Tarzan: The Stage Musical

Tarzan: The Stage Musical

Tarzan: The Stage Musical Rating

Click if you liked this article

9

The stage is set – I look at an enormous map of Africa, sails caught up with shipwrecked boxes and listen to the atmospheric opening sounds of the African jungle to soon be pierced by a baby’s cry – Tarzan’s cry, though he is not yet named ‘Tarzan’ – the next two hours will be his story.

TARZAN The Stage Musical has swung into life in Melbourne over the past couple of weeks and I’m so happy to have been invited to one of their final shows for review. I’ve seen three shows this week and this was my favourite – the other two were professional city shows so that’s saying something. My daughter could not believe she had been so engrossed when it was “interval already”. We sat next to one of the ‘Annies’ having a night off from playing her own famous character in the city currently, and when I asked her at interval what she thought thusfar she eagerly replied ‘I’m LOVING it!’ (excited to see her singing teacher in the cast too)

Get on the website to book the last tickets remaining until Sunday 14 Sept.
Ticket link: https://nationaltheatre.org.au/tarzan/

The blurb on the show told me:
TARZAN – The Stage Musical brings Disney’s epic animated film to life on stage in a high-flying action adventure, complete with aerial choreography and unforgettable music to the soundtrack of Phil Collins. Tarzan struggles to find where he truly belongs, torn between the animal kingdom and the human world. With book by Tony Award-winning playwright David Henry Hwang, at its core TARZAN is a story of identity, love, and the universal quest for connection.

Typically, the Disney TARZAN draws interest of course from adventurous kids, but there were more adults in the audience woo-hooing tonight and much of it for Joshua Russell as ‘Tarzan’ – the exact required look he definitely has and demanding skills for this unusual role; he strongly mastered those vine swings and strode a masterful ‘ape walk’ – his body must now be well adapted to that gait. Same for all the gorillas, excelling in their emulation of animal behavior and their acrobatic and dance which combine to give a seamless presentation of orderly uncontrolled chaos – there is so much going on, it’s exciting!

 

 

Usually I have a preference for certain characters by the end of a show, but in this one I didn’t, I liked them all and they were all played exceptionally well.

Seriousness and laughs from Jane and her father Prof. Porter were fun moments, played by Emily Robinson straight out of graduating from the VCA and Drew Holmes with an impressive history in shows too long to list.

Sarah Murr as ‘Kala’ (Tarzan’s ape-mother) is pure curated talent. It did not surprise me later to read about her role recently playing in Hadestown at Her Majesty’s. Matching up Sarah’s talents alongside Devon Braithwaite as ‘Kerchak’ (Tarzan’s ape-father) was perfect casting, and no wonder – he trained at The Boston Conservatory (USA). I’d love to see these two play again together in another show as non-animals after witnessing what they can do with a non-human role.

The scene where the gorillas inquisitively meet Jane and her Dad was both touching and tragic. The loss of one of Tarzan’s ape family had an empathetic music choice and the gun shots were unnervingly real, as was the formidable acting of Nick Eynaud as Clayton, jungle guide who had another goal on his agenda.

Emma Wilby Owers playing ‘Terk’ (Tarzan’s ape-buddy) nailed every line and expression, body movement and reaction. Another one to watch – there’s a heap of stars in this show!

Ollie Pearce as ‘Leopard’ brought the adrenalin rush, well focused with that slyly power and the Ensemble working every bit as hard as all the leads, sometimes more so on the energy required for partner throws and crazy wildness.

Finally, shout out to Young Tarzans, Daniel Lim and Sebastian Dovey Cribbes, both would have had an absolutely unique experience in this script and who wouldn’t want to play ‘Tarzan’ learning how to fruit pick and hang upside down. Whichever youthful Tarzan you see when you go along to watch you have to admire what these juniors in theatre can do and the confidence they have – theatre is so great for kids.

As always, I love the memories theatre can help recapture and looking later at the detailed program for this production, I have a mental flashback to watching a much earlier Tarzan on screen; Olympic swimmer Johnny Weismuller. Certainly not like the vivid colours and amazing action I saw everywhere on stage tonight with hundreds of green hanging vines, twisting and tumbling acrobats, dancers defying what their bodies can do naturally, but those calmer old black and white movies we’d sit down to watch on weekends and after which my brother would disappear to be ‘Tarzan’ in our backyard Willow tree. Yes, this is a story which has stood the test of time in any format with no mobile phones needed (they don’t work in the jungle anyway).

