A Journey to Little Happiness: A New Musical

A Journey To Little Happiness

A Journey To Little Happiness Rating

★★★★★

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The title says it all. This show from Taiwan is a lot of fun. The five cast members bring this new show to life on stage. It was fitting on International Women’s Day to see this cast of five women show the acting prowess coming out of Taiwan.

As we enter the venue, we are greeted by the cast in the audience space, making rhythmic sounds and movement. The house lights go out, and the cast moves straight onto the stage and into their first song. And from this first song, the audience is captivated. We know we are in for a good night of musical theatre.

The story is simple yet beautiful. It revolves around an email written 10 years previously. This then causes the five friends to have a reunion. Not a traditional reunion, but one at their old childhood hideout. This causes a range of childhood memories as they embark on playing some of their favourite games. Long-forgotten memories are released whilst playing the games. The audience participates by spinning a chocolate wheel to pick games. We have hopscotch, skip rope, and kick the can. As they play these games, it stirs their memories of gentler times.

And how, now, 10 years later, life has changed. It is more complex. The joys of childhood have faded. But the games do, in fact, strengthen their friendships, and they vow to meet again. It shows how important our early friendships are in our lives. We need to cherish these memories and friendships as they shape us for adulthood.

The choreography and musical pieces significantly enhance the narrative. The music includes elements of traditional Taiwanese musical instruments and rhythms. Chien-Lin Chen wrote the music, and Cindy Chen choreographed. The costumes are based on what children would have worn, with adult elements.

The venue is a little on the echoey side for a musical, but the audio team and cast coped well, and the mixing was clean and crisp. The lighting was a little on the turn on lights to see, until the end when colour was introduced. This colour element helps reinforce the strengthening of their friendships and a brighter future.

This cast works well as an ensemble. The natural acting style makes it very believable. The cast consists of Hsaio Lu, Zhao Zhao, Cynthia Yang, A Hsin, and Pei Chi. The cast is directed by Qiu-Yi-Bao Lai. He has a great sense of the story being told. This is a worthwhile show to see, so keep an eye open for it.

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MARVELous Maniacal Mayhem

MARVELous The Show

MARVELous The Show Rating

★★★★★

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MARVELous at the Adelaide Festival Fringe is an ambitious, high-energy, and BIG production that showcases the incredible talents of a remarkably athletic ten-member cast performing impressive aerial stunts, live vocals, and raunchy dance routines with technical proficiency.

This risqué parody aims to combine superheroes from the Marvel Cinematic Universe with musical theatre and film – a considerable stretch; however, the MARVELous company achieve this feat with ease.

Integrating these seemingly disconnected theatrical phenomena begins with a musical number reminiscent of a Las Vegas cabaret show that quickly turns the cheesy appeal of this style of theatre into a satirical spoof. Deadpool, in his inimatable style, narrates the twists and turns of an adult only bedtime story as only he can!

 

The industrial styled setting is impressive as the performers own the stage, transforming familiar musicals such as Dirty Dancing, Magic Mike, Wicked, Flashdance, The Greatest Showman and Hamilton into spectacular and hilarious routines.

The audience is bombarded with satirical references to the associated Hollywood stars, generating genuine spontaneous laughter as the cast’s delivery packs just the right amount of punch.

Cohesively integrated into this raunchy bedtime tale was the lighting, laser, and smoke effects complimented by an atmospheric rock-infused soundtrack, all topped off by eye-catching costumes that had just the right amount of tear away pants and sassy tongue in cheek nudity choreographed into entertaining dance routines.

MARVELous is a witty, clever and fun night out – with or without an insight into the Marvel Universe this risqué and comedic parody is great entertainment and a really good belly laugh!

To book tickets to MARVELous The Show, please visit https://gluttony.net.au/shows/show/1106/marvelous-the-show

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The importance of being fruit

Fruition

Fruition Rating

★★★★★

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Well, this is an interesting, fun show. It’s comedy clowning at its best. It’s a rollicking, frolicking comedy about fruit, its position in society, and its relevance to the main character, Cherese.

We learn why fruit is fun, why she loves all fruit, and why she also loves us, the audience. The show consists of a variety of sketches that flow smoothly from one to another.

For Cherese Sonkkila, this is her debut Fringe show. She has plenty of energy, and it keeps flowing. Hopefully, we will see more work from she/her in the future.

The sketches have a variety of styles, from song and dance to monologues. There are costume changes off stage, although in a couple of places, the performances are a fraction too long. But it was opening night.

This is a show worth seeing. It is a fun event with some audience participation, which I normally don’t like, but I enjoyed it. So, get a ticket or several and take yourself to the Mill on Angas Street.

To book tickets to Fruition, please visit https://adelaidefringe.com.au/fringetix/fruition-af2025

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Mel McGlensey’s Motorboat: A Hilarious High-Seas Adventure

Mel McGlensey is Motorboat

Mel McGlensey Is Motorboat Rating

★★★★★

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If you’re in the mood for a wildly absurd, delightfully unhinged, and incredibly physical comedy experience, then Mel McGlensey Is Motorboat is your perfect Fringe vessel. Docked at the Bally in Gluttony, this boat-woman hybrid performance is a riotous ride through high-energy clowning, audience interaction, and some very “nautical but nice” humour.

McGlensey, a 2024 Golden Gibbo nominee and winner of Best Comedy at Adelaide Fringe 2024, fully commits to her larger-than-life character. With a sailor’s outfit ingeniously doubling as boat parts—including some particularly buoyant “floatation devices”—she embraces every wave of ridiculousness with infectious enthusiasm.

From the moment Motorboat sets sail, the audience becomes her crew, each assigned a boat type in a flurry of improvised banter that McGlensey expertly weaves back into the show for maximum comedic payoff.

The story? Motorboat dreams of leaving the dock and venturing into the great unknown, but she’s held back by the booming, omnipresent voice of Captain Daddy. But as any good Fringe audience knows, staying anchored is never an option. What follows is a rollicking, often improvised voyage where McGlensey’s quick wit, expressive clowning, and razor-sharp comedic instincts keep the crowd both on edge and in stitches.

The humour is far from subtle—expect a bit of salty language and some audience participation—the energy and commitment of the performance keeps things afloat for the entire show.

With her formidable improv skills and natural comedic presence, McGlensey delivers a show that is as silly as it is skilful. Whether you’re a tugboat, an ocean liner or a lowly kayak, Motorboat is a high-spirited, side-splittingly funny voyage well worth embarking on. Just batten down the hatches—things are bound to get a little choppy!

To book tickets to Mel McGlensey is Motorboat, please visit https://adelaidefringe.com.au/fringetix/mel-mcglensey-is-motorboat-af2025

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