Karma Kafe: A Big Hearted Show

Karma Kafe

Karma Kafe Rating

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3

Karma Cafe is a new indie musical set in Newcastle, but it could be any town in Australia that faces the barrage of constant change and development. Written and directed by local playwright Carl Caulfield, with music by Gareth Hudson, this is a big-hearted production with a simple message about the power of community.

Cafe owner Rewa has created a sanctuary in the heart of Newcastle, where her family of staff serve the regulars, the not-so-regulars and the downright irregulars. It’s a place that welcomes Joe, the mute bongo drummer, gives glasses of water to tired passers-by and has a bearded barista and opera-singing Scottish chef.

But there’s trouble brewing in the form of a skeezy developer with big plans for Darby Street with his mantra of the New New Newy. With the help of The Fixer, he’s going to demolish the old buildings and build a new multiplex.

What these ‘visionaries’ fail to realise is that the Karma Kafe is not just a place to get coffee and smashed avo on toast; it’s a meeting place for people trying to find connection in a complicated world.

There’s the writer who’s working on his first novel and also trying to work up the courage to ask out the waitress, Millie. Then there’s a young man trying to cope with his anxiety, who never wants to leave the security of the cafe. There’s the aggressive dog owner who sticks her nose in where it’s not wanted (but perhaps where it’s needed). And the old dancer who can only get about now with the assistance of his walking frame.

Karma Kafe

 As the developers close in with their nefarious plans, the community must come together to save their haven.

This is very much a Newcastle show, and the Novocastrians in the audience were delighted with the local touches – the writer’s crime novel features a murder in Carrington, and there are frequent allusions to money being moved around in brown paper bags (an embarrassingly true part of Newcastle’s recent political past). But with a little adaptation, this could easily be translated to Wollongong, Toowoomba or any mid-sized city in Australia. Themes of corruption are, unfortunately, all too common. Fortunately, so is community, love and the power of a local gathering place.

A highlight of Karma Kafe is the terrific set, which establishes the location in a simple and universal way. Anyone in the world would recognise the homely, comfortable cafe. The musical numbers gave each performer the opportunity to shine. Having a live band on set is a fantastic treat in a venue of this size and the musicians and singers worked well together. There were quite a few laugh-out-loud moments and a strong sense that we, the audience, were on the side of Karma Kafe and its ragtag collection of staff and locals.

Overall, some of the story threads didn’t resolve, but with a cast of more than 15 characters, that’s perhaps to be expected. If you don’t interrogate the storyline too closely, this is a fun evening of karma, community and coffee that will surely be a crowd-pleaser.

For more information and to book tickets, please visit https://www.carlcaulfieldstraydogs.com/

Remaining Sessions:-
Tuesday 08 October 2024 @ 7:30 pm
Wednesday 09 October 2024 @ 7:30 pm
Thursday 10 October 2024 @ 7:30 pm
Friday 11 October 2024 @ 7:30 pm
Saturday 12 October 2024@ 2:00 pm and 7:30 pm

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Annie: Presented by Chookas Entertainment

Annie

Annie Rating

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13

“You’re Never Fully Dressed Without A Smile” and attending the Chookas Entertainment production of Annie definitely added infinite smiles to myself and every other person who attended last night’s performance. The Civic Theatre Playhouse venue allowed a personable, intimate performance and encouraged oodles of interaction and accolades from the audience.

For those unaware the story is set in New York City during the 1930s Great Depression. The musical production is based on Harold Gray’s daily comic strip “Little Orphan Annie” which debuted in 1924 in the New York Daily News. The engulfing theme is ‘hope’ in a trialing time of widespread poverty and hope for little abandoned Annie in her overly optimistic search for her parents. There is an overriding feeling that hope promises tomorrow “The sun will come out.”

Annie was played by Sage Brooks and she lit up the stage and the hearts of the audience. Her character delivery of Annie was sublime. Sage delivered Annie’s unwavering hope and optimism divinely. I was amazed at her unfaltering dedication to her character depth and the sheer amount of talent this young star beholds. She is a perfect candidate for Hollywood’s next movie remake of Annie.

Nicolette Black delivered a fabulous portrayal of the drunken, conniving Miss Hannigan with outstanding acting and vocal skills. Her impeccable comedic timing and subtle expressions were also thoroughly impressive.

DJ Konz was perfectly cast as Oliver Warbucks, providing a splendid portrayal of the self-discovering billionaire. DJ Konz showed a natural warmth in his stage presence and showcased his musical lustrous vocal abilities.