Oh – and hold out for that distinctive Tarzan jungle call, how does one describe that?

Congratulations to all the cast and the James Terry Collective creative team, you have all done yourselves proud!

Playing: August 29- September 14, 2025
Venue: The National Theatre, St Kilda
Website: www.tarzanstagemusical.com.au

CAST
Tarzan- Joshua Russell
Jane – Emily Robinson
Kala – Sara Murr
Kerchak – Devon Braithwaite (alt. Joti Van Carlos Gore)
Terk – Emma Wilby
Prof. Porter – Drew Holmes
Clayton – Nick Eynaud
Young Tarzan – Daniel Lim & Sebastian Dovey Cribbes
Ensemble – Simon Fairweather, Brittany Ford, Josephine Lopes, Sammy Allsop, Matilda Simmons, Ollie Pearce, Liimei Lim, Adriana Pannuzzo Emma Wilby, Gabriel Marsilli, Ayril Borce, Arjun Tiwari, Patrick Friedlander, Nicholas Dugdale.

TARZAN The Musical is Directed by Alister Smith (Elvis a Revolution, The Boys in the Band), Choreographed by Michael Ralph (The Wedding Singer, Legally Blonde), and Musical Direction by Claire Healy (SIX the Musical)

Adapted from the story “Tarzan of the Apes” by Edgar Rice Burroughs and originally Produced on Broadway by Disney Theatrical Productions. TARZAN ® owned by Edgar Rice Burroughs, Inc. Licensed exclusively by Music Theatre International (Australasia).

To book tickets to Tarzan: The Stage Musical, please visit https://nationaltheatre.org.au/tarzan/.

For information on further shows see: https://www.jamesterrycollective.com.au/

Spread the word on your favourite platform!

Shrek: The Musical ‘Inclusical’ by STaM

Shrek: The Musical

Shrek: The Musical Rating

Click if you liked this article

15

Set in a mythical “once upon a time” sort of land, this is the story of a hulking green ogre who, after being mocked and feared his entire life by anything that crosses his path, retreats to an ugly green swamp to exist in happy isolation. Suddenly, a gang of homeless fairy-tale characters (Pinocchio, Cinderella, the Three Pigs, you name it) raid his sanctuary, saying they’ve been evicted by the vertically challenged Lord Farquaad. So Shrek strikes a deal: I’ll get your homes back, if you give me my home back! But when Shrek and Farquaad meet, the Lord strikes a deal of his own: He’ll give the fairy-tale characters their homes back, if Shrek rescues Princess Fiona. Shrek obliges, yet finds something appealing–something strange and different–about this pretty princess. He likes her a lot, but why does she always run off when the sun sets?

We arrive in the Alexander Theatre foyer to see a swamp hut setting the feel of Shrek’s humble abode, a queue in the merch line entices us to buy some support cookies in theme and a spotlighted ‘green’ carpet for pics with our program.

This show is no ordinary version; an ‘inclusical’ by the one and only Stars and The Moon theatre company for all abilities known as “STaM” in Melbourne – with care they pair up kind ‘castmates’ and those having a special need to give them more confidence to perform; though you envisage it might, it does not detract from the show’s appeal or amazingness having two people play the one character. In fact, it definitely adds to the fun!! The sets, costuming and lighting are also nothing short of professional and the packed audience agrees with constant cheering. If you’ve read enough, you actually only have a slim chance to currently secure tickets as most shows are sold out!

 

 

We sit down in our ‘green’ tonight to hear firstly a comical introduction over the mic saying no gingerbread men have been harmed in making the show haha and that everyone can get up and dance and wiggle in their seats. Then ‘The Magic Mirror’ above us featuring Paralympic gold medalist Dylan Alcott entertains us with his one-liners and opens the show in Clayton where we are about to see a journey of embracing who you are.

We know this is going to be a good night as ‘Big Bright Beautiful World’ hits us very big and very bright! I’m already a bit emotional at watching the castmates carefully coax some of the performers onto the stage and within seconds they are all quite at home, many excited doing their second or third show with STaM.

