‘Thinner Than Water’ written by Melissa Ross and directed by Tim Williams, offers a nuanced portrayal of a fractured family drawn together during a time of crisis. The play focuses on three half-siblings—Cassie (Amy Pollock), Renee (Katharine Innes), and Gary (Matthew Elliott)—who reconnect when their father’s health takes a turn for the worse. Renee, the eldest, naturally assumes a leadership role, displaying an authority over her siblings that is both practical and, at times, overbearing.
The other two siblings, though less organized, demonstrate a deeper empathy for those around them. This often puts them at odds with Renee, whose critical nature highlights the tension between them. The strained relationship with their father is apparent from the outset, setting the tone for the family dynamics that unfold throughout the play.
As the story unfolds, we see the shaky ground that Renee’s marriage is standing on. Her husband Mark’s level of criticism one-ups hers. As the play progresses, we find out Mark is not a cold-blooded narcist. The unfolding drama, acts as a catalyst that opens their respective vulnerabilities and provides stable-ground for them to have honest, productive conversations. Katharine Innes and Matt Trubiani take great writing, and deliver it with impeccable timing, humour, and stage chemistry.
Cassie is in an on-again-off-again relationship with Henry (Jerome Meyer) – a stable organised lawyer who is devoted to her, despite Cassie’s inconsistency in their relationship. The two have markedly different personalities and lifestyles. Henry’s similarity to Renee reflects interesting psychological subtext that is implicitly explored throughout the play.
Gary works in retail at a comic book store, and receives notable flack for it. He acts the part of stereotypical stoner meets anxious sweetheart. Like Cassie, Gary also struggles with responsibility. Him and Cassie are at ease with each other, where their mutual understanding anchors their relationship. Gary meets Angela (Nicole Chapman) at the start of the play. Angela is a single-mother looking for a reliable ‘big brother’ for her son.
When Martin is admitted to hospital the audience is treated to some great back and forth between Renee and Martins partner Gwen (Nin Macken), where the ball is largely held in Gwen’s side of the court. Gwen is a self-confessed chatterbox, Renee’s magazines, and forms prove inadequate barriers to deflect this. As the play progresses, we see the relationship between Gwen and Renee shift from superficial and one-sided, to honest and reciprocal, underscored by humour and depth.
There were a lot of set changes, broadcasting voicemails over these did help to alleviate their duration; but the play would benefit from shortening them. The use of the r-word felt unnecessary and could have been updated to something more appropriate. The narrative set-up is slowly drawn out over the first act, then after skipping forwards in time the resolution feels very compressed in the second act. I wonder if there might have been ways to alter this to convey the character growth that has transpired in this time- particularly in the case of Cassie, either through script changes, or acting choices.
Overall, this play is a funny, relatable, subtle, and complex work; supported with strong acting performances across the entire cast. The Alex Theatre was a fantastic venue, with great facilities. ‘Thinner Than Water’ is running 15-25 August at the Alex theatre in St Kilda, I highly recommend you take the opportunity to see it.
For Tickets:- https://alextheatre.au/thinner-than-water/
15 – 25 August 2024, 7 pm – 9:30 pm
Sundays 5 pm – 7:30 pm
Full $45 +BF
Concession $37.50 +BF
PREVIEW PERFORMANCE:
Full $35 +BF
Concession $27.50 +BF
