Mario The Maker Magician

Mario The Maker Magician

Mario The Maker Magician Rating

Click if you liked this article

1

Mario “the Maker Magician” Marchese is a New York-based performer, author, and maker. He tours worldwide with his wife, producer, and children. He incorporates DIY electronics and robotics into his projects, using magic to inspire limitless creativity in children and families.

This is a fun and amazing show for the whole family. Mario is a dynamic performer. Larger than life, he commands the stage. Even on one of the hottest days in Adelaide, he still put on a stunning show. But I feel we are grateful as he sprays water about the venue, cooling and more sleight of hand.

The audience was totally engaged with Mario’s every move. The hand-made props add a gorgeous charm to the show. They remind you of the toys that children would make themselves with cardboard, paint, and sticky tape. It took me back to my childhood, and I imagine that a lot of the parents were remembering their childhood.

It was also relatable to the younger audience members, the arts and crafts they like to do on a rainy day. Magician David Blaine, whom he has toured with, has labelled Mario “the best kids’ magician in the world”. He has appeared on the “Sesame Street’ show and with Jimmy Fallon on the Tonight Show. Even David Copperfield has heaped praise on Mario.

The show revolved around robots that Mario had hand-built. There was a lot of audience participation in the show, and the kids loved it. The kids loved the magic, and so did the adults.

Mario touches on his favourite teachers and what they mean to him, reminding the audience that teachers have had a pivotal role in our lives. This is part of the misdirection. In fact, the show starts with some simple, sleight of hand tricks. They immediately draw the audience in. Mario has us all hooked. The pace accelerates, and more tricks are revealed. We are introduced to the simple but fun robots.

The pace of the production helps with the sleight of hand and misdirection, which are important in this show. Mario makes positive statements about children and how the simple act of getting up on stage as a volunteer is a brave moment in their lives. We should applaud this.

The audience’s reaction throughout the show is something to behold. I have never seen an audience so captivated, engaged, and incredibly noisy. He owns the venue, and he takes along his magic journey, meeting those who have influenced him, like Andy Warhol.

As the show progresses to the finale the strings of the story come together. And with an ending we did expect it comes to a close. We are left wanting more. Which is how all shows should end.

The takeaway from this fun, glorious production is “Follow your dreams”.

Performed by Mario “the Maker Magician” Marchese
Written by Mario and Katie Marchese
Produced by Katie Rosa Marchese and Chris Cox

To book tickets to Mario The Maker Magician, please visit https://adelaidefringe.com.au/fringetix/mario-the-maker-magician-af2025.

Spread the word on your favourite platform!

The importance of being fruit

Fruition

Fruition Rating

Click if you liked this article

0

Well, this is an interesting, fun show. It’s comedy clowning at its best. It’s a rollicking, frolicking comedy about fruit, its position in society, and its relevance to the main character, Cherese.

We learn why fruit is fun, why she loves all fruit, and why she also loves us, the audience. The show consists of a variety of sketches that flow smoothly from one to another.

For Cherese Sonkkila, this is her debut Fringe show. She has plenty of energy, and it keeps flowing. Hopefully, we will see more work from she/her in the future.

The sketches have a variety of styles, from song and dance to monologues. There are costume changes off stage, although in a couple of places, the performances are a fraction too long. But it was opening night.

This is a show worth seeing. It is a fun event with some audience participation, which I normally don’t like, but I enjoyed it. So, get a ticket or several and take yourself to the Mill on Angas Street.

To book tickets to Fruition, please visit https://adelaidefringe.com.au/fringetix/fruition-af2025

Spread the word on your favourite platform!

Mel McGlensey’s Motorboat: A Hilarious High-Seas Adventure

Mel McGlensey is Motorboat

Mel McGlensey Is Motorboat Rating

Click if you liked this article

If you’re in the mood for a wildly absurd, delightfully unhinged, and incredibly physical comedy experience, then Mel McGlensey Is Motorboat is your perfect Fringe vessel. Docked at the Bally in Gluttony, this boat-woman hybrid performance is a riotous ride through high-energy clowning, audience interaction, and some very “nautical but nice” humour.

McGlensey, a 2024 Golden Gibbo nominee and winner of Best Comedy at Adelaide Fringe 2024, fully commits to her larger-than-life character. With a sailor’s outfit ingeniously doubling as boat parts—including some particularly buoyant “floatation devices”—she embraces every wave of ridiculousness with infectious enthusiasm.

