Contest: A Bold, Immersive, And Unforgettable Story

Feature-Contest

Space Jump Theatre Company invites audiences into the searing poetic intensity of Contest by Emilie Collyer. Running from 17–28 March 2026 at Flight Path Theatre, 142 Addison Road, Marrickville, this production delivers a taut, electrifying theatre experience, where power, endurance and the cost of competition collide on the court and beyond.

About the Production: The game slows. It’s a dance. A memory, a dream, the body remembers. Muscles tense and release, bones anticipate the landing after the leap we can do this in our sleep. We Play on.

When a new player, Cass, joins a suburban netball team, the fragile balance of the group shifts. She sees what others cannot or will not, and her truths, quietly spoken, ripple through the team. Secrets, unspoken grievances, and long-held frustrations rise to the surface, turning every pass, pivot, and collision into a reckoning.

Set entirely on the netball court, Contest, written by Emilie Collyer and produced by Space Jump Theatre Company, immerses women of every age, shape, size, and ability in a world governed by rules, expectation, and relentless pressure. Bodies move side by side, sweating, enduring, testing limits. The game becomes a powerful metaphor for resilience, courage, and endurance, both on and off the court, capturing the subtle, fierce, and unrelenting ways women persist.

Blending stylised movement, poetic dialogue, and raw physicality, Contest is a bold, immersive, and unforgettable story of connection, rivalry, and the extraordinary endurance of women. Every moment on the court resonates with intensity, intimacy, and the unflinching reality of human emotion.

But what still aches after the whistle blows?

Synopsis:
When new player Cass joins a suburban netball team, long-held tensions surface, and every pass, pivot, and collision becomes a reckoning. Set entirely on the netball court, Contest captures the fierce, subtle, and unrelenting ways women persist.

Event Details:
Dates: 17 – 28 March, 2026
Venue: Flight Path Theatre, 142 Addison Road, Marrickville, Sydney
Tickets: Available at www.flightpaththeatre.org
Run time: approx 75mins

Cast: [alphabetical]
GS: Melissa Jones
GA: Willa King
C: Suz Mawer
GD: Emma Monk
WA: Lana Morgan

Creatives:
Production Company: Space Jump Theatre Company
Playwright: Emilie Collyer
Producer: Kirsty Semaan
Director: Kirsty Semaan
Movement Director: Amelia Pawsey
Lighting Design: Theo Carroll
Composer/Sound Design: Charlotte Leamon
Set/Props Design & Construction: Jason Lowe
Production & Movement Assistant: Danette Potgieter
Tech Operator: Eliza Dodd
Promotional Video: Yarno Rohling
Marketing Images: SPbyKS

Production Highlights:
Idea-Driven Storytelling: A bold, immersive exploration of pressure, rivalry, and endurance, where every pass, pivot, and collision is charged with physical tension, revealing the subtle, relentless ways women persist.
Minimalist Design: A simple netball-court set and striking lighting turn movement into memory, dream, and dance, making every leap, stretch, and fall vividly felt.
Tension and Insight: The arrival of Cass, named after the Greek prophetess cursed to speak truths no one hears, disrupts the team’s fragile balance, exposing secrets, grievances, and unspoken power dynamics.
Kirsty Semaan’s Direction: A physically rigorous, poetically precise interpretation that captures courage, vulnerability, and the quiet ferocity of women on and off the court.
Space Jump Theatre Company’s Mission: Committed to presenting bold, thought-provoking theatre for, by, and about women that resonates, challenges, and lingers.

Content Warning:
This work contains strong language and references to sexual content, domestic violence, suicide, eating disorders and mental health challenges.

Sensory Warning:
The performance includes the use of theatrical haze and loud noise.

