Sydney Film Festival Reveals Screenability And Family Films

Feature-Sydney Film Festival 2026

Sydney Film Festival today announces the 026 Screenability and Family programs, presenting eight new films as part of the 73rd Sydney Film Festival from 3–14 June.

“Screenability is about opening the screen up, not just to new stories, but to the people telling them,” said SFF Director Nashen Moodley. “And with our Family films, it’s pure cinema joy. Big ideas, big emotions, and the kind of stories that hook you early and stay with you. This is where the next generation of film lovers begins.”

SCREENABILITY
Sydney Film Festival proudly presents Screenability for its tenth consecutive year, showcasing a vibrant lineup of films created by filmmakers living with disability and expanding the space for stories that are too often left unseen.

This year’s program features Retreat, Ted Evans’ debut psychological thriller with an all-Deaf cast, following a young woman whose arrival at a secluded Deaf wellness retreat in the English countryside sets a community unravelling.

In Joybubbles, Rachael J. Morrison’s Sundance-selected debut documentary follows Josef Carl Engressia Jr., born blind and gifted with perfect pitch, from his challenging childhood to becoming a pioneering phone hacker and founding figure of an underground subculture. Produced by Sarah Winshall (I Saw the TV Glow, SFF 2024). Some sessions will also be available with open audio description, offering the film going experience for blind audiences.

You Look Fine, winner of the Unstoppable Feature Grand Jury Prize and Audience Award at Slamdance, follows comedian J. Snow as he documents his life with sickle cell disease with humour, candour and unflinching honesty.

Three short films screen alongside the features. When You Hear Hoofbeats, following a young woman whose struggle to have her medical symptoms taken seriously leads her to believe she has been possessed; Sarsaparilla, in which a sheriff and his outlaw nemesis find unexpected common ground over a shared love of line dancing; and Trapeze, a deeply personal exploration of autonomy, ancestral ties and Deaf identity expressed through movement and Auslan choreography by Jeremy Lowrenčev.

FAMILY FILMS
Bring the whole family to Sydney Film Festival, where this year’s Family program delivers big-screen storytelling for younger audiences and adults alike.

The 2026 lineup includes The Last Whale Singer, a Zurich Film Festival selection following Vincent, a young humpback whale who must find his voice to save the ocean, in a sweeping animated adventure of friendship and self-belief. The Desert Child follows a teenage girl whose grandfather’s story of a boy raised by ostriches in the Sahara turns out to be true, in a family adventure rooted in resilience and connection to the land.

Tickets to Screenability, Family Films, Opening Night film Silenced, Sartorial: Fashion on Film, as well as FlexiPasses and subscriptions to Sydney Film Festival 2026 are on sale now at sff.org.au. Call 1300 733 733 or visit sff.org.au for more information. The full Sydney Film Festival program is announced on Wednesday 6 May 2026, when tickets to all films will be on sale.

 

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Sydney Film Festival Program Explores The Intersection Of Fashion And Cinema

Feature-SARTORIAL: FASHION ON FILM

Sydney Film Festival will present SARTORIAL: FASHION ON FILM, a program featuring new premieres alongside restored classics that explore the relationship between fashion and cinema, screening as part of the 73rd Sydney Film Festival from 3–14 June 2026. The program strand features seven films spanning decades of cinema, bringing together a striking body of work in which some of the world’s most distinctive filmmakers turn fashion into a lens on identity, culture and power. From the ateliers of Paris to the factory floors of China, these films trace how clothing reflects and shapes the societies that produce it, moving between documentary and fiction, and between candid portraits and global perspectives.

A centrepiece will be the Australian premiere of Marc by Sofia, Sofia Coppola’s first documentary, offering a personal picture of longtime friend, designer Marc Jacobs, and his creative world. Also featured is the world premiere of Australian film French Girls, directed by Hyun Lee, following a young woman drawn into Sydney’s modelling industry after being scouted, as she begins to navigate its shifting expectations and pressures.

Acclaimed filmmakers have long turned their attention to the fashion industry from multiple perspectives. From the recently deceased master, Frederick Wiseman’s Model offers a landmark depiction of a New York modelling agency, observing castings, shoots and the relentless demands of image-making, while Jia Zhangke’s Useless traces the human cost of industrial production across China’s garment industry, from factory floors to haute couture runways.

Chronicles of influential figures in fashion and culture also feature. Agnès Varda’s Jane B. par Agnès V. offers a playful and unconventional portrait of Jane Birkin, while Wim Wenders’ Notebook on Cities and Clothes follows designer Yohji Yamamoto, reflecting on creativity, authorship and the parallels between filmmaking and fashion.

Fictional takes on the fashion world bring satire and spectacle. Robert Altman’s Prêt-à-Porter, filmed during Paris Fashion Week, presents a sprawling ensemble comedy set amid the industry’s backstage dramas and personalities.

Sydney Film Festival Senior Programmer Jessica Moraza said, “The relationship between fashion and film extends far beyond the traditional fashion documentaries we know and love. In this special series, we wanted to highlight instances where some of cinema’s most distinctive directors have brought their singular perspective to the fashion world.”

