Melbourne Musical - Whats The Show

Hello Dolly!

13/09/202613/09/2026 Debra Campbell🥇🔥🦉🎭🎶

Hello Dolly Rating

★★★★★

Click if you liked this article

Director Noel Browne and his creative team, including the extraordinary costuming by Felicity Hall have once again conquered a remarkable opening night of HELLO DOLLY!

How I LOVE a show by NOVA MUSICAL THEATRE, the team never fail to put on a community show at a professional level! You could easily drop this cast in their costumes into a big city theatre without any questions whatsoever.

I vividly remember seeing the movie (when I used to rate movies as a kid on a list on my door – a reviewer in the making). My Mum loved Barbara Streisand and she said I’d love it and I did – it would’ve been given 10/10 by me back then. This stage production by NOVA no different, a 10/10 for storytelling, singing, acting, costuming, choreography, set design, sound tech., lighting, casting and creativity! Then I would add in the completely AMAZING orchestra and music of course for 12/12.

I take along my neighbour tonight who also can’t believe the standard continually coming on one after the other.

The first thing I adore is the costuming, it is absolutely out of this world and the way the ensemble hold their ‘mannequin’ like poses in still-life moments is praiseworthy giving us a chance to look around the stage at all the colours and styles; long dresses with petticoats and parasols, frills and lace with delicately held reticule bags.

The men look equally splendid in their waistcoats and top hats. I recently learned on a history tour that the taller the top hat, the wealthier the gentleman. I particularly liked the orange, bright green and cobalt blue, but honestly everyone looked incredible in every scene. Those who danced around in white trimmed with colour too looked lovely with the lighting; you’ve got the picture!

Playing ‘Dolly Gallagher Levi’ (matchmaker meddler/organiser) is Susan Warner and what a show she puts on almost like she is performing for both audience and cast. A voice you could hear in any Broadway production and perfect persona for character. Susan is one of those seasoned performers you enjoy from the second she speaks her first word. She does the role with ease, her singing, her dancing (and dance-teaching), her acting and more; it is a privilege to appreciate such commanding attention. Absolutely LOVED watching her. Oh and her final courture – WOW!!

‘Horace Vandergelder’ is in character by John Leahy. I’ve seen John in a number of shows now, including him cast alongside my own daughter in Nova’s ‘Music Man’. My daughter now works overseas, but I know her experiences in community theatre only helped her become employed as a performer. John is every bit suited to playing the ubrupt half-a-millionaire beside Dolly. I love his loudness, stubbornness and watching him interact with all on his path to run his business and find a new wife. Will he eventually marry Dolly? Will he be tempted or shocked by the promise of an oochy-koochi with the fabulously played ‘Ernestina Money’ by Pamela Briathwaite in her pink feather boa that looks rather good on Horace too 😉

16 guys choreographed on stage for ‘It takes a Woman’ has everything down to Ra-Ra-Ra, and it’s just a taste, as this lot are back in lots of whacky waiter chaos at the Harmonia Gardens Restaurant headed up by ‘Rudolph Reisenweber’ played strict and proper by David Sly.

Shout out to Daniel Sultana (ensemble) when the audience went wild after he bravely pulled off a HIGH flip-fall amongst plates and pheasants much to the delight of all. These full-on fun crazy good scenes are constant throughout, so you can eagerly anticipate another one. ‘Put on Your Sunday Clothes’ was my favourite.

Finally, I cannot even begin to give enough credit to:

Rafaela Cleeve Gerkens as ‘Irene Molloy’, in a word (from the lady sitting behind me) “WOW”, but in fact I have no words, just go hear her sing!

Hayley Wooten as ‘Minnie’, lovable from outset, this girl can ACT! She’s adorable!!

Patrick Cottin as ‘Cornelius’ just fantastic, he’s exactly like you expect and want him to be, a little awkward on purpose but heartfelt with telling us of his new-found love for Irene.

Nathaniel Calleja as ‘Barnaby’, so cute in this role, no wonder he already has a long list of credits in the program.

