can take a lot of work, and every cast member gets their chance to shine.

For avid Terry Pratchett fans, this stage adaptation is an absolute treat. It encapsulates the unique humour and charm that Pratchett’s writing is known for. However, those unfamiliar with his work or who have yet to read The Truth might sometimes find the storyline a bit demanding to follow.

The production stays faithful to Pratchett’s style and includes his signature quirky commentary on contemporary life through the lens of Discworld’s foray into journalism. William’s frustrations with the public’s blind acceptance of information and reluctance to believe the truth resonate strongly in today’s society. The play cleverly satirises the willingness of some individuals to believe falsehoods while rejecting the truth.

Roleystone Theatre deserves commendation for taking on this ambitious endeavour. The adaptation captures Terry Pratchett’s brand of humour and seamlessly weaves it into the narrative.

In conclusion, Terry Pratchett’s The Truth on stage is a must-see for fans of his Discworld series. The production effectively brings Pratchett’s beloved world to life with solid performances, creative staging, and the infusion of his distinctive humour. While it may be slightly challenging for newcomers to grasp the storyline fully, the overall experience is a delightful tribute to Pratchett’s legacy and satirical take on truth and journalism.

Terry Pratchett’s The Truth only has three sessions remaining. Book a session for Friday at 7:30 pm 7th, July or Saturday at 2 pm/7:30 pm 8th July.

This review also appears in On The House

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