Good Food & Wine Show – Melbourne

Good Food & Wine Show - Melbourne

Good Food & Wine Show – Melbourne Rating

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With eager hearts and bellies, we set about the walk down South Wharf to the Melbourne Convention and Exhibition Centre for our first taste of the 25th annual Good Food and Wine Show. This three-day foodie bender had been on our calendars for quite a while and with the Melbourne weather gods on our side, we knew the stars were aligning and we were in for a treat.

Upon entry we were met with an exciting blast of fragrances and laughter. It became clear that we needed a plan of attack for the 300 plus exhibitors before us. Often with these grand-scale conventions it’s easy to feel overwhelmed and spoilt for choice as to where to start. But armed with our complimentary wine tasting glasses, we forged forth into the throng.

The Harvey Norman stage hosted the chocolate queen herself Kristen Tibells. Audiences were treated to the eight distinct flavours of chocolate and the origins of cacao beans. Throughout the day, other A-list celebrity chefs hosted live demonstrations on this same stage. George Calombaris and Shannon Bennett took us through a culinary wonderland, their bubbly dynamic humorously punctuated by the surtitle screen above the stage providing commentary on the action happening below. Miguel Maestre also graced the stage with his infectious smile and delectable “Fiesta En La Cocina” demonstration for passionate cooking.

Being a “curd-nerd” myself (a term I learned from a friendly patron willing to let me jump the cue in front of him), I found myself instinctively gravitating toward the cheese district. First stop was the Smelly Cheese Co. grilling cheese toasties with their Quicke’s English Cloth 18 month Cheddar. Oh my heart. I would die happy. If I had all the time in the world, it wouldn’t have been enough to satiate my desire to sample every cheese stall. One such highlight was Long Paddock Cheese offering handmade artisan cheeses using organic cow’s milk from Castlemaine.

Their Bluestone was reminiscent of a creamy salty stilton and their Driftwood wrapped in spruce bark was baked to gooey perfection that you just wanted to dip a spoon in there and succumb to a cheesy coma heaven. However it was their signature cultured cream salted butter that took the spotlight. Simply spread on some crusty bread, you felt like a 17th century fop giggling over the luxury banquet before you.

Wines, gins and sakes were in abundance presenting flavours and aromas from all over the world. Lychee Estate took my eye with their “Horse’s Neck” cocktail. Located in the small Hong Kong town of Buluo, this distillery prides itself in providing “nourishment to the people and the fruit”. Their award winning lychee vodka and ten-year edition brandy boasts no less than 12 kg of lychees in every bottle. Their “Horse’s Neck” cocktail (a combination of their lychee brandy, ginger ale and lemon rind) reminded me of a great summer drink next to an Aperol spritz.

After sampling an unforgivable amount of sweets, snacks, pastries, condiments and alcohol, it was time for our slow and heavy departure. Word to the wise: next year bring a backpack for all your goodies and be sure to eat something before hitting the wines too hard.

To book tickets to the Good Food & Wine Show in your town, follow the link for session dates and times @ https://goodfoodshow.com.au/.

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Betrayal: Chapel Off Chapel

Betrayal

Betrayal Rating

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For those familiar with Harold Pinter’s plays, you will know the spitfire dialogue his work is famous for, and Betrayal does not disappoint.

The story centres on a seven year affair told in a reverse order and cleverly represented through the literal drawing back of the scrim curtain as the play unfolds. Almost immediately it’s made clear that director Rachel Baring knows how to handle this play with thoughtful restrained symbolism and precise economy of movement.

Gabriel Partington’s Jerry in particular has a circular waltz-like quality which the audience enjoyed. Michaela Bedel’s portrayal of Emma was suitably poised and measured. The physical dynamic between the lovers Jerry and Emma was well choreographed and suited the intimate performance space. However it was the relationship between Jerry and the cuckolded Robert (played by Heath Ivey-Law) that truly shone.

Ivey-Law balanced his character adeptly between moments of self-preservation, cheeky sarcasm and at times potential danger. Hints of sexual power play between the two men were played off very conscientiously and successfully. You almost felt sorry for Emma being somewhat neglected in the real love affair between the men.

With a minimal set of a few choice pieces of furniture and props, the performance allowed the actors’ portrayal of their characters to take centre stage. No doubt this was a deliberate choice from director Rachel Baring in collaboration with Thursday’s Child Theatre.

The use of sound was also well-marked. Background music and ambience helped maintain the atmospheric tone for each scene and their various locations. One moment that stood out was when the sound abruptly stopped right before a scene involving physical confrontation. The contrasting silence in this moment compared to the rest of the play served as a poignant signpost of the dangers vulnerable people face in relationships.

While this play is set across seven years spanning backwards from 1977 to 1968, this time period seems irrelevant to the themes presented. The complications of infidelity and expectations placed on relationships seem universal sticking-points now as they ever were. Yet regardless of what time this particular story takes place, we understand with reverberating clarity the emotional complexity of love, partnership, loyalty and indeed betrayal.

Betrayal is showing at Chapel Off Chapel until the 25th of May and runs for 70 minutes with no interval. There is a content warning of some coarse language, adult themes and domestic violence however these depictions are not gratuitous. This play might be a bold choice for date night but it will definitely make the journey home full of conversation.

To book tickets to Betrayal, please visit https://chapeloffchapel.com.au/show/betrayal-by-harold-pinter/.

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