Mario The Maker Magician

Mario The Maker Magician

Mario The Maker Magician Rating

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Mario “the Maker Magician” Marchese is a New York-based performer, author, and maker. He tours worldwide with his wife, producer, and children. He incorporates DIY electronics and robotics into his projects, using magic to inspire limitless creativity in children and families.

This is a fun and amazing show for the whole family. Mario is a dynamic performer. Larger than life, he commands the stage. Even on one of the hottest days in Adelaide, he still put on a stunning show. But I feel we are grateful as he sprays water about the venue, cooling and more sleight of hand.

The audience was totally engaged with Mario’s every move. The hand-made props add a gorgeous charm to the show. They remind you of the toys that children would make themselves with cardboard, paint, and sticky tape. It took me back to my childhood, and I imagine that a lot of the parents were remembering their childhood.

It was also relatable to the younger audience members, the arts and crafts they like to do on a rainy day. Magician David Blaine, whom he has toured with, has labelled Mario “the best kids’ magician in the world”. He has appeared on the “Sesame Street’ show and with Jimmy Fallon on the Tonight Show. Even David Copperfield has heaped praise on Mario.

The show revolved around robots that Mario had hand-built. There was a lot of audience participation in the show, and the kids loved it. The kids loved the magic, and so did the adults.

Mario touches on his favourite teachers and what they mean to him, reminding the audience that teachers have had a pivotal role in our lives. This is part of the misdirection. In fact, the show starts with some simple, sleight of hand tricks. They immediately draw the audience in. Mario has us all hooked. The pace accelerates, and more tricks are revealed. We are introduced to the simple but fun robots.

The pace of the production helps with the sleight of hand and misdirection, which are important in this show. Mario makes positive statements about children and how the simple act of getting up on stage as a volunteer is a brave moment in their lives. We should applaud this.

The audience’s reaction throughout the show is something to behold. I have never seen an audience so captivated, engaged, and incredibly noisy. He owns the venue, and he takes along his magic journey, meeting those who have influenced him, like Andy Warhol.

As the show progresses to the finale the strings of the story come together. And with an ending we did expect it comes to a close. We are left wanting more. Which is how all shows should end.

The takeaway from this fun, glorious production is “Follow your dreams”.

Performed by Mario “the Maker Magician” Marchese
Written by Mario and Katie Marchese
Produced by Katie Rosa Marchese and Chris Cox

To book tickets to Mario The Maker Magician, please visit https://adelaidefringe.com.au/fringetix/mario-the-maker-magician-af2025.

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Popera: Sex, Death & Politics

Popera: Sex, Death & Politics

Popera: Sex, Death & Politics Rating

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2

Uma Dobia presents this performance as a fun and interactive opportunity to educate the audience on the perils of what it is like to be a female within the world of opera.

Despite her obvious love and clear depth of knowledge of opera, this diva soprano damsel in distress openly blames opera for the docile and tragic stereotypical female roles within this art form. Setting out to set the record straight by influencing the audience about the distaste she has for this long-held ‘norm, ’ Dobia and her accompanying pianist ‘Carol’ start a nonsensical game show that is inclusive of unsuspecting audience members as they become part of the onstage entertainment.

Costumed in a racy red jumpsuit and knee-high sparkling silver stiletto boots (very impressed and left wanting some of my own), Dobia acts as the gameshow’s host for the evening’s frivolity, spinning the wheel for the adults only styled entertainment.

After her assistant and heart throb Trevor left her high and dry, which the audience learns about via a video message left by said assistant, Dobia takes charge of the stage and the show…between the tears and tantrums and unfortunate visuals of Trevor consistently shown by the tech crew who have not been informed of Trevor’s sudden departure, the audience is taken on a ride that interweaves pop and opera music through Dobia’s stunningly performed vocals.

This Adelaide Festival Fringe show performed at The Mill, a venue that provides a wonderful ambiance for a smaller production, did not have a large audience; however, Dobia did an incredible job, working hard to ensure those in attendance were thoroughly entertained.

Although the multiple-choice game show questions were, for the most part, unanswerable by its participants unless they had a reasonably comprehensive knowledge of opera, Dobia’s impressive vocals and call to arms for opera to ‘do better’ does not go unnoticed in the creativity of this informative, entertaining and saucy production.

To book tickets to Popera: Sex, Death & Politics, please visit https://adelaidefringe.com.au/fringetix/popera-sex-death-politics-af2025.

Photographer: Zena Photography

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Duel & Dual: Martial Arts Meets Magic

Duel & Dual

Duel & Dual Rating

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Setting the stage for competition, a bare black stage holds a red and green digital counting clock, and two chairs with identical trophies upon them. As each of the two magic champions seek to out-do the other, a playful battle for the ultimate title commences. Exploring the nuances between rivalry and camaraderie, Duel and Dual showcases the different yet complementary talents of both performers through illusionary magic, martial arts, and mime.