About the Director:
Kirsty Semaan (she/her) is a director, producer, and theatre-maker based on Gadigal Country (Sydney), with a passion for bold storytelling and visually striking stage productions. As the founder and Artistic Director of Space Jump Theatre Company, she is dedicated to championing Australian playwrights, amplifying female and underrepresented voices, and bringing impactful plays off the shelf and back onto the stage. Her directing credits include Woyzeck (2021), A Mouth Full of Birds (2022), and Driving the Holden (2022). In 2023, she co-produced and directed Long Story Short, a sold-out short-form theatre project. Most recently, she served as Assistant Director for Blood Wedding at Flight Path Theatre (2024). A Theatre and Performance graduate from the University of New England, her creative approach is further enriched by a successful 20-year career running a photography business, which has provided her with a unique perspective on visual storytelling and the expertise to deliver well executed productions from start to finish.

About the Playwright:
Emilie Collyer lives in Naarm/Melbourne on Wurundjeri Country and writes across poetry, performance, and prose, exploring the intersection of the personal, the existential, and the socio-political. Her plays include Contest, Dream Home, The Good Girl, and most recently Super (Red Stitch Theatre 2025), with The Good Girl having been produced internationally. Her work has won and been nominated for awards including the Theatre503 International Playwriting Award, Queensland Premier’s Drama Award, Green Room Awards, George Fairfax, Patrick White, and Malcolm Robertson. Emilie’s debut poetry collection, Do you have anything less domestic? (Vagabond Press 2022), won the inaugural Five Islands First Book Prize, and she was runner-up in the Gwen Harwood Poetry Prize 2024. She works as a dramaturg, text consultant, and teacher, and has just completed her PhD at RMIT, where she now serves as an Adjunct Industry Fellow.

About Flight Path Theatre:
Located in Marrickville, Sydney, Flight Path Theatre champions bold and innovative works, providing a platform for emerging and established artists.

Contest is supported by the Inner West Council and through the Australian Cultural Fund.

Experience the sweat and intensity of Contest at Flight Path Theatre, 17–28 March 2026: www.flightpaththeatre.org

 

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The 73rd Sydney Film Festival Set To Return As An Unmissable Celebration Of Cinema

Feature-73rd Sydney Film Festival

The 73rd Sydney Film Festival (SFF) will take place from Wednesday 3 June to Sunday 14 June 2026. Following a record box-office year in 2025, SFF is bringing another 12 days and nights of premieres featuring the best in global cinema on Sydney’s silver screens. The Festival will bring together world premieres, Australian exclusives and headline red carpet events across Sydney, placing filmmakers and audiences together in the ultimate celebration of cinema.

“As we prepare for the 73rd Sydney Film Festival, we remain committed to championing filmmakers with a distinct voice and a strong point of view,” said Sydney Film Festival’s Festival Director, Nashen Moodley. “Each year we look for work that reflects the urgency and complexity of the times, and that reminds us why cinema matters on the big screen. We look forward to bringing together audiences and filmmakers for Sydney’s largest celebration of film.”

Beyond the screenings, audiences will take part in filmmaker Q&As, industry talks, public programs, themed parties and special events that turn the city into a hub for cinema over the course of the Festival. The first titles for the 73rd Sydney Film Festival will be announced in April 2026, with the full program set to be unveiled on 6 May 2026.

The Festival will be held across Greater Sydney at iconic venues including the State Theatre, Sydney Opera House, Event Cinemas George Street, State Library of NSW, Dendy Cinemas Newtown, The Ritz Randwick, Hayden Orpheum Picture Palace Cremorne, Palace Cinemas Central and Norton Street, the Art Gallery of NSW, Sydney Town Hall, and more, including SFFTV in Martin Place.

