Poe Dreams of Madness

Poe Dreams of Madness

Poe Dreams of Madness Rating

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6

Decked out with skeletons, skulls and all décor dark and spooky, the moment theatregoers stepped into the Garrick Theatre, they were transported into a gothic world with a focus on ghosts, murder and mayhem, and a dose of eccentricity.

From the famed American writer and poet Edgar Allan Poe, a series of his tales were brought to life by talented young actors of the Teens at Garrick theatre group for Poe Dreams of Madness.

The play begins with Edgar himself, superbly played by Annie Dahn as the troubled and eccentric protagonist. Unsure whether he’s dreaming or awake, he looks back on some of his greatest tales, unaware that he is the mastermind behind their creation. Like a dream he’s desperately trying to recall, there are moments when lines that are spoken become familiar to him, but it’s an ongoing struggle for him to put pieces of the puzzle together.

The play is reminiscent of A Christmas Carol, where Scrooge is taken back at the stroke of midnight to watch his past play out before him. However, in this instance, it is the raven who takes Edgar on a journey to watch his tales play out before him.

Edgar was one of America’s greatest writers, but he was a tortured soul. In 1849, he was found in the gutters outside a Baltimore polling station, disoriented, incoherent, and wearing another man’s clothes. It is almost as though he is transported from that moment to the start of the play, unable to make sense of what is happening, what is real, and what is not real.

Poe Dreams of Madness

Nine of his tales are retold, including his most well-known, The Raven, and The House of the Fall of Usher, which, for those who may be interested, is currently streaming on Netflix. Each scene tells a different tale, and the transitions between each scene are seamless and skillful.

The stories build up to a climax, at which Edgar is confronted with characters from his stories and, in a way, confronted with himself. All characters are played with great passion and enthusiasm from the young cast.

The set was simple but very effective, with few props but it was all that was needed together with mood lighting to make the audience feel they were inside a dim-lit gloomy study room of an old 19th century brick building.

Poe Dreams of Madness left me wanting to know more about Edgar’s life and his works but for anyone into dark gothic tales, you will not be disappointed.

For tickets, book online at https://www.taztix.com.au/garricktheatre/

or Phone Bookings:
TAZ Tix 9255 3336

Venue: Garrick Theatre
16 Meadow St, Guildford

Performance Dates:
September 27, 28, 29*, October 4, 5*, 5eve, 6*, 11, 12
All evening shows at 7.30pm.
*Matinees at 2pm

Tickets: Adult $28, Concession $23, Members $22
Child Under 18 years $15

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Garrick Theatre: Steel Magnolias

Steel Magnolias

Steel Magnolias Rating

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5

The “Steel Magnolias” performance at the Garrick Theatre was a touching and emotional experience that highlighted the strength of female friendship, resiliency, and the quiet strength that can be found in the community. The brilliant cast brought the well-known Robert Harling play, set in a small-town Louisiana beauty parlour, to life with amazing authenticity and emotional impact.

Cast and Performances
The cast of Steel Magnolias was a remarkable group that skillfully combined humour, melancholy, and true warmth to bring their roles to life. Every character, from the sassy Truvy to the soft-spoken Annelle, was portrayed with a depth that made them seem genuine and relatable.

Truvy Jones (played by Lea McCall) was radiant, balancing her character’s no-nonsense attitude with an underlying tenderness. M’Lynn Eatenton (played by Sally Forbes) delivered a powerful performance, and Shelby Eatenton-Latcherie (played by Grainne Kennedy) brought a vibrant energy to the stage. Her portrayal of Shelby’s spirit and determination, despite her health struggles, was both inspiring and heartbreaking.

Clairee Belcher (played by Heather Marshall) provided a wonderful mix of wit and wisdom, Ouiser Boudreaux (played by Kylie Calwell) was a standout with her gruff exterior and soft heart, Annelle Dupuy-Desoto (played by Allison Sermon) showed remarkable growth throughout the play, evolving from shy to confident in such a natural way.

Direction and Production
Lynne Devenish’s direction was sensitive and insightful, allowing the natural chemistry between the actresses to shine through. The pacing was well-handled, ensuring that each scene transitioned smoothly and maintaining the audience’s engagement from start to finish.

The set design was an impressive recreation of a Southern beauty salon, complete with vintage posters, salon chairs, and an array of beauty products that added an authentic touch. The intimate setting made the audience feel as though they were eavesdropping on the private conversations of the characters.

Lighting and sound design by Geoff Holt were used effectively to enhance the mood, with subtle changes that reflected the shifts in tone throughout the play. The costume design by Maggie Adams was also noteworthy, with each character’s wardrobe reflecting her personality and socioeconomic background.