Shrek played by Cameron Miller and Zac Parkes is larger than life as always and they have him down true to the Shrek we all know from the movie, even his speaking voice is almost identical.

Princess Fiona played by Chelsea Dawson and Lottie Coombes is just gorgeous, they both smash every song with their vocal ability and certainly a duet to long remember.

Two of my faves were Asher Stanton and Jordan French playing ‘Pinocchio’ and Eitan Meyerowitz and Zac Chester playing Big Bad Wolf, but really, ALL of the fairytale characters are FANTASTIC to watch and they do lots of funny quirky things on the side.

My eldest daughter, an avid musical theatre lover and regular performer in shows herself, came with me to this show and she was saying all the way through ‘he’s good’ ‘she’s good’ ‘they’re good’ in every scene. She was super impressed by the ‘Dragon’ singers but particularly loves to watch the ensemble, so never think you aren’t noticed if that’s you, because you surely are. e.g. the dancing mice feet behind the curtain (how cuuute), the girls with the ‘Awww’ ‘Gasp’ ‘Laugh’ signs (instructions for us viewers), everyone under that enormous red creature (you made us love watching her every move), and the Humpties who picked up the bricks to carry them all off without dropping them – well done!!!

Shout out to Gabe Harari and Evan Lever for their kneeling, knee walking ‘Lord Farquaad’ – both were absolutely hilarious!! Equally hilarious were Guillaume Gentil & Daniel Geng as ‘Donkey’ – I don’t think I have laughed so much from one character in any show I’ve ever enjoyed.

Dance timing in straight lines you might not expect to be exact in a show with limited abilities for some of the performers, but they were fabulous and every smile at each other and movement showed how much they loved being up there together. So many beautiful costumes too brought the whole live energetic picture together. We were so close to the stage as well we could feel the excited enthusiasm and nothing could beat the flag waving by all – even all of us in the audience got that green flag stuck on our seat and flipped it around like crazy!

All in all, a swamp load of serious talent in this show – you all deserved that full standing ovation and I’m sure there were plenty of proud tears from family and friends too, CONGRATULATIONS EVERYONE!

Lauren McKenna – Director
Michaela Raitman – Producer
Campbell Borello – Production Manager
SHREK – Cameron Miller & Zac Parkes
PRINCESS FIONA – Chelsea Dawson & Lottie Coomes (Covers – Jessica Mond, Lizzie Locke)
DONKEY – Guillaume Gentil & Daniel Geng
LORD FARQUAAD – Gabe Harari & Evan Lever
DRAGON – Dylan Don Paul (Dilonce) & Thanh-Tuok Autran

FAIRYTALE ENSEMBLE – Asher Stanton & Jordan French (Pinocchio), Ruth Ben-Danan & Alanna Baschera (Sugarplum Fairy/Gingy), Eitan Meyerowitz & Zac Chester (Big Bad Wolf), Teige Cordiner, Aidyn Patrzalek & Devin Goralsky (three Pigs), Mark J Rintoull, Zoe Better, Mia Decleva (The Bears), Ebony May & Katie McMillan (Fairy Godmother), Georgia Ellen & Danni Miller (Wicked Witch), Sarahbell Turvey & Tahli McLean (Duckling/Teen Fiona), Sayer Delves & Caomhe McCooey (White Rabbit/Baby Fiona), Alexander Gilbert & Jack Taylor (Peter Pan/Pied Piper), Jaimie Chapman & Tamara Stanton (Goldilocks), Jackson Harris & Mark Polonsky (Mad Hatter), Natasha Freiberg & Ellie Goldenberg (Humpty), Dani Filip & Shira Etzion (Hansel & Gretel), Jessica Mond & Jemima Scerri (Little Red)

DULOC ENSEMBLE – Tahlia Mandile, Charli Cantoni-Bud, Amy Tapp, Noah Prendergast, Adrian Salvatore, Lexi Kelsall, Ruby Alford, Alice Johnston, Carly Gauci, Lexie Goldenberg, Michaela Sacho, Kahli Anquetil-Kneale, Nineveh Dewhurst, Noa Godsell, Joshua Yip

GUARDS & DRAGON ENSEMBLE – Benji Kalkopf, Harry Stott, Brendan Saffer, Gilbert Esse, Tarus Fiu, Chris Patrzalek, Daniel Kraus, Sue Lesnjak, Lilly Lawrence, Lyndall Peachman, Jakob Demirel, Dan Don, Sienna Boorer, Savannah Mandile, Hayley Walsh, Raechelle Sibbing.