‘Ambrose’ and ‘Ermengarde’ played by Stephen Burton and Hannah Brodribb are great together, they nail the ‘polka’ competition dance and Hannah’s weeping cry is next level.

CONGRATULATIONS to all and let’s hope that HELLO DOLLY! never does go away….

DIRECTOR Noel Browne
MUSICAL DIRECTOR Peter Grant OAM
CHOREOGRAPHER Wayne Robinson
LIGHTING Michael Zagarn
AUDIO Mitchell Raymond
COSTUMES Felicity Hill
STAGE MANAGER Glenys Browne

CAST

DOLLY Susan Warner
HORACE John Leahy
CORNELIUS Patrick Cottin
BARNABY Nathaniel Calleja
IRENE Rafaela Cleeve Gerkens
MINNIE Hayley Wootten
AMBROSE Stephen Burton
ERMENGARDE Hannah Brodribb
ENESTINA Pamela Braithwaite
RUDOLPH David Sly
NIGHT COURT JUDGE Tristan Everett
MRS ROSE Nicole Cooper

ENSEMBLE: Tamsin Ashdown, Lauren Bolzonello, Stephan Brennan, Madeleine Brown, Michael Capon, Carrie Chiu, Eimear Cormack, Raelene Dundon, Ruby Hall, Stephanie Herbert, Philip Liberatore, Estelle Lipovertsky, Aaron McBride, Jett McIntosh, David Nicholls, Warren Overton, Robyn Parker, Hannah Powell, Kaleena Shillam, Daniel Sultana, Brian Sweetman, Tristan Wainwright, Max Reina-Henriksen.
and all the creative and production crew.

Tickets: https://www.theround.com.au/HelloDolly
More info: https://www.novamusictheatre.com.au/

To book tickets to Hello Dolly, please visit https://www.novamusictheatre.com.au/.

Photographer: Gavin D Andrew

Spread the word on your favourite platform!

Dirty Rotten Scoundrels

12/09/202612/09/2026 Debra Campbell🥇🔥🦉🎭🎶

Dirty Rotten Scoundrels Rating

★★★★★

Click if you liked this article

In 1988, out came rave reviews from the critics for the movie of DIRTY ROTTEN SCOUNDRELS.

I, nor my husband, have seen it on stage until tonight. So, after a lovely dinner next door at the Gracious Grace Cafe (highly recommend), we take our seats for the musical version playing currently at a reminiscent olde-world theatre in Lilydale.

The story is predominantly still about a comedic trio, what we’d not-so-politely call ‘scammers’ today, but this is a classic rendition much more exciting than a quick swipe stealing of your credit card or bank account warning. This is true art; a well-thought out and well-played in-person scam with a twist.

A suave British con artist ‘Lawrence Jameson’ brought sophisticatedly to life by Phil Lambert wearing the best high-class suits, devours the purses of wealthy women whilst living in a fancy mansion having had successful rich-tourist season assistance for years from the local Chief of Police.

In contrast, the unapologetic American ‘Freddie Benson’, a newcomer to the sun-drenched Beaumont-sur-Mer resort town, works his own style on gullible ladies who can less afford his attention. I can’t tell you how many times Rob Blowers steals the show here playing lovable larrikin Freddie with ease on comic timing and a definite natural acting ability to liven his character to the max.

Exceptionally well played by both actors; I observed ‘Lawrence’ on purpose watching ‘Freddie’ in some scenes and wondered how on earth Phil didn’t break his serious demeanor for even a split second at Rob’s hilariously acted antics. Experience shows, Phil is in his eighth show at his favourite Melbourne theatre and Rob is making his debut here but on the circuit for a decade – so both bound to asked back again. Sometimes I wish stage shows could also play ‘behind the scenes and bloopers’ like films do (maybe in the foyer afterwards). I’d love to see how much the cast laugh and if the Director can always keep a straight face. We certainly couldn’t between these two!

