Mamma Mia!

Mamma Mia!

Mamma Mia! Rating

★★★★★

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What A Night . . . Mamma Mia never fails to entertain, and The Very Popular Theatre Company’s production was no exception. Set in the Greek islands, Donna is preparing for her daughter’s wedding with the help of her 2 best friends. Sophie, the bride to be, has secretly invited 3 men from her mother’s past in the hopes that she can meet her father. Chaos ensues as Sophie doesn’t know which of the men is her father, and each man believes they could be. This is a heartwarming tale of love, family and finding yourself.

Erin Cornell (Donna) played the fiercely independent mother of the bride with ease. Cornell’s raw and powerful vocals captivated the audience during the emotional arc of the second act ‘The Winner Takes It All’. Singing the first and last lines of the show, Emily Monsma (Sophie) radiates youthful energy and charm and it was impossible to keep our eyes off her for too long. Chloe Rose Taylor (Tanya) was a crowd favourite of the night. She was equal parts poised to perfection and feisty while giving off a real Gillian Anderson vibe. Jo-anne Jackson’s (Rosie) held the comedic timing for the trio, leaving the audience in stitches during ‘Take A Chance On Me’.

 

From their first scene together the ex-lovers, Sam, Harry and Bill are distinctively different personalities. They reminisce on their last visit with Donna and the island, and leave the audience wondering how long with will take each to realise they just might be Sophie’s Father. Matt Edwards (Sam) was a subdued yet strong leading male, and we genuinely felt his love for Donna the whole show. Timothy Aaron Cooper (Harry) played the character convincingly and sensibly. He did not feel a need to fall into the trap over overplaying as ‘camp’ to present his sexuality and this was refreshing to see in a portrayal of this character. Danny Folpp (Bill) isn’t just the adventure loving action man of the show. We get to see a shimmer of his insecurities that add so much depth to the character.

Lighting was, right from the first note of the overture, a noteworthy feature of the show. The set was stylish and very functional, the cast enthusiastically moved the set pieces, although scene changes could have been more efficient. The sound design was a rough mix in the first act with mic issues but was resolved for the second act. The pre-recorded backings or offstage booth overpowering the onstage performers in many numbers. Choreography was simple yet effective for the number of performers with the male part in ‘Lay All Your Love On Me’ being a comical highlight. Costumes were mainly casual beach wear to fit with the location. Donna and the Dynamo’s outfits were a gentle nod to the 70’s.

The ensemble was strong with quite a few local performers in the mix. Although unfortunately because the cast is so large we didn’t get the chance to see their individuality.

With 23 well known ABBA songs, and a mega mix to sing and dance along with, Mamma Mia is sure to be a well loved night for theatre goers of any age. Mamma Mia is running until September 20, 2026 at The Star Gold Coast, Broadbeach.

To book tickets to Mamma Mia!, please visit https://mammamiagoldcoast.com.au/.

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Little Anastasia Cast Members Revealed For Hit Broadway Musical Anastasia’s Brisbane Premiere

Feature-ANASTASIA

Producers of the hit Broadway musical ANASTASIA have today revealed the talented young Queensland performers who will be sharing the role of Little Anastasia in the highly anticipated musical opening this month at QPAC’s Lyric Theatre.

The local Queensland performers who scored the coveted role amongst many keen auditionees are Eva Boldery (10 years old), Kalina Kita (9 years old), Harvey Rose McClelland (9 years old) and Holly Murray (10 years old).

These hugely talented young performers will join cast members Georgina Hopson as Anya, Robert Tripolino as charming con artist Dmitry, Joshua Robson in the role of antagonist Gleb, Rodney Dobson as Vlad, the much-loved Rhonda Burchmore as Countess Lily and theatre icon Nancye Hayes AM in the role of the Dowager Empress.

The ensemble cast includes Sophia Bae, Elliot Baker, Nicholas Cunningham, Davis Giotopoulos Moore, Todd Goddard, Matthew Jenson, Stephanie Kurlow, Bella Minniti, Simon Plant, Nathan Stafford, Alexis Van Maanen, Patrick Volpe, Annie Wilson, Deone Zanotto and Andrea Zappacosta with the Swings team featuring Manon Gunderson-Briggs, Iosefa Laga’aia, Nathan Pinnell and Emma Russell.

Inspired by the mysterious tale of Grand Duchess Anastasia Romanov’s rumoured escape in the dawning days of the Russian Revolution, and the 1997 Oscar nominated animated film of the same name, ANASTASIA has been brought to life on the stage by the Tony Award-winning creative team of Terrence McNally, Stephen Flaherty and Lynn Ahrens.

ANASTASIA is a lavish musical for all ages, transporting audiences from the twilight years of the Imperial rule to the euphoria and exuberance of Paris in the 1920s, as a brave young woman named Anya sets out to discover the mystery of her past. Pursued by an army officer determined to silence her, she enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.

Directed by Tony Award winning director Darko Tresnjak, ANASTASIA premiered on Broadway in March 2017. It received a Tony Award nomination for Best Costume Design in a Musical and won more than 15 major international awards including Best Musical awards in Germany, the Netherlands and Spain.

The book for ANASTASIA was written by the late five-time Tony Award winning writer Terrence McNally, whose credits include Love! Valour! Compassion!, Master Class, Kiss of the Spider Woman and Ragtime.

