8 Women: Old Mill Theatre

8 Women

8 Women Rating

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I always love a good murder mystery. It’s a genre that never goes out of fashion. 8 Women is one of those good old fashioned murder mysteries with comedy, drama and mystery all rolled into one.

Presented by Playlovers at the Old Mill Theatre in South Perth, 8 Women is an international award-winning play by French writer, Robert Thomas.

Set in an isolated mansion in the snowy French countryside, a man is found dead with a knife in his back, and all 8 women are suspects.

What is meant to be a time of celebration as they all come together for the Christmas holiday season turns into 24 hours of mayhem as they each suspect the other of murder. All 8 women are known to each other, and they each have a motive for killing the patriarch of the family, Marcel.

There’s the lady of the house and Marcel’s wife, Gabby. Gabby’s neurotic sister, Augustine, and Gabby’s mother, only known as Granny, which Marcel has kindly allowed both to live with him and Gabby at the mansion. Then there’s Marcel and Gabby’s daughters, Suzon and Catherine, their nanny, Madame Chanel, the sultry maid, Louise and Marcel’s sexy sister, Pierette.

Tension between the women grows as secrets are revealed on their path to discovering the identity of the murderer. As Catherine declares, the murderer must be one of them.

Whilst there was no clear indication as to which decade this was set in, there were very strong vibes of a 1950s melodrama.

As the play is naturally all spoken in English for the audience to understand, it became apparent that these were meant to French characters when upon Suzon’s return from London she says she learnt some new English words and says them in French.

The actresses each play of their roles superbly and the chemistry between them is palpable. The play however was far too long. There were scenes that really didn’t add anything to the story and could have been left out. It was so long that towards the end, I had almost lost interest on finding out who amongst them was the murderer.

Nevertheless, it was an enjoyable play with an ending that you either love or hate. Expect hair-pulling, taunting, crying and lot of screeching as the women turn on each other in search of the truth.

To book tickets to 8 Women, please visit https://www.taztix.com.au/playlovers/.

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Suite Surrender: Presented By Endeavour Theatre

Suite Surrender

Suite Surrender Rating

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3

It’s 1942 and the Palm Beach Ladies for Unity – or P.B.L.F.U. – are running a show to support the war effort. Headlining is starlet Claudia McFadden (played by Jen Demeza), known for her quick temper and tendency to throw bellhops out of four-storey windows. Unfortunately for McFadden, Athena Sinclair (played by Margaret Costantine) is also on the bill – known for her flirtatious nature, her countless ex-husbands, and being McFadden’s archrival. However, disaster strikes when the two starlets are assigned to the same hotel suite, and a beautiful dance of avoidance and misdirection ensues, as all parties try to ensure Sinclair and McFadden never see each other.

The show delightfully builds to the moment of dread when the two cabaret queens finally clash, teasing the audience with every near miss. The multiple doors on stage (crafted by Patrick Watson) allowed for some great comedic moments, particularly with the constant comings and goings of the players.

This show’s ensemble cast worked together seamlessly, each creating their own individual disasters that coalesce into one glorious mess by the finale. Jen Demeza as Claudia McFadden upholds a classic Hollywood air akin to Grace Kelly, though she does not shy away from the starlet’s grouchier moments. Margaret Constantine as Athena Sinclair was deliciously devilish, prompting an audible gasp from the audience upon her first entrance in a glimmery, sequined gown. James Fraser’s Mr Dunlap was a strong pillar of the show, juggling several crises at once, while keeping (or, trying to keep) a calm visage. Chris Johnson was fantastic as McFadden’s assistant, Pippet, sharing great chemistry with Fraser and Demeza in particular.

Amy McDonnell was sweetly stressed as Sinclair’s assistant Murphy, demonstrating the strongest American accent out of the cast. James Manson, as bellhop Francis, also had great chemistry with McDonnell, prompting a cheer from the audience during one of their shared scenes. Manson was also a good contrast to Darragh Browne’s Otis, who bumbled and fawned over the starlets with such earnestness, and provided two of the show’s biggest laughs. Despite the occasional need for prompting, Denise Mignon and Rosanna Baccala were surprising comedic additions as nosy reporter Dora Del Rio and P.B.L.F.U. chairwoman Mrs Osgood, providing unique physical and musical comedy.

While the show opens with some big-band jazz, it would’ve been great to have some playing pre-show, to set the tone and immerse the audience further. I thought some of the dialogue could’ve been a bit faster paced, but the energy was high and consistent nonetheless. I also hoped for some more variety in blocking, particularly in scenes with more than two characters as it had the tendency to become quite static at times.

It is clear that Suite Surrender has been made with love, dedication and detail. The set (by Patrick Watson) has been fitted with multiple doors, room for a piano, and a built-in robe, and is decorated with Van Gogh paintings, a gold bar cart, and a classic American flag. There has evidently been a great deal of research into the costuming (by Linda Thompson), hairstyles and makeup (by Penny Chambers) of the 40s, and it certainly pays off. Each player looks stunning in their costumes, with some great contrasting colours and textures contributing to the characters’ conflicts.

For a genre that is often overlooked in the modern day, farce is Endeavour Theatre’s specialty, and Suite Surrender proves this beyond a doubt. If you enjoy classic comedic theatre featuring too many doors, a tiny dog, and an absurd amount of long-stemmed white roses, check in to the Palm Beach Royale Hotel and stay a while.

To book tickets to Suite Surrender, please visit https://www.endeavourtheatre.org.au/.

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Chalkface: Melville Theatre

Chalkface

Chalkface Rating

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1

Chalkface is a glimpse into the lives of six staff members from the fictional West Vale Public Primary School.

