Lies And Macaroons – Who Is The Real Hero?

A Dolls House

A Dolls House Rating

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5

The Mercury Theatre in Wynnum performs in the lovely old Manly-Lota RSL Memorial Hall at 184 Melville Terrace, Manly QLD 4179. Their current production – “A Doll’s House” ends this weekend.

You are greeted by a warm glowing hall with a multi-level stage set with a Victorian styled parlour, a study, a piano and the Letterbox. The FOH staff are helpful and welcoming, and the barmen are humorous.

“A Doll’s House” is a three-act play written by Norwegian playwright Henrik Ibsen. It premiered at the Royal Danish Theatre in Copenhagen, Denmark, on 21 December 1879 and Ibsen was forced to write an alternative ending because his initial ending was considered scandalous for the Victorian era. It has been considered ahead of its time, because of the themes of male and female inequalities helping it to hold a modern appeal.

This version of the play has 6 characters:
Nora – the protagonist – petulant, self-indulgent yet still symbolic of a good Victorian wife – pretty, obedient to her husband, head of the household and a loving mother but has a secret.
Torvald – the antihero- breadwinner, domineering, respectable.
Krogstad – the antagonist – a lawyer, blackmailer, bully, desperate man with a secret
Mrs Linde – the Hero -a widow, humble, hardworking, morally sound
Dr Rank – the romantic interest – terminally ill, besotted with Nora, friend of the family.
Nanny – symbol of lower class, forced to give up her children to work for the family.

 

 

Elaina Mullins played Nora, the central character, a symbol of the time with a tendency to tell petty lies, until it is revealed that she has committed a crime of fraud. Pushed to this by a society that prevented married women taking control of their financial affairs. Elaina made good use of the stage, her costume was pretty, a Victorian-esque blouse and a pale pink overskirt. She was the wife a Banker and mother, with a weakness for macaroons.

Torvald, played by Derick Yearnsmith was the husband of Nora. An emotionless character, domineering and focused on work. The multi-level staging worked well – giving this character his own identifiable space.

Trevor Sammon played Krogstad, a believable villain, with a big physical presence that lent itself well to the character. Which he played emotionally detached from the business of blackmail.

Hugo Fong was Dr Rank, making good use of a walking stick to give characterization of an unwell man. His gentleness was a good contrast to the other male characters.

Helen Goleby, the Nanny popped in and out and gave believability to there being children in the household, dressed appropriately this character added a dimension as the servant.

But the real hero was Janet Palmer as Mrs Linde. Superb characterization, good range of emotion, her character was totally believable. Playing a childless widow (therefore unwanted by any man in that era) she must work to support herself. She rescues Nora, first by mending the skirt, then by listening to her problems. She helps Nora to face what she has done.

You can sit and watch this play and see a different version of the same play. The beauty of life theatre is that the longer the season, the likelihood of more layers being added, more discoveries made by the actors.

This is the last weekend so don’t miss out. It is a good solid play and the direction, tech and staging are delightful. The costumes were also on point helping to solidify the era.

Shows start at 7pm and 2pm
https://www.trybooking.com/DEOHJ

To book tickets to A Dolls House, please visit https://www.trybooking.com/events/landing/1450887.

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A Gastronomical Heaven

Good Food & Wine Show - Brisbane

Good Food & Wine Show – Brisbane Rating

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The ‘Good Food & Wine Show’ needs to be on your radar. Installed at the Brisbane Convention Centre over 3 days, 24-26 October, it was a wonderful addition to the many attractions Brisbane and Southbank have to offer. Minimal queuing to enter, although a couple of feather flags to indicate you are on the right track would have reassured those new to the area.

Upon entry there were helpful items like wine glass lanyards, so you didn’t put your glass down and lose it and helped free up your hands. Shopping trolleys for those serious shoppers, honestly take a wheeled bag – there is so much to choose from, luckily some stalls offered free shipping. The stalls and walkways coped with the crowds and the large spacious hall ideal.

There were special ticketed offers and masterclasses. A great gift idea – from cheese, chocolate, wine and even pasta making. Tasting rooms, free experiences, celebrity chefs. Think Christmas and birthday gifts – either produce or tickets for next year.

With stall holders from all over Australia and New Zealand on offer was such a wide variety of good food and great wine – from Olives to Martinis- cheese to nuts – gourmet meats and some very tasty and innovative ideas this show had something to offer everyone.

Did I try the chocolate infused French wine – you bet I did – and although not a fan of hazelnut, I was converted, the wine as we say was divine, light bubbly, chocolatey with a subtle hazelnut. The stall holder was passionate and protective and imports the wine for distribution after stumbling across it doing an OE in Europe.

 

 

With wines from the Granite belt – a reminder of what a great wine making country we live in and to get out West more often, Adelaide and the Hunter Valley, it was a reminder don’t leave home until you’ve seen the country. Sparkling Pinot Noirs and refreshing Pinot Gris and everything in between.

Then the boutique spirits – gin (Sambuca is a favourite), peanut butter whiskey (my new favourite ice cream topper), yup everything you can imagine someone has put it in a bottle.

The cheese stands just made you wish for a 7-day weekend, a back deck with a park view or a balcony overlooking the sea, surrounded by those you love to indulge with.

