Film Review- Bonhoeffer: Pastor. Spy. Assassin.

Bonhoeffer

Bonhoeffer Rating

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BONHOEFFER: PASTOR. SPY. ASSASSIN is not just another war movie; it is the dramatization of Dietrich Bonhoeffer’s journey as he grapples between upholding his pacifist moral convictions or joining the resistance in a plot to assassinate the Führer and save millions of Jewish lives.

A German Lutheran pastor known for his resistance to the Nazi dictatorship and his intense opposition to Adolf Hitler’s genocidal eradication of Jews, Bonhoeffer’s extraordinary human spirit in the face of adversity rises during the darkest of days despite the odds that are clearly pitted against him.

From Angel Studios, Bonhoeffer: Pastor. Spy. Assassin is written and directed by Todd Kamarnicki with Dietrich Bonhoeffer effectively represented by Jonas Dassler. This political period drama is beautiful presented with cinematic mastery visible through the creative vision of Kamarnicki. Costuming and location choices are authentic and believable as the audience is seamlessly transported back and forth between time periods.

This film is let down by some historical inaccuracy, perhaps more so by the omissions within Bonhoeffer’s story. While this does take some of the essence away from depicting the depth of his spirit, at over two hours long it does well to create impactfully dramatic moments that direct the audience toward an understanding of his loving relationship with God and family and the heart-wrenching moral and emotional conflict this man faced.

Bonhoeffer: Pastor. Spy. Assassin will be appreciated by those of Christian faith, but in saying that, those of no religion will not feel uncomfortable. Bonhoeffer’s story deserves to be told – it is respectful and reverent and well worth the investment of two hours of your time.

Tickets to Bonhoeffer will be available for purchase in 135+ cinemas nationwide through Rialto Distribution, starting March 13.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Let Sleeping Dogs Lie

Sleeping Dogs (2024)

Sleeping Dogs (2024) Rating

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Adam Cooper’s directorial debut Sleeping Dogs tries to reckon with jealousy, power, perception, and memory but never reaches the heights of genre classics like Se7en or Memento, which are clear inspirations.

Crowe plays Roy Freeman, an almost aggressively broken man whose recent brain surgery scars dice his scalp, his home littered with masking tape with notes to himself.

It is partially a sobering drama about a broken man suffering a debilitating illness and partially a gritty crime thriller, but never enough of either to satisfy fully. The Alzheimer’s diagnosis that bookends the film is under treatment effectively enough that Freeman is able to solve enough of the mystery for the plot to move forward. Despite this, whilst the final reveal hits more with a whimper than a bang, the story has spent so long focusing elsewhere that it never built the alternatives.

Sleeping Dogs (2024)

The story takes an extended detour into a flashback based on a manuscript that tells a compelling story of the corrupting power of influence, but it struggles to translate it back into the main plot, making it no more impactful on the plot than Freeman’s diagnosis.

Where this film does shine is in tone. The almost drained composition of shots when Freeman is our focal point is starkly contrasted to the vivid manuscript flashback, as author Richard Finn reckons with his perception of the murder and his relationships with Laura Gaines (Karen Gillan), a flighty yet brilliant researcher, and Joseph Wieder (Marton Csokas), a murder victim and manipulative psychologist.

These sections are awash with colour and vibrancy, a comment as to how each of our unreliable narrators is coming to the story and how they are analysing events with their own limited knowledge. Unfortunately, this sequence is front-loaded, and we lose this contrast from that point.

There is enough to satisfy a genre fan, but viewers may be baffled by the leaps it takes to justify a conclusion that didn’t reach the heights it was aiming for.

Sleeping Dogs is now playing in cinemas starting August 1st. Catch it at a cinema near you!

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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