Poe Dreams of Madness

Poe Dreams of Madness

Poe Dreams of Madness Rating

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6

Decked out with skeletons, skulls and all décor dark and spooky, the moment theatregoers stepped into the Garrick Theatre, they were transported into a gothic world with a focus on ghosts, murder and mayhem, and a dose of eccentricity.

From the famed American writer and poet Edgar Allan Poe, a series of his tales were brought to life by talented young actors of the Teens at Garrick theatre group for Poe Dreams of Madness.

The play begins with Edgar himself, superbly played by Annie Dahn as the troubled and eccentric protagonist. Unsure whether he’s dreaming or awake, he looks back on some of his greatest tales, unaware that he is the mastermind behind their creation. Like a dream he’s desperately trying to recall, there are moments when lines that are spoken become familiar to him, but it’s an ongoing struggle for him to put pieces of the puzzle together.

The play is reminiscent of A Christmas Carol, where Scrooge is taken back at the stroke of midnight to watch his past play out before him. However, in this instance, it is the raven who takes Edgar on a journey to watch his tales play out before him.

Edgar was one of America’s greatest writers, but he was a tortured soul. In 1849, he was found in the gutters outside a Baltimore polling station, disoriented, incoherent, and wearing another man’s clothes. It is almost as though he is transported from that moment to the start of the play, unable to make sense of what is happening, what is real, and what is not real.

Poe Dreams of Madness

Nine of his tales are retold, including his most well-known, The Raven, and The House of the Fall of Usher, which, for those who may be interested, is currently streaming on Netflix. Each scene tells a different tale, and the transitions between each scene are seamless and skillful.

The stories build up to a climax, at which Edgar is confronted with characters from his stories and, in a way, confronted with himself. All characters are played with great passion and enthusiasm from the young cast.

The set was simple but very effective, with few props but it was all that was needed together with mood lighting to make the audience feel they were inside a dim-lit gloomy study room of an old 19th century brick building.

Poe Dreams of Madness left me wanting to know more about Edgar’s life and his works but for anyone into dark gothic tales, you will not be disappointed.

For tickets, book online at https://www.taztix.com.au/garricktheatre/

or Phone Bookings:
TAZ Tix 9255 3336

Venue: Garrick Theatre
16 Meadow St, Guildford

Performance Dates:
September 27, 28, 29*, October 4, 5*, 5eve, 6*, 11, 12
All evening shows at 7.30pm.
*Matinees at 2pm

Tickets: Adult $28, Concession $23, Members $22
Child Under 18 years $15

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Bleak Expectations: Presented by Limelight Theatre

Bleak Expectations

Bleak Expectations Rating

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3

Adapted from a series of BBC radio plays, ‘Bleak Expectations’ puts a fun twist on Charles Dickens’s classic tale. It is well-staged and performed by the team at Limelight Theatre.

Narrated by a grown-up Pip Bin, we look back on his coming of age as a young man in a life full of twists, turns, and slapstick English humour.

Gordon Park guides our story as the older Pip, with a commanding stage presence that fills the stage. Jack Riches, who brings a refreshing, happy-go-lucky nature to the central role, portrays his younger counterpart with naivety.

Natalie Wiles and Mary Del Casale round out the trio of Bin children as Pip’s sisters, the strong-willed, ambitious Pippa and spritely Poppy. Del Casale particularly shines as the cheeky youngest sister and later brings humour to the pining Ripley.

Peter Giles and Shayla Brown complete the family as mum and dad, with Brown to be commended for embracing her character’s rather bizarre arc with full force.

Tomas Kinshela is a stand-out as best friend Harry Biscuit, who brings a certain candidness to the character that is a pleasure to watch. Some of his finer moments play out when he is not the focus of a scene, with excellent nuisances and mannerisms if you’re lucky to catch them.

 

Also a highlight is Jason Pearce, who is comedic gold in his smorgasbord of roles—the Act 2 courtroom scene is a particularly memorable moment.

And what is a show without its villain – Mr Benevolent – which Gareth Bishop brings great life to. Across the board, the cast is to be commended for the high energy on-stage from start to finish.

The set for this production is rather impressive. The design team—led by Roger Oakes—created a single multi-level piece that largely serves as the family home and is used well throughout, with simple added dressings to help establish different locations.

Bold and colourful costumes from Julie Clark also help to transport us back to the 1800s.

All in all, this comedy is exactly that—a laugh-a-minute show that serves as a great escape from reality for an evening. Director Barry Lefort has put together a solid production lifted by a cast that looks like they are having an absolute ball on stage.

For Bookings, phone TAZ Tix at 9255 3336 or book online @ https://www.taztix.com.au/limelight/

Venue: Limelight Theatre
Civic Drive, Wanneroo

Performance Dates: September 12, 13, 14, 19, 20, 21, 22*, 26, 27, 28

Times: Evenings at 7.30pm, *Matinees at 2pm

Tickets: $27 Adult, $22 Concession (seniors/students),
$20 Member, Groups 20+ $22 each
processing fees apply

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Lost In Yonkers

Lost in Yonkers

Lost In Yonkers Rating

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7

Neil Simon’s Tony Award and Pulitzer prize-winning comedy Lost in Yonkers is an absolute delight.

