The Twelve Days of Christmas: Irish Theatre Players

The Twelve Days of Christmas

The Twelve Days of Christmas Rating

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While pantomimes aren’t a well-known concept to some, they are a Christmas tradition for many families in the UK. It’s also the one-time audience participation in the theatre that is not only expected but encouraged. Oh no, it’s not, I hear you say. Well, oh yes, it is!

The Irish Theatre Players’ production of The Twelve Days of Christmas takes us to the enchanting village of Old Dimpley Bottom, where the Royal family are planning a grand Festive Ball to bring joy to all the villagers. To mark this splendid occasion, a giant advent calendar with 12 doors is constructed on the Village Green, with one door to be opened each day until Christmas.

However, the festive spirit is threatened when Wizbad, the wicked wizard (Adrian Mills), steals the keys to the advent calendar and scatters them across the globe. Aided by the good Fairy (Anna Sirotkina), the characters embark on an exhilarating race against time, travelling to the world, from South America to Ireland, in their quest to retrieve the missing keys.’

The set got everyone in the Christmas spirit and saw clever use of a single flat interchanged as the residents of Old Dimpley Bottom travelled far and wide in search of the keys to save Christmas. The stage lights would go down, and when they were lit again, we had been transported to a new exotic destination with singing, dancing (yes, of course, some of it Irish) and a range of well-considered props to confirm where we were.

The Twelve Days of Christmas is fun for the whole family. It has the right amount of innuendo to keep the adults laughing, but the kids especially will love it. The audience was clearly well versed in their role, with the expected booing, hissing, and ‘he’s behind you’ happening from the very start.

 

The cast embraced their roles and hammed it up. The traditional pantomime dame, Gertie Gusset (Peter O’Connor), was a crowd favourite, and relatable local council workers Stampit and Clampit (Nathan Holland and Amanda Walker) were appropriately annoying as they provided fines for inappropriate parking of a wheelbarrow and an announcement after the interval that given its Christmas, instead of wheel clamping audience members’ cars, they’d been nice and had them towed.

Having a reasonably large cast, often on stage at the one time, and with children making up half of the ensemble, things could become a bit of a mess but the action was well choreographed and made great use of the space available, sometimes extending out into the crowd.

The costumes were fabulous and plentiful, keeping some of the main characters’ outfits simple but adding accessories such as Queen Cupcake’s headband…you guessed it, a cupcake. Every different country travelled to in search of keys featured costumes to suit, from French berets to leprechaun outfits.

With Christmas less than three weeks away, what are you waiting for? Head down to The Irish Club of WA in Subiaco to get yourself in the Christmas spirit. There’s even a bar should you need some spirit of a different kind.

Performance Dates: December 7, 8, 12, 13, 14, 15
Thursday, Friday & Saturday’s at 7.30pm
Saturday & Sunday matinees at 1.30pm.
Book your tickets quickly here:- TAZ Tix.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Puss In Boots

Puss In Boots

Puss In Boots Rating

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With Christmas just around the corner, there is nothing like seeing a pantomime at this time of year, and the Limelight theatre production of Puss in Boots will definitely hit the spot for some Christmas cheer. With an enormous 30-strong cast, this show is a dazzle of song, dance and melodramatic acting that is as impressive as it is entertaining. You will laugh, cheer, boo and get to sing along to the many well-known songs and feel like you are just as much part of the show as the actors.

The pantomime twist of the traditional story of Puss in Boots tells of Jack (Zavier Wileman), a poor miller son who is left just a cat (Beau Poole) after his father dies. Zavier Wileman as Jack gave a strong performance and was well loved by the audience. At times his vocalisation could have been louder and clearer and this was also amplified by some minor technical difficulties.

Beau Poole as Puss in Boots was a bundle of energy and clearly very talented. I absolutely loved his physicality as Puss but would comment that he could have connected with other actors clearer. My six year old daughter pinned Beau as her favourite actor!

The two go through various mishaps over the story, often at the hands of Jack’s two dimwit brothers, Jasper (Isaac McAuley) and Jethro (Jason Pearce). Both played the role with suitable comic timing and made a great pair. Isaac McAuley, as Jasper, would blossom with more confidence.

 

The two brothers fall in love with Babs (Sarah McDonald) and Betty (Eleanor Mulder). Both actors held a tune well and added to the professionalism of this production. Jack then falls in love with Princess Esmerelda (Zoe Anderson), whose extensive training was evident in her performance. She is a very proficient dancer and singer, bringing charm to the stage.

Jack and Esmerelda’s love is interfered with by the Orge (Andrew Govey), who was an absolute hit with the audience. With a very powerful resonance and performance, he gave me a few belly laughs over the night. The Orge was helped by the Bad Fairy (Gwen Browning), who was incredibly articulate and clear as an actor. I enjoyed her performance, even if I didn’t like her character and joined in on booing her!

To counter this, we had the Good Fairy (Christine Smith), who helped put things right. Smith’s warm energy suited the character perfectly, and she held herself as the character equally as well as Browning.

The standout performance, though, was from the Queen (Chris McCafferty). McCafferty, who nailed the art of Pantomime, had me in bundles of laughter. He is clear and articulate, and his comedic timing was spot on. His ability to interact with the audience and his rifting was hilarious. Cher and Sonny’s song ‘I’ve Got You Babe’ that he preformed with his King (RJ Smolders) was particularly funny. Smolders was so well fit for the role of the submissive King and his dottering characterisation was on point.

 

Last but not least, the young Luis Proctor as The Page stepped confidently into the big task of opening the show with a song. This boy has a bright future ahead of him.

I won’t give away the end of the story but all in all this was a wonderful production from a very cohesive and professional cast. The standard was very high for amateur theatre and the ensemble as well at the dancer significantly added to this.

This show was a full house on opening night, so if you want to see this splendid production, I suggest booking your tickets right now! This is definitely one not to be missed.

To book tickets to Puss In Boots, please visit TAZTix or phone 9255 3336.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.