Music and lyrics for ANASTASIA were written by the renowned writing team of Stephen Flaherty and Lynn Ahrens who have been referred to as “one of the greatest songwriting teams in Broadway history.” (Chicago Tribune).

“Fantastical, intelligent, well-crafted, and exhilarating, ANASTASIA deserves a coronation!” – The Wall Street Journal

“Captivating, beautifully staged and emotionally vital. ANASTASIA hits the sweet spot!” – The Hollywood Reporter

“One of the most gorgeous shows in years! Luscious, lavish, and a joy that leaves you cheering. This is a grandiloquent feast for the senses you won’t soon forget.” – The New York Observer

Lyric Theatre QPAC, Brisbane from 16 September to 18 October 2026

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Actor Presence & Vocal Technique With Laura Field

Feature-Actor Presence & Vocal Technique

Hummingbird Theatre Company (HTC) is partnering once again with Cambridge based voice and communication specialist Laura Field to present Actor Presence & Vocal Technique, a live online professional development workshop for actors on Saturday 5 September 2026.

Following the success of HTC and Field’s previous online workshops, the new session focuses specially on the actor’s voice and the relationship between vocal technique, physical freedom and performance.

The practical workshop will explore three areas: Breath & Focus; Physical Ease & Balance; and Presence, Projection & Expression. Participants will work with breath and vocal release, physical tension and vocal flexibility, and the use of resonance, texture, articulation and projection to communicate character, text and emotion.

Actors are encouraged to bring a monologue, audition piece, script extract or other material they are currently preparing, allowing techniques to be applied directly to their own performance practice. Workshop texts will also be provided.

HTC CEO and Artistic Director Rhys Becks said the workshop builds on the company’s commitment to providing practical development opportunities for performers.

“Our previous collaborations with Laura demonstrated just how valuable focused voice work can be. Voice is integral to performance, and this workshop gives actors an opportunity to explore how projection, articulation, physical freedom and emotional expression work together, before applying those ideas directly to text and performance.”

Field has more than two decades of experience helping people develop clarity, confidence and presence in how they speak. She holds a Master’s in Professional Voice Practice from Birmingham School of Acting, a Postgraduate Certificate in the Teaching of Shakespeare in collaboration with the Royal Shakespeare Company, and a Level 5 Certificate in Coaching and Mentoring.

Delivered live via Zoom, the workshop is open to actors worldwide, with places limited to 12 participants to encourage active participation and individual engagement.

EVENT DETAILS
Actor Presence & Vocal Technique | Laura Field
Saturday 5 September 2026 | 4.30 pm AEST / 7.30 am BST
Live via Zoom | Open worldwide | $55 AUD | Limited to 12 participants
More information and bookings: https://shorturl.at/p8uMA

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Dear Friend, I Am Writing To Tell You About This Horrid Man

She Loves Me

She Loves Me Rating

★★★★★

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3

Congratulations to Sheryl-Lee Secomb and Emma Erdis for a top class polished show. The Tin Shed in Beenleigh is home to the Phoenix Ensemble and on Saturday night what a pleasure it was to sit in the comfy seats and enjoy “She Loves Me”. No wonder this musical has won 3 Tony awards, it is delightful.

A love story of boy meets girl, boy dislikes girl, girl hates boy but wait there’s more. Will a connection happen or just lonely hearts. And who is writing those letters??? The story follows the lives of the shop clerks and their boss with beautiful costuming and impressive singing.

The main set was the interior shop of Maraczek’s Parfumerie with side aprons for smaller scenes, the layout meant plenty of room for singing and dancing and the cosiness of the theatre meant that all seats are close to the action and intimate.
Stand out singers …well … surprise … they were all wonderful to listen to. We had dragged along the friend who doesn’t like musicals and he had to admit how impressed he was by the talent.

Georg Nowack the lonely heart manager with the gentle Scottish brogue was enjoyable to listen to when speaking but man can he sing, costume on point, acting believable and so engaging to watch.

Chloe Evans as Amalia, the straight and direct clerk desperate for a job, classically trained and did she get to flex those vocal chords, again great acting, singing, we sat there a bit star struck.

 

Ilona aka Grace Clarke, you minx, those va va voom dresses, that confidence, it was so much fun watching her bring that vampish charm to the stage.

August Cocks, Mike Zarate and James Hogan can pat themselves on the back – singing, dancing the acting, they were all an integral part that just kept making the show better.

Joshua Brandon had to play the sweet little delivery boy, and he pulled off a cuteness that just made you smile and your heart melt, so much fun and stayed in character so well.

The ensemble also captured your attention with well performed choreography and great harmony, singing and dancing is no mean feat, you must train hard and be fitter than a normal actor. Very impressive.

Everyone was very welcoming and helpful which made the trip to Beenleigh even more memorable, in the most delightful way.
So, if you are a musical fan and like a polished professional performance then get to Beenleigh, before it closes on the 29th of August. Ticket prices mean you really will be getting the bargain of the century, a touch of Broadway in your own back yard, no airfare needed.

To book tickets to She Loves Me, please visit https://www.trybooking.com/events/landing/1507617.

Photographer: By Brit Creative

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