Close-up Magician, Tu Strange, and Stage Magician, Mu-Syuan Chang, take turns to impress the audience with their different skills and occasionally attempt to sabotage the other. Strange’s comedic and showman-like personality certainly allows him to engage up close with the audience, even including them directly in his tricks and inviting them to copy his movements to demonstrate their authenticity. He has no qualms exuberantly inviting people to join him onstage, including helping with a 52 card pick up, and often all but demanding a hug at the end of tricks without saying a word.

Chang is much quieter in demeanour yet no less talented, as he gracefully moves around the stage seemingly conjuring playing cards and coloured confetti from nothing. Accompanied by music, he almost dances as he displays incredible dexterity with various items which almost defy gravity.

Both dressed in black, the magicians almost seemed to blend into the background at times, allowing the magic of the moment to take precedence. While this wasn’t completely mimed, with a word or two uttered quietly to amusing effect, the lack of dialogue allowed all aspects of the visual spectacle to take centre stage. The alternating of acts between the performers gave the impression of gentlemen taking turns to attack rather than everything happening at once.

However, it would’ve been very exciting to have seen more of a fast-paced physical battle that utilised more of the martial arts, mime, and magic illusions together. The newfound friendliness at the end, while almost heartwarming, was a bit of an abrupt finish to the performance. There wasn’t much time allocated to working together, and there was certainly a missed opportunity of having them complimenting and helping one other’s acts in a friendly capacity rather than only as rivals.

The alternating red and blue lighting is cleverly employed in the opening few minutes of the show, highlighting the two very different competitors as dramatic foreshadowing to a serious showdown. To complement this, basic spotlighting and stage washes were utilised to great effect, as long as both performers were within in that light. The soundscape, alternating from dramatic instrumental to bursts of popular music, also felt appropriate given the contrasting personas of the performers and often allowed the music to speak for them.

Each magician commanded the small performing space in their own way, often making it feel bigger than it was – unless there was a call for audience participation; some of which could be difficult to see around the flat seating. There are also moments when it is unclear whether to applaud or to simply enjoy the spectacle in silence, particularly if you have never been to a magic show before.

Marketed as riveting tale of rivalry between champions, it operates more as a magic show in alternating styles that is loosely linked with friendly competition. A rigorously rehearsed show that encourages flexibility in audience involvement, this is a great night out for families looking for something different that’s away from the busyness of the popular Fringe gardens.

To book tickets to Duel & Dual, please visit https://adelaidefringe.com.au/fringetix/duel-dual-af2025

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A Journey to Little Happiness: A New Musical

A Journey To Little Happiness

A Journey To Little Happiness Rating

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9

The title says it all. This show from Taiwan is a lot of fun. The five cast members bring this new show to life on stage. It was fitting on International Women’s Day to see this cast of five women show the acting prowess coming out of Taiwan.

As we enter the venue, we are greeted by the cast in the audience space, making rhythmic sounds and movement. The house lights go out, and the cast moves straight onto the stage and into their first song. And from this first song, the audience is captivated. We know we are in for a good night of musical theatre.

The story is simple yet beautiful. It revolves around an email written 10 years previously. This then causes the five friends to have a reunion. Not a traditional reunion, but one at their old childhood hideout. This causes a range of childhood memories as they embark on playing some of their favourite games. Long-forgotten memories are released whilst playing the games. The audience participates by spinning a chocolate wheel to pick games. We have hopscotch, skip rope, and kick the can. As they play these games, it stirs their memories of gentler times.

And how, now, 10 years later, life has changed. It is more complex. The joys of childhood have faded. But the games do, in fact, strengthen their friendships, and they vow to meet again. It shows how important our early friendships are in our lives. We need to cherish these memories and friendships as they shape us for adulthood.

The choreography and musical pieces significantly enhance the narrative. The music includes elements of traditional Taiwanese musical instruments and rhythms. Chien-Lin Chen wrote the music, and Cindy Chen choreographed. The costumes are based on what children would have worn, with adult elements.

The venue is a little on the echoey side for a musical, but the audio team and cast coped well, and the mixing was clean and crisp. The lighting was a little on the turn on lights to see, until the end when colour was introduced. This colour element helps reinforce the strengthening of their friendships and a brighter future.

This cast works well as an ensemble. The natural acting style makes it very believable. The cast consists of Hsaio Lu, Zhao Zhao, Cynthia Yang, A Hsin, and Pei Chi. The cast is directed by Qiu-Yi-Bao Lai. He has a great sense of the story being told. This is a worthwhile show to see, so keep an eye open for it.

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