The two protagonists in the play, Pat Novitsky and Anna Park are polar opposites. Pat is a weary, cynical 56-year-old teacher and Anna is a 22-year-old perky graduate teacher, full of enthusiasm.

Pat has been teaching at West Vale for many years and has given up trying to make a difference in teaching and in the lives of the students. Her weariness is evident from the moment she steps into the staff room on the first day of Term One, dragging her feet with shoulders hunched. Years of bureaucratic red-tape, the constant lack of funding and having to deal with difficult parents appears to have taken a toll on her and that bright light within her she once had is now dim.

Anna on the other hand has full of ideas on how to improve the school for the teachers and for the students. On her very first day she is already suggesting new teaching methods that land her on the wrong side of Pat. The two clash throughout the play but as they get to know each other on a more personal level they develop a common ground.

The other characters are Denise Hart, the somewhat ditzy pre-primary teacher; Cheryl Filch, the former bank worker now school office manager who guards the office supplies with an iron fist; Steve Budge, who is convinced a parent of one of his students is stalking him; and lycra Principal Douglas Housten.

Rather than acts in the play they have terms which I thought was quite a clever way of delivering the performance. With each term more layers of the characters unravel.

Set in the staff room of West Vale, the set designer has done a brilliant job in presenting a run-down and outdated staff room with cracks in the walls and basic office furniture. This was a dead give-away that West Vale is a public school and the lack of school funding is a major theme throughout the play.

Natalie Burbage is phenomenal as the grouchy Pat Novitsky and Sophie Harvey-Lissienko is equally as good as the bright Anna Park. The other cast members Louise Fishwick, Cameron Leese, Maree Stedul and Christopher Hill all deliver strong performances and the camaraderie amongst the cast shines through in their performances.

There is a strong message conveyed in the play which many of us are perhaps already aware of and that is teaching is a hard profession. Teachers are underappreciated and underpaid. But as the director Vanessa Jensen mentions in her Director’s Notes, playwright Angela Betzien describes Chalkface as a ā€œlove letter to teachersā€ with relatable teacher issues presented in a humorous manner.

To book tickets to Chalkface, please visit https://melvilletheatrecompany.au/current-production.

Photographer: Curtain Call Creatives

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One-Acts By Locals: Presented by JETS

One-Acts By Locals

One-Acts By Locals Rating

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2

In recent years the Joondalup Encore Theatre (JETS) have relocated their performances from their home at Padbury Hall to the St Stephens High School Theatre in Duncraig. It’s an impressive space with comfortable seats and all the mod-cons you see in high school theatres these days; not like in my day where we would resort to hiring a stage for the drama room that seemed like something from Ikea, arriving in about 20 pieces, with the kids expected to construct it.

The premise of JETS’ April season is three one-act plays written by locals. I love that Community Theatre provides a platform for local talent, with years of experience or not, giving them a chance to share the stories that may have spent years in a notebook as an idea, or even a fully fleshed out script.

The first half of the evening featured two plays by Johnny Grim, ā€˜A Little Love and Understanding’ and ā€˜Jilted Lovers Helpline’. As we entered the theatre, the stage was already set with three men happily chatting at a table, drinks in hand; as the lights dimmed, the conversation grew louder, making a natural start to ā€˜A Little Love and Understanding’. Mike’s wife is ready to leave him, and he is completely clueless as to why, so he seeks guidance from his two friends (who aren’t exactly living love’s young dream themselves) and his two grown up daughters. Cue conversations about the changes in relationships from the early days of flowers, date nights and romantic gestures to the mundane tasks of everyday life and responsibilities of family that tend to get in the way as the years go by.

ā€˜A Little Love and Understanding’ features a talented cast who drew the audience into the situation, much of the conversation being relatable to the audience in one way or another. The set was simple but effective, good use of props and movement around the space, while subtle perfectly suited the situation.

Gone are the days of the slow open and close of curtains between every scene, audiences nowadays will quite happily sit and watch the quick shuffle of sets between scenes, it feels preferable to be waiting awkwardly for what can feel like an eternity for the curtains to open once again. JETS made clever use of the space with most of what was needed for the first two plays on stage from the start, featuring as background pieces, and then switched out to front and centre when required.

In ā€˜Jilted Lovers Helpline’ we are introduced to receptionists Mary and Jasmine who are on the frontline of calls from women scorned and men on the verge of a mental breakdown all due to a little thing called love. The two actresses kept us engaged in both their conversations with the aforementioned jilted lovers on the phone, and their own workplace interactions including a conversation around whether you would actually split lotto winnings having bought a ticket for a friend that won (something I’m sure we’ve all considered). Again, the simple set – a couple of desks, computers and accessories worked well for the script which included a few real laugh out loud moments.

Following a short interval we returned for ā€˜Playing for Sheep Stations’ written by Audrey Poor, where we were taken into a nursing home where the Bingo stakes are high and we see that high school style drama and office politics don’t end, even once you’re elderly. The largest cast of the night featured in a story that both made you laugh and tugged at your heartstrings around the harsh reality of aging. The largest cast of the night bounced off each other well in this enjoyable piece.

With four shows only across one weekend it takes an ambitious group, so well done to JETS. Although I’m sure the cast and crew’s exhaustion will be outweighed by the buzz of performing.

To book tickets to One-Acts By Locals, please visit https://www.taztix.com.au/jets/.

Performance Dates:
April 12 @ 7.30pm
April 12 & 13 @ 2.00pm
Tickets:
$25 Adult, $20 Concession
Groups of 5+ @ $18 each

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