Presented by the Roxy Lane Theatre in Maylands, which provides a warm, community theatre welcome from the moment you step through the door. This is clearly a group that enjoys what it does and works hard to put on a good show.

Directed by Karin Staflund, Lost in Yonkers centres on brothers Arty (Daniel Keenan) and Jay (Toby Shepherd), who are sent to live with their grandmother (Sarah House) and Aunt Bella (Seren Healy) in the summer of 1942 while their father goes away to work off a debt he owes to a loan shark.

The prickly Grandma Kurnitz is estranged from her son Eddie (Zane Alexander) and his boys. However, she begrudgingly agrees to take Arty and Jay in at Bella’s insistence and makes it clear this will be no holiday as they’re forced to work in her shop downstairs.

Throw in an uncle who is a local gangster (Geoff Miethe) and Aunt Gert (Julia Webster), who is so frightened of her mother that she struggles to breathe; you can tell it’s going to be a long summer for Arty and Jay.

The cast’s youngest member, Daniel Keenan, steals the show as Arty. With an extensive number of lines to remember and maturity beyond his years, he brings the right amount of humour and warmth to his role. Seren Healy’s portrayal of childlike Bella is both hilarious and heartbreaking as a young woman stuck between her learning difficulties and wanting a life and family of her own.

The cast’s accents were fabulous, and the clever use of the time between scene changes with train sound effects and lighting, while you could already hear the hum of the local train in the background, added to the experience.

The set was well done and made great use of the space given. At times, a sofa bed was front and centre. There were also a number of costume changes for each character, all of which suited the characters to a tee.

With nine performances to go, and if opening night is anything to go by, this is one local production you don’t want to miss.

August 17, 18*, 23, 24, 25*, 29, 30 and 31, September 1
Evening shows at 7.30 pm
*Sunday matinees at 2 pm
Bookings at https://www.TAZtix.com.au/roxylanetheatre/ or phone TAZ Tix 9255 3336.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Garrick Theatre: Steel Magnolias

Steel Magnolias

Steel Magnolias Rating

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5

The “Steel Magnolias” performance at the Garrick Theatre was a touching and emotional experience that highlighted the strength of female friendship, resiliency, and the quiet strength that can be found in the community. The brilliant cast brought the well-known Robert Harling play, set in a small-town Louisiana beauty parlour, to life with amazing authenticity and emotional impact.

Cast and Performances
The cast of Steel Magnolias was a remarkable group that skillfully combined humour, melancholy, and true warmth to bring their roles to life. Every character, from the sassy Truvy to the soft-spoken Annelle, was portrayed with a depth that made them seem genuine and relatable.

Truvy Jones (played by Lea McCall) was radiant, balancing her character’s no-nonsense attitude with an underlying tenderness. M’Lynn Eatenton (played by Sally Forbes) delivered a powerful performance, and Shelby Eatenton-Latcherie (played by Grainne Kennedy) brought a vibrant energy to the stage. Her portrayal of Shelby’s spirit and determination, despite her health struggles, was both inspiring and heartbreaking.

Clairee Belcher (played by Heather Marshall) provided a wonderful mix of wit and wisdom, Ouiser Boudreaux (played by Kylie Calwell) was a standout with her gruff exterior and soft heart, Annelle Dupuy-Desoto (played by Allison Sermon) showed remarkable growth throughout the play, evolving from shy to confident in such a natural way.

Direction and Production
Lynne Devenish’s direction was sensitive and insightful, allowing the natural chemistry between the actresses to shine through. The pacing was well-handled, ensuring that each scene transitioned smoothly and maintaining the audience’s engagement from start to finish.

The set design was an impressive recreation of a Southern beauty salon, complete with vintage posters, salon chairs, and an array of beauty products that added an authentic touch. The intimate setting made the audience feel as though they were eavesdropping on the private conversations of the characters.

Lighting and sound design by Geoff Holt were used effectively to enhance the mood, with subtle changes that reflected the shifts in tone throughout the play. The costume design by Maggie Adams was also noteworthy, with each character’s wardrobe reflecting her personality and socioeconomic background.

Emotional Impact
“Steel Magnolias” is a play that tugs at the heartstrings, and this production was no exception. The themes of love, loss, and the enduring strength of women were portrayed with a delicate balance of humour and heartbreak. The emotional climax was handled with sensitivity, leaving a lasting impact on the audience.

Conclusion
The Garrick Theatre’s production of Steel Magnolias is a triumph of heartfelt storytelling and exceptional performances. It reminds us of the power of community and the enduring bonds of friendship.

This rendition of the beloved classic is a must-see for both long-time fans and newcomers to the story. With its blend of humour, emotion, and authenticity, it captures the spirit of Harling’s play beautifully, making for an unforgettable theatre experience.

Book Online for Tickets @ www.TAZtix.com.au/garricktheatre

Phone Bookings: TAZ Tix 08-92553336

Venue: Garrick Theatre
16 Meadow St, Guildford

Performance Dates:
August 1, 2, 3, 4*, 8, 9, 10*, 10eve, 11*, 15, 16, 17
All evening shows at 7.30pm.
*Matinees at 2pm

Tickets: Adult $28, Concession $23, Members $22
Child Under 18 years $15
processing fees apply
Group bookings of 20 or more or Companion Card holders please call

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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