Moments in Motion

Moments in Motion

Moments in Motion Rating

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3

Exploring the themes of love, loss, mental health and jealousy, the Roxy Lane Theatre One Acts presents ‘Moments in Motion’ across three one-act plays, ‘The Birthday’, ‘Mandy’ and ‘Flushed’. With such a broad spectrum of topics, this is one of those productions that resonates, compelling the audience to look within and draw on their own lived experiences.

In a world premiere and directed by Tim Riessen, ‘The Birthday’ kicks off the night and revolves around Mrs Little’s (Pauline Atkinson) 89th birthday. Despite the cake rustled up by a nurse (Nita Teoh), there’s little cause for celebration as Mrs Little is in a coma. As her adult children gather around her, they reminisce about their childhood, along with much speculation about whether their mum can hear them. For anyone who has sat beside a loved one in their final moments, ‘The Birthday’ hits a nerve as this touching scenario brings writer Peter Flanigan’s vision to life as Robyn (Michele Diston), Gail (Julia Webster), Phil (Ian Fraser) and Lesley (Kezia George) each share their truth.

Also written by Peter Flanigan, ‘Mandy’ explores the mental state of Mandy (Melissa Cruickshank) within the family dynamic. As Mandy comes to grips with her depression, her confused state of mind flows in ebbs and tides, throwing the family into despair. The chaos is further exasperated by her overbearing mum (Josphine Wayling) and husband (Paul Cook, who also plays her father) and misguided friend Fran (Joanne Low), with tumultuous flashbacks from Mandy’s sister (Emily Plange Korndorffer) and grandmother (Jenni Glassford). Mandy’s daughter Jodi (Tahlia Verna) seems to be the only empathetic one. Directed by Luke Heath with assistant director Rob Herfkens, ‘Mandy’ tackles the heavy issues and should come with a trigger warning for anyone dealing with mental health issues.

 

 

On a much lighter note, the final play, ‘Flushed’, invites the audience into the trials and tribulations of the dating scene. Set in the toilets during a single’s night, three women explore their jealousies and dating woes as the night dissolves into despair. Written by Ron Nicol, and directed by Sandhya Krishnan, who also plays Tara and is the cause of Meg’s (Catherine Jane) rivalry, with Jan’s (Jackie Oats) wry observations bringing humorous relief to the tension. If you’ve ever been on a girls’ night out, you’ll relate to this one.

The production crew worked tirelessly behind the scenes to bring these stories to life, including Katherine Robertson (sound and lighting design), Rob Herfkens (stage manager) and Cade Smith (assistant stage manager, who also had a cameo in ‘Mandy’).

A special mention must go to set builder Jim Chantry, who managed to create three entirely different stage sets seamlessly, along with Jim Chantry, Kirsten Halford-Bailey (who also handled the set dressing and props) and Chris Harris.

Moments in Motion runs from 18th – 21st September 2025 at the Roxy Lane Theatre, 55 Ninth Ave (cnr Roxy Lane), Maylands

To book tickets to Moments in Motion, please visit https://www.taztix.com.au/event/roxylanetheatre/.

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Perfect Arrangement

Perfect Arrangement

Perfect Arrangement Rating

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7

The award-winning Perfect Arrangement makes its Australian debut at the Roxy Lane Theatre, bringing wit, heart and a timely message to the stage.

Set in the 1950s, the play draws on the early days of the American gay rights movement during the “Lavender Scare,” when LGBTQ+ people faced severe persecution. Against the backdrop of the “Red Scare”, when a climate of intense anti-communism and political paranoia had everyone living on a knife’s edge, playwright Topher Payne explores themes of fear and the weaponisation of identity. Themes that are still strikingly relevant today.

Within this unsettled landscape, two gay couples maintain a delicate façade to protect their careers in the U.S. State Department. Bob and Nora appear to be living the picture-perfect suburban dream with their devoted spouses. In truth, they are each married to the other’s partner. As the story unfolds, shifting politics and personal desires collide with the cost of keeping up appearances becoming painfully clear in the play’s heart wrenching climax.

This production marks the directorial debut of Samuel Farr, who has done a wonderful job bringing the story to our stage and stars Kylie Caldwell (Kitty Sunderson), Keri-Anne Mulley (Norma Baxter), Siobhan Fowler (Millie Martindale) Sean Wcislo (Jim Baxter), Cade Smith (Bob Martindale), Greg Hopson (Theodore Sunderson) and Ellie Cee (Barbara Grant).

 

 

With an exceptional production team at the helm, the stage design perfectly captures the period, brimming with thoughtful vintage touches that bring the story to life. The clever use of the closet (no spoilers) is a creative touch and integral to the set’s charm.

The play moves at a steady pace, its comedic beats landing with precision. The ensemble cast delivers strong performances full of charm and nuance, engaging the audience from the opening scene. What begins as a sharp rom-com style comedy gradually deepens into something far more poignant, culminating in a haunting final act that lingers long after the curtain falls.

Smart, funny, and unflinchingly human, Perfect Arrangement is both an entertaining period piece and a reminder of the courage it takes to live authentically, in any era.

The Roxy Lane Theatre is an award-winning community theatre tucked away in Maylands, and special mention has to go to the fantastic front-of-house staff. Everyone is fun, friendly and welcoming, creating an atmosphere of friendship and most importantly – community. It is always a pleasure attending shows here.

