Anywhere Festival: Set Me On Fire

Set Me On Fire

Set Me On Fire Rating

Click if you liked this article

11

Samara Louise’s play, SET ME ON FIRE, is a deeply moving play about the ugly side of family ties, the angst of artistic temperament, and the longing for a better life.

Through the erudition and articulation of her lead female character, Samara paints a poignant portrait of a girl growing into an excellent example of an independent, free-thinking femme fatale.

The list of Samara’s achievements so far seems enormous, considering her youth. Cale Dennis, the director, is also no slouch when it comes to winning awards. I foresee they both have bright futures in theatre and probably whatever else they decide to address with their talents. All members of The Silent Sky Collective, who produced the play, are emerging artists in their own right.

Rachel McMurray, playing Eden, the lead, did a wonderful job of wrapping her lips around the lines of dialogue she had to deliver, and her transitions between a coy seventeen-year-old and a savvy twenty-something, demonstrate she’s a force to be reckoned with.

Her counterpart, Mannon Davies, as Noah, the lost love interest, gives us a delightful deep dive into the psyche of a boy burdened by a mother clinging to her child. His chemistry with Rachel was obvious, and yet deftly understated, muted by the malignance of his meddling mother.

The play begins near where it ends and then backtracks to fill in the gaps. The reminiscences replicate the back story that brought the two tumultuous teens to where they meet again at the beginning of the play, through complexities that remind us that underneath each of us are layers of human experience that can and often do scar us for life.

Cullyn Beckton and Tim James, the tech team, never missed a beat. The set, sound, and lighting all enhanced the moments that made the story work so well.

It’s a thoroughly watchable work. I’d give it 4 out of 5 stars. Go see these people play now before they get so well-known that you have to pay through the nose to see them.

The production contains very occasional strong language and young adult themes. It’s part of The Anywhere Festival and is staged inside Backdock Arts, a small hall at 103 Brunswick Street, in Fortitude Valley.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!

Vice CIty Fortitude Valley – Loot

Loot

Loot Rating

Click if you liked this article

10

A savagely witty journey awaits you with Ad Astra’s latest play, “Loot,” from the brilliant mind of the late Joe Orton. This hilarious farce never cowers from the dark or the simply outrageous and mixes tried and true political stances with the slapstick mayhem of a funeral (and bank heist) gone horribly wrong.

The location of the venue and the production of this kind of play in Fortitude Valley seems particularly apt owing to The Valley’s central role in Queensland’s corruption-filled history between the 1930s and 1980s. The production team must have worked overtime to find this gem during the play selection process.

This play itself was written in 1966 and has seen minimal changes to the original script. Its political message, tackling the corruption of the police force, got a few belly laughs from the crowd—some messages are timeless; what can I say? 1980s Fortitude Valley is calling. However, some jokes regarding women and other darker subject matter did meet with some audience grumbles. The story is definitely more well-suited for an adult demographic.

Although the story isn’t entirely timeless, the incredible cast carry this show proudly on their shoulders with their impeccable physicality and comedic timing. The standouts would definitely be Fiona Kennedy, who played the devious Fay, and Steven Grives as the hilariously corrupt Truscott. They drove the story along at an entrancing and rhythmic lightning pace, and many times, I found myself in stitches throughout the show at multiple points.

A huge accolade needs to be given to Lisa Hickey, who played the corpse of the late Mrs. McLeavey. Despite having no lines, her physical comedy was brilliantly comical. The entire cast truly committed to their characters and donned the most outrageous European accents, greatly complementing the melodramatic undertone of the story.

The theatre was smaller than expected, but the space was expertly used so that every square inch was stylishly accustomed, and absolutely nothing went to waste. Congratulations to the director, Jennifer Flowers, for spinning gold with this play; I will closely monitor what she does next.

I strongly encourage you to get tickets ASAP, as this show only runs until the 27th of April if you haven’t already. It’s absolutely worth watching, especially for those who want to feast their eyes on a clever, ridiculous, and dark extravaganza.

Sessions run from 7:30 pm on Thursday, Friday and Saturday evenings for the next two weekends, with matinee sessions running at 2 pm on Sunday 14th and 21st April.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!