Marian Street Community Arts Centre Petition Presented To Parliament Today.

Feature-Marian Street Arts Centre

With the next state election approaching, the community is urging the NSW Government to help deliver a $30 million cultural and performing arts centre after 13 years of waiting.

The NSW Government is being asked to partner with Ku-ring-gai Council and the community to rebuild the old Marian Street Theatre and deliver a permanent cultural and performing arts centre for Sydney’s North Shore.

The project offers the Minns Government a visible, community-backed opportunity to deliver lasting infrastructure before the election — supporting children, young people, performers, creatives, schools and audiences.

Closed since 2013, Marian Street Theatre has nurtured generations of performers and audiences. Its community has continued campaigning despite the loss of its building.

Last month, the community raised $100,000 within a week, securing the Development Application indefinitely and keeping the project alive while funding is assembled.

Ku-ring-gai Council is expected to contribute half the project cost, once government and philanthropic partners contribute the balance.

Council’s financial planning identifies a proposed $30 million multi-use arts venue incorporating performance and rehearsal spaces.

The proposal is evolving into a community cultural and performing arts centre — not simply a hall.

It could provide performance and rehearsal spaces, creative development, classes and workshops for children and young people, school partnerships, accessible cultural participation, and a home for community and professional productions.

Jessica Blaxland Ashby, founding member of the Marian St Action Board, delivered a community petition to the NSW Parliament with 5827 signatures, 50% more than a similar petition in 2018.

The campaign thanks local State MP Matt Cross for supporting the vision and the community petition.

But after 13 years of waiting, the community says the time for government action has arrived.

“In 2026 people need more than housing and transport. They need places to participate, create, connect and belong,” said Jessica Blaxland Ashby.

“With an election approaching, every party will want to demonstrate what it can deliver. This project has strong community backing, a clear plan and a council commitment to fund half the cost once government and philanthropic partners contribute the balance.

“The community has already put its own money behind this project. Council needs to contribute half the cost. We are asking the Minns Government to partner with us and help turn this long-standing vision into a real, visible achievement.”

The campaign says Marian Street Arts Centre would give the government an opportunity to deliver practical cultural infrastructure and create a legacy for future generations.

“Bradfield helped build the rail network that still defines Sydney, and his contribution has never been forgotten,” said Tony Bates, Acting Chair of the MarianSt Action Board.

“We need leaders prepared to invest in the infrastructure that shapes the future of our city.

“Marian Street Arts Centre could be that kind of achievement: not simply a building, but a place where thousands of children and young people discover confidence, creativity and belonging.

“After an exceptionally long interval of 13 years, the community is ready to help deliver it. We are asking the Minns Government to commit to Marian Street Arts Centre as a tangible investment in the North Shore before the next election.”

Will the Minns Government partner with the community and Council to build the next generation’s theatre?

Petition Details
House: Legislative Assembly
Petitioner: Ms Jessica Blaxland Ashby
Member: Matt Cross
Number of signatories: 5827
Closing date: Tue 08 September 2026
Status: Tabled 15 September 2028

Petition text
To the Speaker and Members of the Legislative Assembly,
Marian St Theatre has been closed for 13 years.
Meanwhile, the owner, Ku-ring-gai Council, has continued to invest heavily in sporting infrastructure, supporting 44 sports fields, 67 tennis courts, two golf courses, and more. But for the arts? Only one small visual art centre.
This imbalance matters.
The arts are not a niche interest. More Australians attend live performances than all of our major sporting codes combined. In Ku-ring-gai, more than 60,000 residents actively participate in the arts, and the area’s population is expected to grow by 27% over the next 15 years.
NSW’s Creative Communities Policy identifies a critical need for more arts spaces like Marian St Theatre. Overwhelming evidence shows the arts strengthen community identity, support education and contribute to a thriving economy.
The approved design to reopen Marian St as a vibrant Arts Centre includes four purpose-built performance spaces for music, dance, theatre, exhibitions and community events. Yet the project remains on hold, ranked as the Council’s lowest funding priority, behind another sports facility, costing over $30 million.
We ask the Legislative Assembly to call on the Government to work with Ku-ring-gai Council to commit to a clear plan to open Marian St Arts Centre within three years as essential cultural infrastructure.