Perfect Arrangement runs until August 15, 16 21, 22 and 23 at 7.30pm. Sunday matinees held August 10, 17 and 24 at 2pm.

Tickets: $23 Adult, $19 Concession Groups of 10+ $18 each

To book tickets to Perfect Arrangement, please visit https://www.TAZtix.com.au/roxylanetheatre/.

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Roxy Lane Theatre: At Home With The Sheridans

At Home With The Sheridans

At Home With The Sheridans Rating

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1

Nestled in the affluent leafy western suburbs of Perth a dramedy unfolds between childless couple Mr and Mrs Sheridan, two burglars and Mr Sheridan’s mistress.

Written by Perth playwright, Yvette Wall and directed by Russell Chandler, the Roxy Lane Theatre presents a play that breaks through the superficial exteriors of society which categorises people into classes to reveal characters that perhaps are not so different from one another.

As Chandler puts it “what is the real difference between successful white collar middle aged Western Suburbs dwellers and younger disaffected and troubled youth that have fallen off the tracks?”

When seasoned burglar Jake and his accomplice and first-time home intruder, Marilyn break into the Sheridan’s house, they don’t get very far in their quest to steal when Max Sheridan arrives home early with his mistress Zoe. Unbeknownst to Max and Zoe who are in the living room, Jake and Marilyn are hiding in the master bedroom. It doesn’t take long until the four become acquainted. A brawl between Max and Jake ensues and just when things couldn’t get worse for Max, his wife arrives homes.

The play gives the audience the opportunity to see the different dynamics between the characters and a deeper insight into who they are. In the first scene it’s Jake and Marilyn. Both characters are troubled young souls who got an unfair start to life and haven’t done much to turn their lives around. It is revealed that Marilyn has a young son in foster care and is in an abusive relationship. Underneath Jakes tough exterior he cares for Marilyn and tries multiple times to get her to see that her abusive Paul does not love her.

When Jake and Marilyn are hiding in the bedroom, the audience gets to see the dynamic between Max and Zoe which is funny and playful until Zoe drops a bombshell of secret and shows him a picture that will change his life forever.

The final scene is between Max and his psychologist wife Beth which I’m not sure how realistic their resolution is but it’s fair to say it appears to end well for all five characters.

Out of all the characters, Beth, played with such grace and elegance by Emma Kirby, is the most kind-hearted and likeable. The other actors Michael Hewson, Genevieve Wilson, Chris Harris and Lisa Divall were all convincing in their performances and it was clear to see the stage chemistry between them all.

At Home with the Sheridan is an enjoyable, short and sweet play that takes a light-hearted and humorous approach to societal structures.

To book tickets to At Home With The Sheridans, please visit https://www.taztix.com.au/roxylanetheatre/.

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Opening Night Review: After Dinner

After Dinner

After Dinner Rating

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3

It’s Friday night at the pub. The stage is set as five lost souls, and a distracted waiter, embark on a quest. On the surface, they appear to have different agendas, but underneath the bravado, they all share a desperate need to feel a little less lonely in After Dinner.

Set in the late 1980s, where the fashion and daggy pub restaurant are practically characters in their own right, big points go to the production team for nailing the brief. Under the direction of Tim Riessen, the cast does a magnificent job delivering the dialogue and mannerisms that are intentionally stilted to demonstrate the awkwardness of their relationships and scenario.

Dympie (Kezia George of Summer of the Seventeenth Doll and Hansel & Gretel), Paula (Lisa Divall of Short ‘n Sweet) and Monika (Amanda Alderson of Squid Games and Frankenbolt’s First Christmas) work in the same office, and had they not worked together, it is unlikely they would have socialised outside of work. The handsome Gordon (Altus Vernooy, making his stage debut from behind the scenes) and Stephen (Ian Fraser of Cracked and Done to Death) meet up at the pub through a mutual friend who never shows up. The waiter played by Tarek Jabado (Frankenbolt’s First Christmas and Under the Table) is a man of few words, but his looming presence (and often absence) is a steady shadow among the chaos.

 

With the ladies at one table and the men at the other, it doesn’t take long for them to notice each other, much to the dismay of the controlling Dympie, who just wanted a quiet Friday night with Paula.

Except this is no typical Friday night as Paula invites the grieving Monika, whose revelations into her marriage reveal a tirade of confronting and intimate truths. The exploration of adult themes and graphic nature of After Dinner suggests you might want to pick your theatre date carefully as some audience members may find the content uncomfortable.

Just as you need to break an egg to make omelette, the messy characters dissolve and then evolve, albeit subtly, as life often does before epiphanies set in.

Performed at the Roxy Lane Theatre just behind the Volare bar on Whately Crescent, this retro theatre is the perfect backdrop to the 1980s. Written in 1984 by Kalgoorlie-born playwright Andrew Bovell, who wrote Strictly Ballroom and Lantana, the fact that it’s still being performed decades later demonstrates the timeless theme of loneliness and the human condition. Poignant, funny and relatable, if the audience’s response to opening night is anything to go by, After Dinner will continue to leave a lasting impression for many more decades to come.

Performance dates: 7, 8, 9*, 14, 15, 16*, 20, 21, 22 & 23* March
Recommended MA 15+
Times: Evenings at 7.30pm, *Matinees at 2pm
Tickets: $23 adult, $19 concession, groups of 10+ $18 each

To book tickets to After Dinner, please visit TAZ Tix.

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