The films in the strand include: French Girls (2026) Dir. Hyun Lee; Marc by Sofia (2025) Dir. Sofia Coppola; Useless (2007) Dir. Jia Zhangke; Prêt-à-Porter (1994) Dir. Robert Altman; Notebook on Cities and Clothes (1989) Dir. Wim Wenders; Jane B. par Agnès V. (1988) Dir. Agnès Varda; Model (1980) Dir. Frederick Wiseman.

Tickets to SARTORIAL: FASHION ON FILM, as well as Flexipasses and subscriptions to Sydney Film Festival 2026 are on sale now. Visit sff.org.au for more information. The full Sydney Film Festival program is announced on Wednesday 6 May 2026, when tickets to all films will be on sale.

 

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Antenna Documentary Film Festival Announces Full 2026 Program

Feature-Antenna Documentary Film Festival 2026

If you want to see some of the best documentaries from around the world, mark your calendar for Antenna Documentary Film Festival 2026. Celebrating its 14th edition, Antenna runs 5–15 February 2026 across Sydney, presenting a program that promises to surprise, to spark the imagination, and to expand worldviews.

Festival Director Dudi Rokach said the 2026 program reflects the breadth and depth of contemporary documentary cinema. “Each film is imaginative, cinematic, and has a unique point of view about the world we live in. Together, they show documentary cinema at its most rigorous, cinematic and alive”.

Opening & Closing Films

The festival opens with the Australian premiere of The Last Guest of the Holloway Motel (USA, 2025), a character-driven portrait of Tony Powell, a former football star who vanished from public life in 1970s Britain before re-emerging decades later as the manager and sole resident of a crumbling Hollywood motel. As eviction looms, Powell is forced to confront years of silence and the relationships he left behind.

Closing the festival is Ghost Elephants (USA, 2025), the latest film from Werner Herzog, which follows conservationist Dr Steve Boyes on an expedition into Angola’s mist-shrouded highlands in search of the “ghost elephants,” a legendary herd long believed to exist only in myth.

Highlights

One of the highlights of the program is the Australian premiere of Sentient (Australia, 2026), the debut feature documentary from respected journalist Tony Jones, following its world premiere at Sundance 2026. The film takes audiences inside animal laboratory research, exposing a hidden world in which it’s not just the animals who are getting hurt. Drawing on firsthand testimony and investigative research, the film questions long-held assumptions about scientific necessity and moral responsibility.

Other program highlights include:

We Are Jeni (Australia, 2026) – Directed by Mariel Thomas and Akhim Dev, the film follows Dr Jeni Haynes, whose extraordinary case — in which she testified through multiple alternate identities in an Australian court — helped secure the conviction of her abuser. After surviving extreme childhood trauma by developing more than 2,500 alternate personalities, the film examines memory, resilience and the fight to be believed.

Elon Musk Unveiled – The Tesla Experiment (Germany, 2025) – A new film that pulls back the curtain on Musk’s empire, as close confidants, whistleblowers, victims, and former high-ranking Tesla employees speak out. Their testimonies expose hidden data and buried defects in the race for self-driving cars.

The Clown of Gaza (Palestine, 2025) – After losing his home in Gaza, performer Alaa Meqdad keeps hope alive by becoming Aloosh the Clown, bringing joy to children in hospitals and streets. The Clown of Gaza is a moving celebration of humanity and love in pitch-dark times.

Synthetic Sincerity (UK, 2025) – BAFTA-nominated filmmaker Marc Isaacs examines whether emotional authenticity can be taught to artificial intelligence

An Eye for an Eye (Iran, 2025) – Convicted of murdering her husband, Tahereh served her sentence and now faces a ticking clock to negotiate with her in-laws who, under Sharia law, have the legal right to either execute her or forgive her- for a price. Unfolding like a real-life courtroom thriller, the film examines justice, mercy and survival within a patriarchal religious system.

Trade Secret (Australia, 2025) – A multi-award-winning exposé by cinematographer-turned-director Abraham Joffe, investigating the global wildlife trade and the fight to protect polar bears from international commercial exploitation.

Special Events & Festival Guests

Antenna will welcome renowned filmmaker Kirsten Johnson to Sydney as a special guest. Before directing the acclaimed documentaries, Cameraperson and Dick Johnson Is Dead, Johnson spent decades behind the camera, shaping some of the most influential nonfiction films through collaborations with filmmakers such as Laura Poitras, Michael Moore and Kirby Dick. During the festival, Johnson will participate in an in-depth In Conversation event and curate a special sidebar, Kirsten Johnson Selects, presenting films that have shaped her creative practice. The festival will also mark the 10th anniversary of Cameraperson with a special screening.

The festival will also present a special retrospective, Gillian Armstrong & The Adelaide Three: 50 Years Later. Often described as the Australian 7 Up, Gillian Armstrong’s landmark longitudinal project traces more than three decades in the lives of three Adelaide “Girls” — Kerry, Josie and Diana — and reflects on the evolution of the women’s lives on screen. This rare screening will be followed by a Q&A with filmmaker Gillian Armstrong, joined by Kerry and Josie, alongside additional members of the Adelaide family.

The Antenna Documentary Film Festival opens Thursday 5 February and runs until Sunday 15 February 2026. Full program details and tickets are available at www.antennafestival.org

 

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