Try as I might I could not make it around every stall and the 3-day flexi pass is probably the best bet if you are going to make a weekend of it, as you need the time and tummy room to savour this gastronomical extravaganza.

Salute – or gānbēi!

However, you say it – put the Good Food & Wine Show on your to do list next year. Or maybe try to get to a Christmas Market in Sydney and Melbourne.

To book tickets to Good Food & Wine Show – Brisbane, please visit https://goodfoodshow.com.au/.

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Rollicking Great Fun

The 39 Steps

The 39 Steps Rating

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4

Currently on at Qpac,“The 39 Steps” is originally a book written in 1915. A spy novel about a man living in London, who becomes entangled in murder and espionage. In 1935 it became a film by Alfred Hitchcock, and he was given 3 love interests. In 1996 when it was adapted for theatre it became a four -hander and this version by Patrick Barlow appeared in 2005.

Using a Film Noir stylized set characterized by a pessimistic tone, dark urban settings, stark lighting with high-contrast shadows that alone made the play impressive. Lighting and sound effects were spot on as were the scene changes and use of a cinematic backdrop. The furniture was painted in muted grey tones and white light used.

From apartments to bedrooms to trains to hotel rooms to sidewalks, the ever-changing sets were flawless. And how the audience enjoyed it – laughing, chuckling, clapping and totally engaged. All ages and a full house for opening night – a well-deserved standing ovation at the finish.

The actors had to play 130 characters between them, a whirlwind of costume and scene changes. From cops and robbers to innkeeper and bellhop, this play has it all.

The Umbilical Bros are two very talented and diverse actors. It feels wrong to separate them but such comedic powerhouses – facial expressions, voices, mimics, nuances that just kept the pace frenetic and enjoyable.

 

 

David Collins has a long list of acting credits, and he was more than capable of pulling off the multiple roles and physical chases that just kept coming – such a comical face and the voices, with trademark curly hair adding to the characterisation of mad cap farce reminiscent of Charlie Chaplin.

Shane Dundas is also a fantastic comedic actor well suited to the physical, playing his multiply roles of serious (in a comedic way) characters that meant playing madams and spy. Wearing a multitude, yes, many, hats, and a faint essence of John Cleese does come to mind.

Lisa McCune commanded the stage and her hero’s attention, from her femme fatale to a” butter couldn’t melt in her mouth” character she was mesmerizing. Her opening costume was reminiscent of the Golden days of Hollywood – only in a silver-coloured way. So good to see her stretch her wings and showcase how talented she is.

Ahh our hero – Richard, played by Ian Stenlake. Was he naïve, was he hiding something or heck does the hero get the girl in the end. Wow to be running that much and not get too breathless to speak, just fantastic.

All in all, a show not to be missed – Kudos to the director Damien Ryan and his team. This is a very clever and flawless performance.

To book tickets to The 39 Steps, please visit https://www.qpac.com.au/whats-on/2025/the-39-steps.

Photographer: Cameron Grant

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Not a Fairytale Love Story

Blue

Blue Rating

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4

“Blue” is a new work written and directed by Claire Yorston. Currently showing at Pip Theatre in Milton in the intimate Level 1 Studio, a black box theatre until October 4th.

The storyline was given as a romantic drama with a dark twist and came with content warnings of abuse – physical and verbal.
This opened on Friday night the 26th and the audience were privileged to an intimate setting to feel like privileged onlookers as the story unfolded.

Let’s start with the set. With double columns this could have been a very awkward space, but instead Claire designed a set where you could look and visualise the personal spaces of the characters. Designed to portray a working café, a bedroom, a lounge room and a beach, the furniture, props were enhanced by an ambitious soundscape that complimented this. And kudos to the talented light and sound tech operator Carter Firmager who managed that side very professionally, there were a lot of cues, and it all went very well. Lighting designed by Claire and sound and music by Hannah Page.

Reagan Warner, a well-known actor around Brisbane played the man. Reagan has a presence and holds the audience with the beginning monologue. His voice is rich, and the dulcet tones lulled the audience into a false sense of a fairytale romance.

Hayden Parsons played the boy – Elias who works at the coffee shop, and Laura Renee, the girl – Annette who is on the corporate ladder.

Both talented actors and well-cast for these roles.

 

 

Boy falls in love with girl, girl seems to take a while to warm up to him and then the whirlwind of romance sweeps them to marriage – the cracks appear straight away.

I don’t want to give the full plot away – I want you as the audience to experience the sudden twist like we all did on Friday night – when it happened there was a stomach drop – I could feel the hum of peoples brains trying to recalculate and compute as we moved away from the society norm of DV to what was unfolding before us.

Laura plays Annette with the coolness of someone focused on getting ahead, who warms to Elias’s charms and gentle way. Costuming is simple but suggestive of status.

Elias is that loveable scruffy kid who grew up with slightly alternative family and Hayden played him as gentle and kind.

Try to see new works, especially this one. Serious new drama must work harder to attract an audience, and this deserves to play to a full house. It is an honest portrayal of a relationship that shimmers on the outside but a toxic lava on the inside.

Not all love stories are fairy tales.

To book tickets to Blue, please visit https://piptheatre.org/2025-blue/.

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