 

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Australian Premiere Of Tootsie Announced For Teatro At The Italian Forum

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Co-Founders Nathan M Wright and Andrew Bevis (The Addams Family, The Prom) today announced that the hit Broadway musical Tootsie will make its highly anticipated Australian premiere this May at Teatro at the Italian Forum in Sydney. The production further cements the company’s reputation for bringing acclaimed international premieres and blockbuster musicals to Australian audiences. Award-winning director and choreographer Cameron Mitchell (Putting It Together, Sweet Charity) will helm the production, as rehearsals begin this week for The Prom. Tickets for Tootsie are on sale now at www.teatroitalianforum.com.au. Described by The New York Post as “Broadway’s funniest new musical” and praised by Rolling Stone as “musical comedy heaven”, Tootsie is the laugh-out-loud story of a talented but difficult actor who struggles to find work until one show-stopping act of desperation lands him the role of a lifetime.

Director Cameron Mitchell said “Tootsie is the perfect feel-good musical for everyone. It has all the nostalgia of the 1982 Sydney Pollack film starring Dustin Hoffman with a hilarious new book and dazzling score. I am very excited to work with the team at Teatro and bring this brand-new show to Sydney audiences. Tootsie is laugh out loud funny, with a lot of heart and great song and dance numbers. Can’t wait!”

Based on the Oscar winning beloved hit film starring Dustin Hoffman, the Tony Award Winner for Best Book of a Musical, Tootsie also received 11 Tony Award nominations, including Best Musical and Best Original Score. With music and lyrics by Tony Award & Grammy award-winner David Yazbek (The Band’s Visit, Dirty Rotten Scoundrels) and book by Tony Award-winner Robert Horn (13 the Musical, Shucked), Tootsie has had audiences rolling in the aisles.

Fast-paced and outrageously funny, Tootsie plays with identity, ambition and ego, all while keeping the laughs coming.

Tootsie makes its Australian premiere in Sydney at TEATRO from 26 May. www.teatroitalianforum.com.au

TOOTSIE
From 26 May
Venue: Teatro at the Italian Forum, Norton Street, Leichhardt
Performance Times: Wed-Thurs 7pm, Fri-Sat 7.30pm, Sat 2pm, Sun 1pm & 6pm
Prices: $75 for previews Tue 24 – Thu 26 March (a handling fee of $6.95 per transaction applies) From $85 for remaining dates (a handling fee of $6.95 per transaction applies)
Bookings: www.teatroitalianforum.com.au

Teatro is Sydney’s newest creative hub for the performing arts, located in the heart of Leichhardt at the iconic Italian Forum. With a focus on community engagement, emerging talent, and world-class productions, Teatro aims to be a vibrant gathering place for artists and audiences alike. Under the leadership of Nathan Wright and Andrew Bevis, Teatro will continue to build on the venue’s rich history while ushering in a new era of creativity and cultural exchange. Recent productions include The Addams Family, Santa Claus with rehearsals of the Australian Premiere of The Prom currently underway.

 

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Cast Announced For The Australian Premiere Of A Beautiful Noise: The Neil Diamond Musical

Feature-A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL

Producers Paul Dainty and TEG Dainty, Ken Davenport and Bob Gaudio are thrilled to announce the stellar Australian cast of the smash-hit musical A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL, which makes its Australian premiere exclusively in Melbourne in August 2026 at the Princess Theatre, with previews commencing on Wednesday 5 August. Due to overwhelming demand, the season has been extended by two weeks and is now playing through to Sunday 11 October 2026. Ticket presales commence today, with tickets to the general public on sale from 9am Thursday 19 February via www.ticketek.com.au. The Australian cast will join previously announced Broadway star Will Swenson in the titular role Neil Diamond – Then, bringing his acclaimed, award-winning performance to Australia for the very first time.

Joining Swenson is an exceptional company of Australian talent, featuring principal cast members Terence Crawford (Neil Diamond – Now), Ashleigh Rubenach (Marcia Murphey), Monica Sayers (Doctor), Alana Tranter (Jaye Posner), Tim Wright (Fred Weintraub / Tommy O’Rourke), Hannah Fredericksen (Ellie Greenwich / Rose Diamond), with Rob Mallett (Standby Neil Diamond – Then), and Mark Owen Taylor (Standby Neil Diamond – Now, Fred Weintraub / Tommy O’Rourke, Bert Berns / Kieve Diamond).