To find out more how you or someone you know with special needs and perhaps limited abilities can be involved with this very special theatre group see https://www.starsandthemoon.org/

Duration: Approx. 2 hours and 30 minutes including a 20 minute intermission. The show is easy access for all including assisted hearing, seeing-eye-dog friendly and wheelchairs of all sizes welcome. Wheelchairs on stage too with the performers loving every minute acting it up in this inclusical!

Venue: Alexander Theatre, Monash University Clayton Campus, 48 Exhibition Walk, Clayton. Free parking is available on site (more info). Please allow adequate time when planning your visit to find parking and the venue. Sometimes it is a 10minute walk from the car into the theatre.

To book tickets to Shrek: The Musical, please visit https://www.starsandthemoon.org/shrek.

Photographer: Matthew Chen

Spread the word on your favourite platform!

Agatha Crispie

Agatha Crispie

Agatha Crispie Rating

Click if you liked this article

8

A hilarious spoof of Agatha Christie’s classic whodunits, written by Cenarth Fox and directed by David Dodd.

In the south-west of England soon after World War 1, the unknown writer, Agatha Crispie, pens mystery stories. In vain she longs for their publication. Agatha’s family despise her writing and ridicule her plots. Agatha gets a lucky break. A body is found in the library. The police arrive as does a grey-haired, cardigan-wearing spinster with a knack for solving crimes. Suddenly the pressure is too much. Agatha disappears. Then a dapper foreigner appears. He too has a knack for solving mysteries. Then a Scotland Yard detective makes a surprise entrance. There is a dead body, a suspect or three, amateur sleuths, red herrings and dithering cops. It’s just like the life and characters of another scribbler, the slightly better-known Agatha Christie. There are surprises, mystery, drama, humour and that infernal, eternal mousetrap!

Ticket Link: https://www.trybooking.com/events/landing/1369425

Once, I had read the promo I could not possibly miss this one. I grew up with my Mum reading an Agatha Christie mystery every chance she got and our holiday house literally had an entire bookshelf dedicated to the famous writer – who is noted on the program tonight as only outsold by Shakespeare and the Bible! Whether or not that is true to date, I’m thinking to myself no wonder my Mum loved her mysteries. I have read over the years those same books and have eagerly seen all the related movies and series’, so I’m fairly familiar going into this play with knowledge of the murderous titles and there are many cleverly interwoven references to the books in this play, including that body in the library.

 

 

‘Agatha’ played by Catherine Christensen is wonderful. Yearning to become a published writer in this story, she must convince her husband ‘Archibald’ played strongly and funnily by Neil Barnett, to let her continue to work on her writing or she must find a way to be rid of him and his family so that she can write her mysteries in peace and without the constant put down of Neil’s mother, ‘Lavinia’ played sternly well by Kerry Hollier.

Equal in putting down Agatha is the daughter of Archibald and step-daughter of Agatha, ‘Elvira’ played by Bel Shields – she is so entertaining! Absolutely loved watching her either as the main stage character when she had the floor or on the side; her mannerisms, voice, and everything else about her was a spot on stuck up Daddy’s girl wanting only the best for herself in society. Will she get it? Her ‘divorce’ scene was impeccably delivered.

I highly praise Rob Coulson as ‘Dithering’. It was easy to see he’s been doing this acting thing for quite a while as soon as he entered the room and delved fully into his character; he was very enjoyable to watch and reminded me of my Pop.

The set is fantastic. You feel like you stepped into the pages where Hercule Poirot or Miss Marple might lay down their reasoning on the suspect murderer, but here we will see the excellent dramatization skills of Gilbert Gauci playing ‘Hercule Grey-Cells’ and Mandy Vicsai as ‘Mary Mead’. I found it hard to believe that Mandy is a newbie to the world of acting, she was perfect in her role, as was Gilbert with his magnifying glass out sleuthing to themed music whilst everyone else was out of the murder scene room.

Outstanding casting on all characters, but my favourite was undeniably ‘Pimms’ played by Annie Laurenson. Annie’s comical timing is excellent and she seemed to feed even more into her character off the audience reactions; her performance throughout the show just got better and better right to the end punchline (which is a hoot!).