From the moment Motorboat sets sail, the audience becomes her crew, each assigned a boat type in a flurry of improvised banter that McGlensey expertly weaves back into the show for maximum comedic payoff.

The story? Motorboat dreams of leaving the dock and venturing into the great unknown, but she’s held back by the booming, omnipresent voice of Captain Daddy. But as any good Fringe audience knows, staying anchored is never an option. What follows is a rollicking, often improvised voyage where McGlensey’s quick wit, expressive clowning, and razor-sharp comedic instincts keep the crowd both on edge and in stitches.

The humour is far from subtle—expect a bit of salty language and some audience participation—the energy and commitment of the performance keeps things afloat for the entire show.

With her formidable improv skills and natural comedic presence, McGlensey delivers a show that is as silly as it is skilful. Whether you’re a tugboat, an ocean liner or a lowly kayak, Motorboat is a high-spirited, side-splittingly funny voyage well worth embarking on. Just batten down the hatches—things are bound to get a little choppy!

To book tickets to Mel McGlensey is Motorboat, please visit https://adelaidefringe.com.au/fringetix/mel-mcglensey-is-motorboat-af2025

Spread the word on your favourite platform!

The Cram Collective Presents: FAG/STAG

FAG/STAG

FAG/STAG Rating

Click if you liked this article

4

The CRAM Collective’s latest production of FAG/STAG is a winner! (CRAM stands for Create, Revise, Augment and Merge). They are a comparatively young company in every sense of the word and definitely a company to watch. Focussing on film and live theatre, they are developing a dedicated following, as indicated by the full house I attended and other full houses during the season.

FAG/STAG – “This rare breed of heterosexual human male enjoys the company of homosexual human males in preference to or en liu of, perhaps selectively, other heterosexual males.” – Urban Dictionary

This production explores what it means to have a best mate when you’re stuck being your worst self.

It features Corgan and Jimmy who are BFFs. Their lives are filled by Tinder, Grindr, white lies, big nights and too many pints. Lawn bowls, Donkey Kong, wiping vomit into the shower drain. Unanswered texts, bad sex, moving back in with Mum and Dad. In the month preceding the wedding of Corgan’s ex-girlfriend the two struggle to get their life in gear enough to even hire a suit.

The Howling Owl is a unique venue, right in the middle of the CBD and the home of Adelaide’s Premiere Gin Den as a bonus, this boutique theatre is the perfect setting for an up close and personal glimpse into the lives of two very different young men at an age when youth is beginning to diminish, and the realisation of adulthood is creeping in.

Jeffrey Jay Fowler and Chris Isaacs have crafted an extremely incisive script which is sure to resonate with young adults and those of us who can remember when we were that age.

 

Connor Reidy’s direction gives us an intimate look at the lives of two men whose bond is their friendship. Together with his cast and creatives he has focussed on their inner thoughts (voiced to the audience). Using 3 stools, a couple of bottles of beer and two Nintendo handsets, his direction takes us to the highs and lows of friendship especially when complicated by sexual orientation. The play also deals with the confronting topics of self-harm and drug use.

Reidy’s direction is supported by Antoine Jelk’s creative sound design linking the scenes, and Aaron Herczeg’s atmospheric lighting which perfectly sets the mood.

Henry Cooper and Connor Pullinger inhabit their characters of Corgan and Jimmy. They are totally believable and relatable to the audience. United by their love of Donkey Kong and friendship, they pour out their souls to us, the audience. They show us the good, bad, and ugly sides of friendship while drawing us into their lives.

I particularly enjoyed Jimmy’s love/hate relationship with his ‘ex’ and the melon air freshener in his car that serves as a reminder of their time together. I also enjoyed Corgan’s addiction to Tinder and his ‘swipe right’ girls, and the acceptance of his friend’s sexuality.

Both the actors give highly polished, emotional performances that begin as stand up but quickly dive deep into inner thoughts and feelings taking us on a wild ride!

FAG/STAG is sixty minutes packed with laughs, sighs and maybe some tears, that will leave you questioning relationship with your BFFs and your role in making these friendships meaningful and lasting! Bravo CRAM Collective!

The season is short and some sessions are already sold out. For remaining tickets, book quickly @ https://www.thecramcollective.com/

Spread the word on your favourite platform!

Spread the word on your favourite platform!