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More Cast Revealed For The Shawshank Redemption

Feature-The Shawshank Redemption

As final performances for the Sydney and Melbourne seasons for the Australian tour of The Shawshank Redemption go on sale today, additional cast members were revealed. The stage adaptation of one of the most popular and enduring films of all times, The Shawshank Redemption will play in Sydney from 2-31 January 2027 and Melbourne from 3 February to 7 March, before moving to Perth, Adelaide and Brisbane. Head to ShawshankLive.com.au to buy tickets.

Stephen Anzo (Headless, The Big Fix) will be playing the role of Nelson, alongside Laurence Boxhall (The Mousetrap, Lord of the Rings) as Tommy and Soren Jensen (Harry Potter and the Cursed Child, The Curious Incident of the Dog in the Night-Time) as Hadley. Stephen Lopez (Pirates of the Caribbean: Dead Men Tell No Tales, Fisk) will play Rico, Blessing Mok (Bad Blood Blues, NCIS: Sydney) is Entwistle, and Nathan O’Keefe (The Importance of Being Earnest, Betrayal) plays Rooster. Completing the cast are Mark Saturno (The Normal Heart, A View From The Bridge) as Dawkins and Jeremiah Wray (Macbeth, A Few Good Men) as Bogs Diamond.

They join acclaimed television, film and theatre actor David Berry (Outlander, A Place To Call Home, Home and Away) who will play Andy Dufresne, prolific stage and television actor Bert LaBonté (The Book of Mormon, Colin From Accounts, Cloudstreet) playing “Red”, and one of Australia’s most recognised screen actors Rodger Corser (Doctor Doctor, Rush, Channel 9’s The Floor) in the role of the Warden.

The Shawshank Redemption is a powerful stage production that places you just metres from the action. Raw, intimate and deeply moving, this is theatre at its most compelling – where every moment unfolds live before your eyes. Based on Stephen King’s celebrated novella, this gripping adaptation tells an unforgettable story of hope, friendship and the resilience of the human spirit.

Wrongly convicted of the brutal murders of his wife and her lover, Andy Dufresne is sentenced to life imprisonment in the notorious Shawshank prison. As he navigates the harsh realities of incarceration, he forms an unlikely friendship with fellow inmate Red, discovering that even in the darkest of places, hope can endure. But when the corrupt Warden seeks to exploit Andy’s talents for his own gain, a quiet and daring plan begins to emerge, one that will challenge the very walls of Shawshank itself.

“Electrifying – it truly is a must see show” – The Observer
“This production has nailed it … Gripping live theatre” – Broadway World

Adapted for the stage by Owen O’Neill and Dave Johns, and directed by David Esbjornson who directed Angela Lansbury and James Earl Jones in the Australian tour of Driving Miss Daisy, this acclaimed production captures the emotional power and humanity that have made The Shawshank Redemption one of the world’s most enduring stories.

The 1994 film adaptation, nominated for seven Academy Awards, has become one of cinema’s most beloved classics. Now, experience a story of hope, friendship and redemption brought vividly to life in an unforgettable live theatrical event.