Rounding out the company as “The Beautiful Noise” ensemble are Katrina Bickerton, Cameron Davey, Paul Leandre Escorrido, Matt Hourigan, Alana Iannace, Jerome Javier (Swing) Joshua Kobeck, Etuate Lutui (Shilo soloist), Anna Mallows (Swing), Jordan Malone, James Maxfield (Swing), Isabella Roberts, Sophie Tzioumis, Emma Wilby (Swing), and Erica Wild (Swing).

Producer Paul Dainty AO said “The audition process for A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL was extraordinary. Together with members of the international creative team we saw an incredible calibre of performers from across Australia, and the depth of talent on display made this one of the most exciting casting journeys we’ve been part of. We’re immensely proud of the stellar Australian cast we’ve assembled — artists who bring not only exceptional vocal power, but heart, authenticity and a real connection to Neil Diamond’s music. Audiences are in for something truly special.”

Minister for Tourism, Sport and Major Events Steve Dimopoulos said “Victoria is the nation’s cultural capital and welcoming this musical is yet another example of how we’re bringing the world’s biggest productions to Melbourne – creating jobs, boosting tourism and giving audiences unforgettable experiences. This fantastic cast will make for a blockbuster musical experience for fans, giving people another great reason to plan a trip to Melbourne and experience everything the city has to offer.”

Created in collaboration with Neil Diamond himself, A BEAUTIFUL NOISE is the uplifting true story of how a kid from Brooklyn became a chartbusting, show-stopping American rock icon. With 140 million albums sold, a catalogue of classics like “Cracklin’ Rosie”, “Forever in Blue Jeans,” and “Sweet Caroline,” an induction into the Songwriters and Rock and Roll Halls of Fame, a Grammy Lifetime Achievement Award, and sold-out concerts around the world that made him bigger than Elvis, Neil Diamond’s story was made to shine on Broadway – and the world.

A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL is directed by Tony Award winner Michael Mayer (Chess, Spring Awakening, Hedwig and the Angry Inch), choreographed by Olivier Award winner Steven Hoggett (Once, Harry Potter and the Cursed Child), and written by four-time Academy Award nominee Anthony McCarten (Bohemian Rhapsody, The Two Popes). The design team for A BEAUTIFUL NOISE features Tony Award winner David Rockwell (Scenic Design), Tony Award nominee Emilio Sosa (Costume Design), four-time Tony Award winner Kevin Adams (Lighting Design), Tony Award winner Jessica Paz (Sound Design), and Luc Verschueren (Hair, Wig and Make Up Design). The production has Music Supervision and Arrangements by Sonny Paladino, Incidental Music and Dance Music Arrangements by Brian Usifer, Vocal Design by AnnMarie Milazzo, and Orchestrations by Bob Gaudio, Sonny Paladino, and Brian Usifer.

Neil Diamond’s connection with Australia spans nearly half a century of music and memories. He has toured here seven times with promoter Paul Dainty AO, from the landmark Thank You Australia tour in 1976 through to 2015, with his music resonating deeply with audiences. His iconic 1972 live album Hot August Night spent 29 weeks at number one and 65 weeks on the chart, making it the third-longest-charting album of its era in Australian music history.

A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL will make its Australian premiere exclusively in Melbourne in August 2026 at The Princess Theatre. Previews commence on Wednesday 5 August, 2026. Due to demand, new ticket presales commence today with tickets to the general public going on sale Thursday 19 February from www.ticketek.com.au.

“Broadway’s Will Swenson electrifies audiences. Close your eyes and you’d swear that Diamond himself is on stage performing his string of hits.” FORBES

“So Good, So Good, So Good!” Entertainment Weekly

“It sends you home hungry to hear the albums again and there is no higher tribute.” The Hollywood Reporter

“The biographical drama is a heartwarming celebration of mr. Diamond’s uplifting music and inspirational life.” The Washington Times

 

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