If you love Agatha Christie, you MUST SEE this show.

Congratulations to the cast and the hard working production team because yes, it is definitely as you promote: a fast-paced mystery-comedy filled with witty dialogue and outrageous characters, a clever parody of Agatha Christie’s famous detectives— perfect for fans of classic whodunits, and certainly an experience of intrigue, humour, and theatrical fun!

Venue: Clayton Community Centre Theatrette 9-15 Cooke Street, Clayton Vic. This is a very comfortable small theatre so don’t worry where you sit, you can see great from all the seats and it has wheelchair access. There is heaps of parking and the welcoming Encore volunteers served us free tea, coffee, biscuits and a glass of sherry at interval.

Playing: 18 – 27 July 2025 with some sold out shows already!

You can find out more about the lovely ENCORE THEATRE group via:

Facebook: https://www.facebook.com/encoretheatrecompanyclayton
Instagram: https://www.instagram.com/encoretheatre_inc/
Website: https://encoretheatre.com.au/

To book tickets to Agatha Crispie, please visit https://encoretheatre.com.au/season-1/.

Photographer: Dave Swann

Spread the word on your favourite platform!

The Pirate Queen – An Epic Musical & Australian Premiere

The Pirate Queen

The Pirate Queen Rating

Click if you liked this article

13

Based on the real-life story of history’s Grace O’Malley – an Irish Chieftain and notorious pirate, The Pirate Queen is an adventure chronicling the compelling, inspiring heroine who led an extraordinary life as a rogue, lover and mother in 16th-century Ireland. To protect her people and save her one true love, O’Malley must confront the one woman more powerful than her — her fierce rival, Queen Elizabeth I of England.

From the writers of Les Misérables and Miss Saigon, the show combines classic storytelling and a sweeping score, with the powerful, vibrant traditions of Irish dance and song, to create a modern musical event that is both historic romance and a timeless epic.

Excited to be celebrating their 80th anniversary in 2025, MLOC Productions is the third oldest community theatre group in Australia. Founded in 1945 as the Mordialloc Philharmonic Society, they originally attracted return service men and their wives to form part of an 80-strong choir. Early performances included the opening of 1956 Melbourne Olympic Games. By 1985, the group had become Mordialloc Light Opera Company (eventually abbreviated to MLOC) and have been performing a variety of productions in south-east Melbourne ever since. The Pirate Queen is an Australian first!

Being a new production to Australia, I had no idea what to expect and no pre-conceived expectations which is always adds difference either way because most shows (especially musicals) one has usually seen or at least heard about before. All I knew was that MLOC had done their amazing promo photo shoot at The Polly Woodside in Melbourne which intrigued me to see the show along with advice from a friend who went to the opening night and had loved it.

Firstly, this is a HUGE show requiring HUGE vocals and the main roles especially really have their work cut out for them in every song. HUGE applause therefore to Ella Fryer in her first lead role in a musical (playing ‘Grace O’Malley’) and Nickolas Brown, also his first lead role in a full-scale show (playing Grace’s true love ‘Tiernan’).

I think the character of Grace probably sang the equivalent of about an hour total, unbelievable stamina up there girl, good job!

Tiernan’s solo ‘I’ll Be There’ was a memorable rendition of heartfelt connection we hope all our men feel for us women, and coming from someone so young, very impressive!

 

 

Their entire supporting cast has enthusiasm to boot, (boots donned from the era of course). Varying ages in the show from Grace’s son (played by Jake Christie) to those like Evleen (played by Margot Sephton a MLOC life member) with a ton of stage presence over decades was lovely to see. It’s so important in theatre to bring up the next generation and that’s why I think community theatre groups just keep going full steam ahead; they are full of encouragement and support, both on and off the stage and they are not afraid to try something new.

The story of The Pirate Queen resonated a little of Disney’s ‘Mulan’ at the start as Grace pretends she’s a boy to get onto her father’s ship unnoticed, ‘Les Mis’ with sorrow and hardship, then throwing in some interesting accents similar to that given in ‘SIX’ and ‘Hamilton’. This newcomer to musical theatre certainly has the potential to fit in right where aiming its sword.