THE SHAWSHANK REDEMPTION
Adapted for the stage by Owen O’Neill and Dave Johns, based on the novella Rita Hayworth and Shawshank Redemption by Stephen King
Directed by David Esbjornson
Produced by Impresario Productions, by arrangement with Bill Kenwright Limited
By arrangement with Knight Hall Agency Ltd in association with Paradigm Talent Agency

SEASON DETAILS

SYDNEY
Venue: Theatre Royal Sydney
Season: 2 – 31 January 2027
Performance Times: Tues-Thurs 7pm, Fri-Sat 7.30pm, Wed 1pm, Sat 2pm, Sun 1pm
Prices: From $89.90 (Transaction fees apply)
Bookings: ShawshankLive.com.au or 1300 163 808

MELBOURNE
Venue: Playhouse, Arts Centre Melbourne
Season: 3 February – 7 March 2027
Performance Times: Tues-Thurs 7pm, Fri-Sat 7.30pm, Wed 2pm, Sat 2pm, Sun 1pm & 6pm (schedule varies weekly)
Prices: From $89.90 (Transaction fees apply)
Bookings: ShawshankLive.com.au or call 1300 182 183

PERTH SEASON
Venue: Regal Theatre
Season: 12 – 28 March 2027
Performance Times: Tues-Thurs 7pm, Fri-Sat 7.30pm, Wed 1pm, Sat 2pm, Sun 1pm & 6pm (schedule varies weekly)
Prices: From $89.90 (Transaction fees apply)
Bookings: ShawshankLive.com.au or 08 9381 9943

ADELAIDE SEASON
Venue: Her Majesty’s Theatre
Season: 1 – 11 April 2027
Performance Times: Wed-Thurs 7pm, Fri-Sat 7.30pm, Thurs 1pm, Sat 2pm, Sun 1pm & 6pm (schedule varies weekly)
Prices: From $89.90 (Transaction fees apply)
Bookings: ShawshankLive.com.au or phone 131 246

BRISBANE SEASON
Venue: Glasshouse Theatre, QPAC
Season: 28 April – 9 May 2027
Performance Times: Wed-Thurs 7pm, Fri-Sat 7.30pm, Wed 1pm, Sat 2pm, Sun 1pm & 6pm
Prices: From $89.90 (Transaction fees apply)
Bookings: ShawshankLive.com.au or phone 136 246

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Hayes Theatre Co Unveils Its 2027 Season

Stylized retro city skyline with a heroic figure standing to the right, symbolizing urban leadership and ambition.

Hayes Theatre Co today announced its 2027 season, the company’s biggest yet, expanding beyond its Potts Point home with work presented at larger Sydney venues under the banner Hayes in New Places while continuing an expansive program at the Hayes Theatre. Artistic Directors Richard Carroll and Victoria Falconer, in their final year as ADs, will lead a season of new work, reimaginings, classics and major theatrical events.

Leading the season is Steven Kramer’s Phar Lap: The Electro-Swing Musical, starring Joel Granger, returning to Sydney for an expanded staging at Carriageworks from 8 July to 8 August ahead of a national tour culminating at Melbourne Theatre Company. Phar Lap previously received rave reviews, sold-out seasons and awards; the 2027 staging is on a larger scale.

The Foundry Theatre will be transformed into an underground bar in October for Mack The Knife, a major new work by Richard Carroll, Victoria Falconer and Jordan Shea that re-imagines The Threepenny Opera. Beginning as an immersive promenade experience, it evolves into a rock-cabaret musical shaped by the audience each night.

At the Hayes Theatre in Potts Point, the season of eight productions spans cabaret, comedy, opera, contemporary musical theatre and drama. The year opens with Peter Allen: Not the Boy Next Door, a new cabaret-concert directed by Hayden Tonazzi with arrangements and musical direction by Steven Kramer (three-week season from 13 January). February and March feature Claudia Barrie’s Lucky Stiff, followed by the return of House of Rot after its sell-out at the 2026 Winter Cabaret Festival. May presents the Australian premiere of the folk epic Swept Away (directed by Drew Livingston), followed in July by Jacinta John’s production of Pulitzer Prize-winning Next to Normal.

In August Matthew Barclay presents a technicolour reimagining of Mozart’s Così fan tutte or The School for Lovers. September brings Cameron Mitchell directing and choreographing the sci-fi satire Be More Chill, and the season closes with Flowers for Mrs Harris starring Rachael Beck and directed by Julia Robertson.