Anyway, two prospecting men after unsuspecting females enjoying the French Riviera at the same time soon becomes overly competitive for each to survive financially. A ‘winner takes all’ challenge is set, and the unhinged duo’s team target is aimed at the arriving Soap Queen ‘Christine Colgate’. Her father’s factory must produce the most popular washing powders and fabric softeners, she must be worth a bet of say….$50,000?

Whoever can convince Christine to part with her fortune will win! The losing swindler will walk away from their thefty tricks upon this ultra-luxurious territory.

‘Christine’ played with kind innocence by Madeleine Magetti (instantly recognized her voice from seeing her play the lead in Sweet Charity), is fantastic in this role allowing her to be two personalities in one with a switch up not everyone will see coming.

As with all shows holding space in a time gone by, I look forward to seeing all the clothing sourced for costuming. I particularly loved Christine’s pristine mint green dress, admired the trailing red satin gown and many pieces from this golden era in the opening numbers.

Gabi Bergman, one multi-talented performer for sure is shown off in her ‘western swing’ attire as ‘Jolene’ enthusiastically driving the song ‘Oklahoma?’ with plenty of smiles as the ensemble dance up chaos around her. This energy also gets a few gasps from onlookers to see the flexible talent of Phil as he spins Lawrence into a heel tap and toe before a high kick! What a scene!!

Woo-Hoo Phil, you’re an inspiration to my hubby who used to be a dancer, proof that everyone should just keep dancing for joy, or as my hubby said perhaps pulling a hamstring 😉

We laughed and laughed and there were so many scenes in which we did – the romantic night/morning between Andre and Muriel was a stand out with such clever lyrics, and Freddie’s ‘Great Big Stuff’ got a great big cheer from the audience. Many memorable lines from the movie are turned into these song and dance spectacles with the ensemble taking a large part to encompass the whole set – fabulously simple but effective in changing constant props. Whether it be a feather duster dancing around or a candlestick holder amusingly used, it all makes the show very creative with some ad-lib moments too (I’m pretty sure reference to Trump is not in the original script).

Surprisingly a romantic subplot between Lawrence’s crooked authority ally, ‘André’, played tongue-in-cheek perfectly by Tim Murphy, and character ‘Muriel’ portrayed with pzazz by Lauren Seymour, adds an extended side story all of its own.

When ‘Jolene’ entertainingly calls out Lawrence for far more than he bargains, hidden away ‘brother’ “Ruprecht” (alter-ego Freddie) comes to the rescue with Rob smashing out this quirky character equally.

Despite having some differences, and of course lots of songs added, the original story remains and is just as enjoyable in fun as the 1988 film.

This production of DIRTY ROTTEN SCOUNDRELS is OK for all ages I think in today’s world (note there is one swear word yelled in fun and some even funnier suggestive innuendoes) but it will probably be especially popular with an older generation and anyone who loved the movie will be impressed.

Congratulations to:
Director: Alan Burrows
Musical Director: Mark Cluning
Choreographer: Nicole Kapiniaris-Anson
Asst. Director: Francesca Carl
Music Supervisor: Colin Prowasky
Set Designer: Barry Pearce
Lighting Designer: Deryk Hartwick
Costume Designer: Maria Smedes
Props: Gina Ingham & Steve Turner
Production Manager: Nicholas Ryan
Stage Manager: Steve Tanner
Asst. Stage Manager: Bella Da Silva

CAST
Lawrence – Phil Lambert
Freddie – Rob Blowers
Andre – Tim Murphy
Christine – Madeleine Magetti
Jolene – Gabi Bergman
Muriel – Lauren Seymour

ENSEMBLE
Gaynor Borlase
Abby James
Jess Lowman
Gary Barcham
Horatio Yen

DIRTY ROTTEN SCOUNDRELS is playing NOW at the Lilydale Athenaeum Theatre from 10 – 26 September
Venue address: 39-41 Castella St, Lilydale, Victoria (free street parking). The theatre itself is adorned inside with historical stories to read about including the Dame Nellie Melba room – so interesting. They provide free tea/coffee and snack at interval, plus a complimentary pre-show and after-show drink.