 

James Walker who brilliantly played Franklin Roosevelt has one of those warm, rich, melodic tones reminiscent of Christmas. My heart felt joyous every time he opened his mouth to sing.

I feel compelled to make a special mention of the character Molly performed by a seemingly very young Olivia King. What a superstar in the making! A triple threat singer, dancer and actor that stole the stage whenever she graced it.

All of the children in the ensemble gave a fabulous performance and their New York accents were ‘on point.’ Newcastle definitely has plenty of up and coming incredible talent.

The adult ensemble also delivered an energetic and vibrant performance. I particularly enjoyed the inclusion of tap dancing. The ensemble harmonies were ethereal especially in the finale number of “Tomorrow.”

The Music Director, Mathew Gallimore should be highly commended for his vocal and musical instruction. I thoroughly appreciated the unwavering, authentic character depictions throughout the vocal performances.

Music, sound and lighting were without fault and perfectly cued throughout. There was an excellent balance to the vocals and backing which I was overjoyed to hear.

Set designs and costuming were equally impressive, in particular the orphan costumes, down to their footwear, were perfectly authentic to the period. I found the set design of the beds to street doors conversion highly effective.

Congratulations to the director Danny Folpp, Maddie Watts (Choreographer and assistant Director) and Jody Miller (Producer) you should be beaming with pride at your brilliant achievement in bringing this fabulous production of “Annie” to Newcastle. ‘Chookas’ to the remaining of your performances.

Chookas’ “Annie” production will continue to run in the Civic Playhouse until the 14th of September, with multiple shows and times to suit. It is very reasonably priced at only $59 for adults and $39 for children. I urge you to get your tickets now if there are any remaining. Chookas’ production of “Annie” will guarantee you a night filled with joyous, heartfelt moments and plentiful laughs.

For tickets, please visit https://www.chookasentertainment.com/annie

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Come From Away – Civic Theatre

How do you humorously portray the horrific? Add a touch of human.

Irene Sankoff and David Hein’s hit musical Come From Away brought to you by Civic Theatre Newcastle, tells the story of a small town called Gander during the week after the 9/11 bombings. From this dark context, the play blossom into exploring what it is to be human in the face of tragedy. Through themes of love, loss, compassion, and exhaustion, the play examines what it means to be human when faced with the unimaginable.

The text of this play is a combination of script, lyrics and verbatim, resulting in an unforgettable piece of theatre. The stories told are amalgamations of real people and events, allowing us to see a snapshot of what happened in Gander in September 2001.


The cast consisted of 12 actors playing multiple characters, and every single one shone. The performers were able to showcase humanity both in the micro and the macro as we were invited into people’s homes and lives while reliving a very public tragedy.


Although each actor played multiple parts, Sarah Nairne’s portrayal of “Hannah” stood out. She portrayed the sorrow of loss and heartache that comes with losing a loved one. Simple costume changes made the transitions between the characters seamless, and the stage setting of about a dozen chairs and a couple of tables made quick scene changes effortless.

The ensemble worked together as a living organism on the stage, moving us from scene to scene with unison, clarity, and precision. They flawlessly transitioned us from scene to scene, supporting and holding space for the individual characters that emerged from the group.


The musicians provided a pulse for the immense and powerful heart of the ensemble, which guided the audience through the emotional journey of the performance. The few times they appeared on stage were a celebration of all things coming together.


Although the lighting fitted the action on the stage, my favourite part of the play was a beautiful moment where the grand lighting backdrop was stripped, and the actors took control of the lighting via torches. Their elongated shadow behind them created an eerie and foreboding effect on the drama as it played out.

Come From Away is being performed in Newcastle until the 5th of March. If the review itself did not convince you to go and see the award-winning performance, let me bluntly tell you to check it out! Upcoming show dates are:-

  • Wednesday 22 February 2023 – 1:00 PM and 7:00 PM
  • Thursday 23 February 2023 – 7:00 PM
  • Friday 24 February 2023- 7:30 PM
  • Saturday 25 February 2023 – 2:00 PM AND 7:30 PM
  • Sunday 26 February 2023 – 2:00 PM and 6:00 PM
  • Wednesday 01 March 2023 – 11:00 AM AND 7:00 PM
  • Thursday 02 March 20237:00 PM
  • Friday 03 March 20237:30 PM
  • Saturday 04 March 20232:00 PM AND 7:30 PM
  • Sunday 05 March 20232:00 PM and 6:00 PM