Hayes will again present two major festivals: the Festival of New Work returns for its fourth year extended to three weeks, and the Winter Cabaret Festival returns in June rebranded as Flare. Regular Hayes events include three Neglected Musicals (1776 in March, A Funny Thing Happened on the Way to the Forum in May and Dames at Sea in October), Theys at the Hayes and Victoria Falconer’s Parlour Night for Mardi Gras 2027, plus returning favourites Musical Bang Bang, Home Grown, An Evening With and Carols by Cabaret. Subscriptions are on sale from Monday 14 September, with single tickets on sale at various times in coming months. Phar Lap single tickets are available now from https://hayestheatre.com.au/event/phar-lap-2027-carriageworks/.

With its most expansive program yet, Hayes Theatre Co’s 2027 season is presented as an invitation to discover music theatre in new places, in new forms and at every scale while continuing to champion artists, audiences and Australian work.

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Monty Python’s Spamalot Arrives In Melbourne

Feature-Monty Python’s SPAMALOT

Rehearsals are about to kick off in Melbourne at the end of August as Monty Python’s SPAMALOT prepares to open at the historic Athenaeum Theatre this September. Preview performances will begin on September 17 ahead of the official opening night on Saturday, September 19. The Tony Award-winning Best Musical has recently extended its Melbourne run through October 11, following extraordinary ticket sales and demand.

Following the Melbourne season, the production will gallop into Sydney for two engagements: first at the Sydney Event Centre at The Star Sydney from October 15–18, followed by Western Sydney’s Coliseum Theatre from October 22–25, 2026.

The Melbourne season will see this incredibly diverse and talented cast take to the stage, led by Australian screen and television icon Stephen Curry, who will make his musical theatre debut, stepping into the regal shoes of King Arthur. Sharing the spotlight with Stephen will be powerhouse vocalist Jaz Flowers, who makes her highly anticipated return to the stage after a decade, as the enchanting Lady of the Lake for the Melbourne season.

Seasoned performer and Perth standout, Jamie Rolton will reprise the hilarious role of Patsy opposite Stephen Curry’s bumbling King Arthur. Joining them is a talented community of hilarious performers that includes rising stand-up comedian and Tik Tok sensation Nick White, tackling the formidable role of Man of Many Characters; NIDA Graduate and up and coming performer Gareth Isaac as Sir Robin; emerging star and WAAPA graduate Jesse Vasiliadas as Sir Lancelot; with Perth season alumni Noah Skape as Sir Galahad and Ethan Jones as Sir Bedevere respectively. Rounding out our talented ensemble is Grace Williams, Emily Huynh, Danielle Gibson, Jacinta Tsakalos, Will Basson, Jack Coyne, Dominique Hamilton and Ethan Churchill.

Producer/Director Drew Anthony said, “Following our sold-out critically acclaimed Perth season it is my absolute pleasure to be bringing this gem-of-a-show to Melbourne and Sydney. Not only is Spamalot a celebration of all things Monty Python it is also a wonderful love letter to the musical theatre genre. All of the characters and quotes from the source film will keep audiences laughing and wanting more.”

MONTY PYTHON’S SPAMALOT features Eric Idle’s book and lyrics alongside a score by Idle and John Du Prez, offering a hilarious and irreverent parody of musical theatre filled with show-stopping vocals and tap-dancing knights. A contemporary landmark, SPAMALOT won three Tony Awards after its 2005 Broadway debut.

MONTY PYTHON’S SPAMALOT will play at the Athenaeum Theatre from 16 September until 4 October. The show will play at the Sydney Event Centre at the Star Sydney from 15 – 18 October, before transferring to Coliseum Theatre in Western Sydney where it will play from 22 – 25 Oct 2026.

Tickets will go on sale to the general public for Melbourne on Friday 19 June and for Sydney on Monday 29 June via www.ticketmaster.com.au.

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