A Case For The Existence of God

A Case For The Existence of God

A Case For The Existence of God Rating

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“A Case for the Existence of God”, presented at the Red Stitch Actors Theatre, offers an intimate and thought-provoking theatrical experience propelled by the exciting performances of Kevin Hofbauer as Keith and Darcy Kent as Ryan. Directed by Gary Abrahams, with set and costume design by Jeremy Pryles and lighting design by Sidney Younger, this production skillfully navigates complex themes of friendship, class, and the quest for meaning in a small-town Idaho setting.

The play unfolds over 75 minutes without intermission, with Hofbauer and Kent portraying the only two characters in the play, Keith and Ryan, respectively. Their performances are nothing short of mesmerising, drawing audiences into the intricate dynamics of their relationship as they navigate conversations ranging from mundane – home loans to profound – what it means to be a good parent. The Red Stitch ensemble members deliver truthful and honest portrayals, infusing each moment with raw emotion and authenticity.

Set against a minimalist backdrop of a desk, two chairs, and a few props cleverly used to indicate different locations, the production creates a sense of intimacy and immediacy. The staging, set on a platform set in water resembling an island, serves as a poignant metaphor for the isolation and connection experienced by the characters. Despite the simplicity of the set, the actors effortlessly transport the audience to various locations, showcasing the versatility of their performances.

“A Case for the Existence of God” explores themes of hope, male friendship, and coming to terms with life when it doesn’t go according to plan. Playwright Samuel D. Hunter’s script delves into the complexities of desire, such as the desire for love, connection, and to leave a legacy for our children. In an interview, Hunter shared that his desire for the play was to leave audiences with a sense of hope. This sentiment resonates deeply throughout the production.

One unusual aspect of the production was giving Ryan, a character born and raised in Idaho, a Southern accent. While executed skillfully by Kent, this decision seemed inconsistent with the character’s background and upbringing as someone who had lived for generations in Idaho. It momentarily distracted from the overall experience and otherwise immersive storytelling, highlighting a potential inconsistency in character portrayal.

Nevertheless, the strength of the performances, direction, and thematic depth of the play outweigh it. “A Case for the Existence of God” is a testament to the power of the cast and crew to provoke thought, evoke emotion, and inspire contemplation. Hunter’s poignant exploration of faith, doubt, and male friendship is brought to life with nuance and sensitivity by the talented cast.

“A Case for the Existence of God” at the Red Stitch Actors Theatre is a must-see production. With stellar performances, imaginative staging, and resonant storytelling, this play invites audiences on a journey of discovery and existential inquiry. Under Abrahams’ direction, the ensemble delivers a captivating performance that lingers. The production shows from April 13 to May 12 in East St Kilda.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Monument – A Play to Remember

Red Stitch’s production of Monument, penned by Emily Sheehan and directed by Ella Caldwell, is a masterful work that intricately balances humour and poignancy.  It’s hard to find any fault in this production, especially in Sheehan’s writing; as soon as the show ended, I was lining up at the box office to purchase a copy of this hilarious yet profound script.

The story of Monument takes place in real time over ninety minutes. It focuses on the dynamic relationship between two very different women: Edith Aldridge, the youngest woman ever to be elected leader of her country, and Rosie, a twenty-year-old makeup artist who works at David Jones.  Sheehan has referred to Monument as a “Trojan horse of a play,” a fitting description for a deeply profound narrative packaged up in a seemingly uncomplicated premise. This is also an apt reflection on one of the main topics of this play: makeup and beauty.

Before the actors took the stage and the house lights dimmed, we admired the astonishing set design by Sophie Woodward. Bold, vivid, and elegant, Woodward’s circular stage design could not have been more perfect for this story.  Woodward created an intimate, glamorous, and a little bit intimidating space, a perfect reflection of the presidential hotel suite that is Monument’s setting.

The lighting and sound design, orchestrated by Amelia Lever-Davidson and Danni Esposito, respectively, enhance the production’s emotional impact. The subtle changes in lighting and well-timed sound cues seamlessly guide the audience through the shifts in tone.

Sarah Sutherland and Julia Hanna are both nothing short of captivating in their respective roles as Edith and Rosie.  As you watch Sutherland and Hanna breathe life into Sheehan’s brilliantly written characters, you can tell they are experts in their craft.  As solo artists, they both gave mesmerising performances that radiated authenticity, but their synergy and harmony are truly remarkable as a duo.  I couldn’t look away for even one second. 

It’s not an easy task for a play to evoke hilarity, introspection, and empathy all at once, but the team behind Monument has accomplished this flawlessly.  If you want an evening of guaranteed laughs as well as a heartfelt and emotional story, then this is a show you do not want to miss.

Performances of Monument are running until the 3rd of September at Red Stitch Actor’s Theatre.

This review also appears on It’s On The House.

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