Funbelievable – Hypnotist Matt Hale

Funbelievable - Hypnotist Matt Hale

Funbelievable – Hypnotist Matt Hale Rating

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Matt Hale makes a triumphant return to his hometown of Perth with his feel-good, sing-along brand of hypnotism.

The Planet Royale Theatre, situated upstairs from its namesake bar/restaurant/arcade, is an ideal venue for a relaxed Fringe season, and certainly one that complements the 90s nostalgia of Hale’s show (Tip: Treat yourself to a burger and a round of pinball before the show).

Before Hale’s entrance, we are treated to a pre-show presentation featuring deep-fake versions of Hale as various 90s stars such as Mattdonna and Jamattroquai.

A big reservation I have with interactive performances, is the fear that I will be unwillingly called upon by the host. If you share a similar concern, fear not! Hale’s show relies on enthusiastic volunteers, as he prefaces that no one will ever be forced up on stage (“Why would I do that? I want you to want to be up here!”, he says).

Twenty chairs lined the stage, though more were brought on to accommodate the influx of volunteers. Modesty covers were also offered to some ladies wearing skirts and dresses, which was a subtle but appreciated detail that demonstrated the respect Hale has for the participants and their comfortability.

Hale has a knack for putting the participants at ease – so much so that I, watching safely from the audience, found myself breathing deeply along with the volunteers. He also prefaces not to take offense if participants are asked to return to your seat, stating “You will enjoy the show much better from the audience”.

 

 

The participants go through several trials of susceptibility and influence before being cast into starring roles of their own, varying from indulgent singalongs, to apologetic interruptions. The few that remained on stage until the end became micro-celebrities, being stopped and congratulated for their performances upon the show’s end.

I spoke to two stars from the show, Sarah and Yelda, and asked how they felt following their experiences. Yelda said they felt like they’d sunken into their chair and was extremely relaxed. “I’m also very susceptible – I fall for marketing stuff all the time!”
Sarah wowed audiences with her enthusiastic Macarena, to which her friends commented, “That’s how she normally dances!”

I would highly recommend volunteering yourself for a show. The worst that can happen is you are not easy to hypnotise, and are asked to sit down. Embarrassment is not the goal of Hale’s hypnotism.

It is clear that Matt Hale holds a tremendous amount of respect for his participants, as they put their trust in him and are voluntarily vulnerable. To also have an audience who were largely return customers was also a great indicator of Hale’s abilities to charm a room and put on a show.

So if you Wannabe driven down memory lane by the Vengabus, Let Matt Entertain You with this hypnotically feel-good return to Fringe.

To book tickets to Funbelievable – Hypnotist Matt Hale, please visit https://fringeworld.com.au/whats-on/hypnotist-matt-hale-funbelievable-90s-rewind-fw2026.

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Primal

Primal

Primal Rating

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It’s the most wonderful time of the year! No, not Christmas, Fringe World Festival! It’s a time where Northbridge is abuzz with chatter of people who have just been to see a show and may not be quite sure what they just witnessed but loved it anyway, and the excitement of those on the way to their very first Fringe experience. It’s a time that brings people of all ages into the city and there truly is something for everyone…you just have to know what to choose. And there comes the hardest part of Fringe; there are SO many shows to choose from, with many a talented artist or group having toiled away for months or years to bring it to life with all their blood, sweat and I’m sure a lot of tears, only to experience small audiences. Quality over quantity definitely counts in some cases, with an engaged crowd providing the energy the artists thrive off to deliver their very best work.

One show that is definitely not light on energy from either the artists or the crowd is Primal, described as a circus for grown-ups inspired by the raw energy of the animal kingdom and the complexities of human relationships. From the opening musical number we were hooked; this 65-minute thrill ride in the Heath Ledger Theatre at the State Theatre Centre of WA, had me unsure of whether to be amazed or terrified with the strength and flexibility of this suite of performers. Clearly I’m getting old when I’m thinking ‘wow that is incredible, but how is she not hurting her neck?!’

 

 

From burlesque numbers, to amazing aerial acrobatics and sheer displays of female strength with the subversion of traditional gender roles, with some comic relief thrown in, Primal is exactly the sort of show that Fringe is all about. With a blank stage as their canvas, you weren’t distracted by fancy set pieces and became fully engaged, if not mesmerised by each act. The amount of trust the performers had in each other was clear as the tension in the theatre built of where they would take the show next. We had been instructed by the show’s fabulous emcee to hoot and holler as much as we wanted and the audience grasped that challenge with all their might. One stand out act in particular, early in the show had me waiting for the fire sprinklers in the theatre to go off, partly due to the heat between the performers.

I almost don’t know how to describe this show further without spoiling it, so you’re just going to have to trust me when I say this is one of the must-see shows of this year’s festival.

Primal runs daily from Wednesday 28th Jan to Sunday 1st Feb. While there is a matinee on the Saturday and Sunday for those who prefer to be ‘home by 9’; don’t let that fool you, this is an 18+ show.

With one week down and three more to go, there is plenty of time to experience the buzz of Fringe. Get out there and see as much as you can, big or small. Sure, ask your friends for recommendations but above all pick some random shows, because you never know what you may find…and that is the best part of Fringe.

