Symphonie of the Bicycle

Symphonie of the Bicycle

Symphonie of the Bicycle Rating

Click if you liked this article

4

Step into the captivating realm of “The Symphonie of the Bicycle,” where the stage comes alive with the stories of two captivating characters, both embodied by the versatile Hew Parham under the direction of Adelaide legend Chris Drummond.

In a masterful tribute, Parham interlaces the narratives of Gino Bartali, the revered Italian cycling legend, and Hew, an embittered soul haunted by the spectre of a childhood rival’s success.

With palpable fervour, Parham breathes life into Bartali’s heroic exploits, recounting his triumphs in the Giro Italia and the Tour de France amidst the tumult of family tragedy and World War II. Through Parham’s portrayal, we witness Bartali’s indomitable spirit as he defies adversity, even clandestinely aiding persecuted Jews under the guise of training rides.

Yet, amidst the grandeur of Bartali’s tale, Hew emerges as a poignant contrast—a solitary figure, adrift in his discontent, until an unexpected encounter with fitness luminary Jake Johnson sets him on a path of self-discovery. As the narrative weaves between their stories, Parham’s performance dazzles, effortlessly shifting between accents and emotions with impeccable timing and boundless charisma.

Simple yet evocative staging, with a lone black stage adorned by a golden bicycle and intermittent props, invites the audience to immerse themselves in the unfolding drama, while the deft interplay of lighting underscores the shifting moods of each character’s journey.

Parham’s comedic prowess shines through, eliciting laughter and engagement from the audience, transforming moments of introspection into shared moments of joy and connection. The performance culminated in a rapturous standing ovation, leaving the audience both entertained and enlightened.

As the curtains draw to a close, Parham’s poignant reflection—”I was so busy trying to be someone else I forgot to be me”—lingers in the air, a poignant reminder of the power of authenticity and the importance of embracing our true selves. “The Symphonie of the Bicycle” entertains and inspires, inviting us to pedal forth on our unique journeys with renewed vigour and purpose.

Symphonie Of The Bicycle is now showing at the Space Theatre in the Adelaide Festival Centre from 14th May to 25th May 2024.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!

Living Together

Living Together

Living Together Rating

Click if you liked this article

2

Celebrating its 75th year in community theatre, St. Jude’s Players present a lively rendition of “Living Together”, the second play in Sir Alan Ayckbourn’s renowned trilogy, “The Norman Conquests”. Directed by Les Zetlein, who, with four decades of dedication to St Jude’s community, offers a delightful escape into the quirky world of 1970s England.

Upon entering the theatre, audiences are greeted by a meticulously crafted set courtesy of the multi-talented Don Oakley. Oakley’s expertise shines through as he transports us to a cozy English living room, complete with all the nostalgic touches of the era. A dedicated team have ensured that every element of the production is seamless and authentic.

At the heart of the story is Norman, portrayed by Simon Lancione, whose antics set the stage for a weekend of chaos and comedy. Despite his moral shortcomings, Norman possesses a charismatic charm that allows him to manipulate and charm those around him, particularly the women in his life. Lancione, as Norman, is both witty and pervasive, often managing to avoid the consequences of his actions through his quick thinking and silver tongue.

Norman’s role in the trilogy is multifaceted. He serves as a catalyst for much of the conflict and chaos that unfolds, driving the plot forward with his reckless behaviour and romantic entanglements. At the same time, he is also a deeply human character, grappling with his own insecurities and desires beneath his charming facade.

Rebecca Butler shines as Ruth, Norman’s long-suffering wife, capturing her character’s mix of disgust, frustration, and eventual resignation. Adrian Heness brings humour and a very expressive character to the role of board-game inventor Reg, opposite Rose Harvey’s sharp-tongued portrayal of his wife, Sarah. Larry Waller’s portrayal of the harmless neighbourhood vet, Tom, adds a touch of dim-witted charm to the ensemble, while Carla Hardie delivers a compelling performance as Annie, the troubled sister burdened with the care of their mother, seeking a little excitement and distraction from her otherwise dull life.

The cast has great chemistry, with each member skilfully supporting each of their fellow actors to deliver a fast-paced, layered performance filled with comic timing. The result is a performance full absurdity, as the characters navigate through a weekend filled with unexpected twists and turns.

While the cast’s performances are commendable, the plotline may feel somewhat dated, with all three women seemingly revolving around Norman, whose flaws are glaringly apparent. Despite this, the production offers an engaging exploration of family dynamics and interpersonal relationships.

With its high production values and talented cast, St. Jude’s Players once again prove their commitment to delivering quality theatre and the audience laughed in all the right places creating an appreciative and warm atmosphere.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!