Emotional Impact
“Steel Magnolias” is a play that tugs at the heartstrings, and this production was no exception. The themes of love, loss, and the enduring strength of women were portrayed with a delicate balance of humour and heartbreak. The emotional climax was handled with sensitivity, leaving a lasting impact on the audience.

Conclusion
The Garrick Theatre’s production of Steel Magnolias is a triumph of heartfelt storytelling and exceptional performances. It reminds us of the power of community and the enduring bonds of friendship.

This rendition of the beloved classic is a must-see for both long-time fans and newcomers to the story. With its blend of humour, emotion, and authenticity, it captures the spirit of Harling’s play beautifully, making for an unforgettable theatre experience.

Book Online for Tickets @ www.TAZtix.com.au/garricktheatre

Phone Bookings: TAZ Tix 08-92553336

Venue: Garrick Theatre
16 Meadow St, Guildford

Performance Dates:
August 1, 2, 3, 4*, 8, 9, 10*, 10eve, 11*, 15, 16, 17
All evening shows at 7.30pm.
*Matinees at 2pm

Tickets: Adult $28, Concession $23, Members $22
Child Under 18 years $15
processing fees apply
Group bookings of 20 or more or Companion Card holders please call

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Pygmalion – The Original My Fair Lady

Pygmalion

Pygmalion Rating

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4

Garrick Theatre’s latest production of George Bernard Shaw’s classic play Pygmalion opened last night to great anticipation. While most are familiar with the story through the film My Fair Lady and its countless adaptations, Pygmalion is the original source, encapsulating Shaw’s true intentions.

First premiered in Vienna in 1913, Pygmalion is a romantic comedy about Professor Henry Higgins, an English gentleman who bets he can transform Eliza Doolittle, a scruffy Cockney flower girl, into a proper lady.

As the curtains rose, the audience was transported to Old Covent Garden in London, with excellent lighting effects by Technical Director Geoff Holt, creating a marvellous ambience of an English rainy day.

The cast delivered strong performances throughout the play. Peter Clark excelled as Professor Henry Higgins, portraying the character’s likable-unlikable intellectualism. His blunt honesty and unawareness of the impact of his words on others, coupled with the absence of ill intent, brought depth to the role. Stuart Ridgway’s Colonel Pickering was like a trusted uncle, embodying the Professor’s gentlemanly confidant. Ridgway’s portrayal of Pickering’s paternal relationship with Eliza, helping her gain self-respect alongside phonetics, was heartfelt and genuine. Catherine Leeson’s Eliza Doolittle adeptly showcased the character’s evolution, with her comedic moments peaking in the middle of the play. Her portrayal captured Eliza’s transformation with authenticity and charm.

The supporting cast also shone brightly. Adam Skellham played Alfred Doolittle, Eliza’s scheming father, transitioning from a dustman to the epitome of middle-class morality. Sorcha Leary and Janice Phillips, respectively played Clara and Mrs. Eynsford Hill, depicted the petulant and idle rich with flashes of charm. Marsha Holt, as Mrs. Higgins, consistently put her son, the Professor, in his place, adding a much-needed mature counterbalance to her son’s sometimes haphazard approach to life. James Skellham’s Freddy was convincingly bumbling and infatuated with Eliza, while Allyson Corti’s Mrs. Pearce provided a grounded perspective on the implications of Higgins’ bet. Special mention to Juliette Hyland as the Parlour Maid, whose small role brought subtle yet appreciated comedic relief.

The Set Designer and Director Fred Petersen ingeniously crafted the set, with detailed transitions between scenes from Covent Garden to Higgins’ Laboratory and Mrs. Higgins’ Flat. His meticulous planning was evident and greatly enhanced the production. The choice of classic piano music between scene changes enriched the overall atmosphere, and the period-appropriate wardrobe, especially for the ladies, added a delightful authenticity.

As for the play’s ending? While many adaptations exist, this production offers the unique opportunity to experience Shaw’s original narrative as he intended.

The Garrick Theatre’s cast and crew have created a memorable and faithful rendition of this timeless play. Don’t miss the chance to return to Old Victorian London and enjoy this classic tale.

Pygmalion runs from June 6 to 22.

Performance Dates:
June 6, 7, 8, 9*, 13, 14, 15*, 15eve, 16*, 20, 21, 22
All evening shows at 7:30 PM.
*Matinees at 2 PM.

Bookings: TAZtix or call (08) 9255 3336.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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