Ticket link: www.lilydaleatc.com

Box Office tel.: (03) 9735 1777 if vouchers suit better as an excellent gift idea for the person who has everything!
Next show up is ONE MAN TWO GUVNORS playing 19 Nov – 5 Dec 2026

To book tickets to Dirty Rotten Scoundrels, please visit https://latc2020.sales.ticketsearch.com/sales/salesevent/152495.

Spread the word on your favourite platform!

Legally Blonde

22/08/2026 Annie Zeleznikow🌟🎭

Legally Blonde Rating

★★★★★

Click if you liked this article

Legally Blonde is a wonderful musical with numerous power ballads and harmonious greek chorus numbers. This show follows Elle Woods as she realises she is stronger and smarter than she knows. Stars and the Moon production of Legally Blonde was able to bring an entirely new dimension to Elles’ story, utilising the signature partnered roles to add depth and richness to this production.

Stars and the Moon is an all abilities production company, with all of their shows utilising a buddy system for each role, where “at least one castmate identifying as living with a disability, disabled and/or neurodivergent”. This creates a warmth to every show that they do, since the inception of the company. Through providing a space on stage for all those that wish to participate, Stars and the Moon creates an atmosphere of acceptance. More than that, the production includes a large front of house team, with 2 versions of programs available, going above and beyond in creating a space that is widely accessible.

The show began with an introduction and explanation of what to expect for the evening. Instructions were provided for those who might have sensory issues, and permission was granted to leave the theatre if audience members were feeling overwhelmed, over joyed, or over excited. That sort of introduction reinforced what I already knew at this point, that this production was carefully crafted to be inclusive and accessible. Audience members did sometimes have difficulty remaining quiet, although not intentional, this was at times quite distracting and prevented me from paying attention to what was happening on the stage.

The costumes were thoughtfully designed by Jessamine Moffett, with partnered castmates wearing the same costume. All costumes had accessible components, with comfortable looking shoes or clothing that adheres to a castmate’s sensitives. The designs went beyond presenting the show in a meaningful and interesting way, and were clearly practically thoughtful too. In addition to the thoughtful costumes, the design of the set and props (by Harry Gill) was thoughtful and created with intention. The set was wheelchair accessible, with both stairs and ramps, and allowed for the whole cast to participate fully in the production.

Given the nature of at least two actors for each role, the stage was often filled with cast members. Throughout the show the entire ensemble remained energetic. The choreography (by Benjamin Curé) greatly caught my attention, remaining engaging and considerate of the needs of all actors on stage. In particular, Karl McNamara and Mark Polonsky stood out during their performance of Blood in the Water, a number where the audience is introduced to what class looks like at Harvard Law School. McNamara and Polonsky lead the number with a nice cadence and depth. Similarly, Ruth Ben-Danan and Em Svarnias as Brooke exceeded my expectations during their big number, Whipped into Shape, with a silly and sharp interpretation of their role.

I would be remiss if I didn’t address the spectacular efforts of Kelsey Halge and Natasha Frieberg as Elle, Lawrence Hawkins, Alexander Gilbert and Eloise Vernon as Emmett, and Alanna Julian and Katie McMillan as Paulette. Halge and Frieberg were able to sustain an intensive role while making it appear effortless, with impressive vocal work and harmonies. Hawkins, Gilibert and Vernon had delightful chemistry, often sharing small moments on stage where they connected with each other, showing real connection had been built throughout the rehearsal process. Julian and McMillan charismatically injected bold humour into the show.

Having seen previous shows produced by the Stars and the Moon production team, I continuously remain impressed with the quality of the work they produce. In the past, utilising fantastical shows such as Spongebob or Shrek, meant that the castmate system thematically added layers and complexity to the show. I found that with a more grounded show such as Legally Blonde, the castmate system didn’t quite have the punch it did in previous shows. I greatly admire how this model allows for diverse people to be on stage, and the production team has only chosen interesting and exciting shows to produce. Continuing to choose shows that can be improved with the cast mate system will mean that exciting and innovative art will continue to be made in Melbourne.