To book tickets to Primal, please visit https://fringeworld.com.au/whats-on/primal-fw2026.

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Now You See Me Live

Now You See Me Live

Now You See Me Live Rating

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Magic and mystery has made its way to Perth’s Crown Theatre, with NOW YOU SEE ME LIVE presenting bold tricks and thrilling stunts to captivate audiences.

Based on the popular movie trilogy, following a band of cunning magicians known as the Horsemen, the story naturally lends itself to a life on the stage. With a fourth film confirmed to be in development, this live adaptation is a great way to tide over fans who are hungry for more.

Throughout the two hour performance we meet escapologist Andrew Basso, sleight-of-hand expert Matthew Pomeroy and grand illusionists Gabriella Lester and Pablo Canovas who take turns baffling audiences, leaving many questioning how their trickery was pulled off.

From card tricks to mind reading and teleportation, there was plenty of action for patrons throughout the night with ample opportunities for audience patience (their faces proving how mind boggling some of these tricks truly were).

 

 

Without giving away too much, some personal highlights included a death defying Houdini style escape, and a very impressive maths equation to bring the night to a close – complete with a touching speech about time, and the way we choose to use it.

Outside of some master trickery, this show also had high production value, with immersive lighting and sound design audiences were truly immersed into the world of the show, helping provide the thriller-type feel from the films.

One piece of advice I’d offer to anyone attending the show is to look out for cards on the way in. There was a particular moment, using the entire audience and the ‘cards you received on the way in’ – unfortunately myself and those I was with didn’t get any (though we may have just missed them ourselves) so had to miss out but enjoyed watching those around us. Given the size of the audience and the grand scale of the trick, it was very impressive and therefore a little disappointing to not have been a part of it.

Admittedly there were a few things throughout the show that I’m still skeptical of, but it was clear from the audience’s overall reactions that many were baffled and left wanting more.

This show makes for a great night out for people of all ages, and is a fantastic nod to its roots – don’t wait to pick up tickets… blink and you’ll miss it 😉

To book tickets to Now You See Me Live, please visit https://www.crownperth.com.au/entertainment/crown-theatre/shows/now-you-see-me.

Photographer: Cameron Grant, Parenthesy

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Duel & Dual: Martial Arts Meets Magic

Duel & Dual

Duel & Dual Rating

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Setting the stage for competition, a bare black stage holds a red and green digital counting clock, and two chairs with identical trophies upon them. As each of the two magic champions seek to out-do the other, a playful battle for the ultimate title commences. Exploring the nuances between rivalry and camaraderie, Duel and Dual showcases the different yet complementary talents of both performers through illusionary magic, martial arts, and mime.

Close-up Magician, Tu Strange, and Stage Magician, Mu-Syuan Chang, take turns to impress the audience with their different skills and occasionally attempt to sabotage the other. Strange’s comedic and showman-like personality certainly allows him to engage up close with the audience, even including them directly in his tricks and inviting them to copy his movements to demonstrate their authenticity. He has no qualms exuberantly inviting people to join him onstage, including helping with a 52 card pick up, and often all but demanding a hug at the end of tricks without saying a word.

Chang is much quieter in demeanour yet no less talented, as he gracefully moves around the stage seemingly conjuring playing cards and coloured confetti from nothing. Accompanied by music, he almost dances as he displays incredible dexterity with various items which almost defy gravity.

Both dressed in black, the magicians almost seemed to blend into the background at times, allowing the magic of the moment to take precedence. While this wasn’t completely mimed, with a word or two uttered quietly to amusing effect, the lack of dialogue allowed all aspects of the visual spectacle to take centre stage. The alternating of acts between the performers gave the impression of gentlemen taking turns to attack rather than everything happening at once.

However, it would’ve been very exciting to have seen more of a fast-paced physical battle that utilised more of the martial arts, mime, and magic illusions together. The newfound friendliness at the end, while almost heartwarming, was a bit of an abrupt finish to the performance. There wasn’t much time allocated to working together, and there was certainly a missed opportunity of having them complimenting and helping one other’s acts in a friendly capacity rather than only as rivals.

The alternating red and blue lighting is cleverly employed in the opening few minutes of the show, highlighting the two very different competitors as dramatic foreshadowing to a serious showdown. To complement this, basic spotlighting and stage washes were utilised to great effect, as long as both performers were within in that light. The soundscape, alternating from dramatic instrumental to bursts of popular music, also felt appropriate given the contrasting personas of the performers and often allowed the music to speak for them.

Each magician commanded the small performing space in their own way, often making it feel bigger than it was – unless there was a call for audience participation; some of which could be difficult to see around the flat seating. There are also moments when it is unclear whether to applaud or to simply enjoy the spectacle in silence, particularly if you have never been to a magic show before.

Marketed as riveting tale of rivalry between champions, it operates more as a magic show in alternating styles that is loosely linked with friendly competition. A rigorously rehearsed show that encourages flexibility in audience involvement, this is a great night out for families looking for something different that’s away from the busyness of the popular Fringe gardens.

To book tickets to Duel & Dual, please visit https://adelaidefringe.com.au/fringetix/duel-dual-af2025

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