And no pirate themed anything would be complete without a sword fight or three. I particularly liked the one where they used slow motion and moderate strobe effect lighting (favourable note here that full/fast strobes are so unsuitable for many watching and though this show could’ve used them they didn’t).

Stormy seas are brought to life with the sudden drop of a massive sail giving us on our seats a gasp with it plummeting near the actors underneath, but yes, thankfully it was part of the theatrics, phew!

Transportation to the Emerald Isle is made authentic by the beautiful music and Celtic feel (special mention to Matthew Horsley, Claire Rainey & Brodie Nash on the pipes and whistles). The energy and true Irish dancing to this music has you toe tapping and there is great musicality in the choreography, as also noticed and mentioned by the friend I went with. We gave a shout out to Wendy Perrow. I couldn’t take my eyes off her quick feet embracing the poetry in motion of all those hops and heels up with the biggest smile of enjoyment on every step; she was having a ball portraying the Irish liveliness of more joyous scenes in weddings and birth celebrations (a baby born on stage, was a new one for me).

The costuming is exquisite; an embellished white gown of the Queen, the rich red and gold of those who guard her empire, and those dancing around the maypole with puffed sleeves, long petticoats and velvet ribbons – wonderful details along with those pirate outfits and boots on the ship sailing Clew Bay in 1558, the domain of the O’Malley clan.

‘Clan Rivalry’ is one thing I’ve experienced first-hand; I married a ‘Campbell’ and I found out you cannot visit the Highlands even these days without comments about their history with the ‘MacDonalds’ competing for dominance from every tour guide and pub owner…. However in this show the O’Malleys must make alliances with the O’Flaherty clan and so together the fathers of Grace O’Malley and Donal O’Flaherty (played entertainingly by Tyler Delacretaz) make a pact, and Tiernan, Grace’s true love, must step aside. Will he ever have the chance to reunite with her again? After all, Grace did say ‘you have my hand’ earlier…..

One thing is surely known after seeing The Pirate Queen’s curtain closing, the adventure spirit is alive and well in amateur theatre and I look forward to more shows from MLOC.

Congratulations to the creative team and cast, it takes bravery to put on a show that hasn’t been seen here before and you have conquered!

CAST

GRACE Ella Fryer
TIERNAN Nickolas Brown
LORD BINGHAM Keegan Dart
QUEEN ELIZABETH I Niamh McPartland
DONAL O’FLAHERTY Tyler Delacretaz
DUBHDARA Jarod Rhine-Davis
CHIEFTAN O’FLAHERTY Nicholas Bywater
EVLEEN Margot Sephton
MAJELLA Bridie Clark

Ensemble:
Amber Hoffman, Amy McKie, Arlo Hitchman, Bailey Ogden, Carmilo Idarrage, Christina Gladman, Edison Hernandez Castrillon, Hope Beale, Jake Christie, Lyndsay C Kirkham, Madeleine Fox, Maria Ah-Yu, Mikayla Brown, Shannon Woollard, Tanya Steele, Tegan Haywood, Shayla Warwick, Shelley Connell, Veronica Devlin, Wendy Perrow.

Playing: 1-19 July, 2025

Venue: Frankston Arts Centre, 27-37 Davey St. Frankston, Vic. The venue (undergoing some renovation currently didn’t affect our viewing) has its own paid car parking onsite, lots of street parking around the area plus heaps of restaurants and cafes, but there is also a generously sufficient bar, coffee and snack bar inside the theatre venue itself too.

Production Team:
Artistic Director – Chris Ryan
Musical Director – Matthew Pines
Choreographer – Bridie Clark
Vocal Director – Alyssa Sorgiovanni
Production Manager – Debbie Jenkins
Sound Designer – Daniel Bowen & James Dobson
Lighting Designer – Daniel Bowen & Chris Ryan
Costume Co-ordinator – Debbie Jenkins

Book by ALAIN BOUBLIL, CLAUDE-MICHEL SCHÖNBERG, RICHARD MALTBY JR.
Music By CLAUDE-MICHEL SCHÖNBERG
Lyrics By ALAIN BOUBLIL, RICHARD MALTBY JR., JOHN DEMPSEY

To book tickets to The Pirate Queen, please visit https://mloc.org.au/productions/the-pirate-queen/.

Spread the word on your favourite platform!