To book tickets to Legally Blonde, please visit https://www.starsandthemoon.org/.

Photographer: Matthew Chen

Spread the word on your favourite platform!

The Lightning Thief – The Percy Jackson Musical

05/07/202605/07/2026 Debra Campbell🥇🔥🦉🎭🎶

The Lightning Thief Rating

★★★★★

Click if you liked this article

Though we are sadly seeing multiple professional city shows close early in Melbourne in the current economic climate, Community Theatre in Cranbourne right now is absolutely thriving!

A fantastic cast of young people have just opened “The Lightning Thief” The Percy Jackson Musical, produced by Peoples Playhouse, and it’s a massive hit!

I knew absolutely nothing about this show prior to going on the sold out opening night and only learned this is also a series of very popular books from the friend I took along, who hadn’t seen the actual show either and equally enjoyed it. As “theatre mums” we love love love to sit back and feast on a bright new energy level. This show is full of action from the get go and it never ceases to amaze me what storytellers can weave in their imaginations.

A plot of wayward demigod teenager, Percy Jackson, the son of Ancient Greek God Poseidon, finding his purpose via a quest with other children of Gods to discover his father’s reason for not being present in Percy’s life is also a journey of bravery and self discovery. This musical, loaded with both catchy dance tunes and meaningful lyric songs, has everything in it to pack a punch with a young audience especially; the cheers didn’t stop from start to finish.

Playing ‘Percy’ is Isaac Lane from Nida Open in a huge role he handled like a pro, accompanied by Olivia Woodhouse, growing up in ballet and then discovering her love for musical theatre, she is a super strong ‘Annabeth’, and Jack Thompson studying full time at Showfit, is a true champion player in his role as Percy’s best friend ‘Grover’.

The flashbacks of the three mains as their younger selves by 11year old Jasper Sage, 11year old Ayda Melody Hendricks and 12year old Matthew Theoclitou were all well played with a lot of emotion from these experienced theatre youngsters.

The use of spotlights in this show is very effective; something I constantly noticed as enhancing what was happening on stage and there’s a LOT happening! Demon teachers, cute squirrels, frozen statues and very inventive props including the funniest tractor scene, you won’t ever guess what’s coming up next.

All the cast work exceptionally well together in the little details and the choreography is fun and energetic with some cleverly rehearsed fights and battles. Great job everyone, you were so fun to watch.

It’s always interesting to observe the versatility of cast members you’ve seen before in other shows and I was pleased to see Matthew Berend step out on stage tonight as ‘Mr.Brunner’ (aka Chiron & Ares) with his usual larger than life personality and in this show, half horse body 🙂

Christine Ferra was wonderful as Percy’s mum ‘Sally’ with such warmth in one of my favourite songs ‘Strong’ sung with Percy. Parent / Child moments in any show always get me.

A confident Alex Sabljak rocked as ‘Luke’ and Lucas Battey as ‘Mr.D’ (aka Dionysus & Hades) convincing in every role, as were Tyrah Pocock-Davies as Clarisse, Michaela Fitzpatrick as Charon, Jeanne Carlos as Medusa, Lore Burns as Poseidon and Penny Norris as The Oracle was superb.

A highly talented bunch of young ensemble members completed this show perfectly and we couldn’t have enjoyed it more!

Congratulations to Sarah Jeffs (Director), Drew Lane (Musical Director) and Sarah Hayes (Choreographer), what a triple threat trio you make!

You must all be so proud, congrats to EVERYONE, including those amazing set builders, costume gurus and organising / creative teams behind the scenes with Production Managers David Krause and Heather Rose and Peoples Playhouse President Michelle Thomas. Bravo!!!

Ticket link:
https://www.trybooking.com/events/landing/1570412

More info:
https://www.peoplesplayhouse.com

To book tickets to The Lightning Thief, please visit https://www.peoplesplayhouse.com/whats-on.

Spread the word on your favourite platform!

Spread the word on your favourite platform!

Spread the word on your favourite platform!

Spread the word on your favourite platform!

Subscribe to What's The Show

Connect Online