Lizzie The Musical: Milky Way Productions

Lizzie

Lizzie Rating

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Off the back of Evil Dead, Milky Way productions has continued its love for the sinister and spooky with its second major production: Lizzie the Musical.

Somewhere between a concert and a sung-through musical, this show was a true celebration of femininity with four powerhouse femme presenting vocalists and an all-female band (despite interestingly being led by two male directors).

Telling the story of Lizzie Borden – a woman tried for the axe murder of her father and stepmother in the 1800s – you wouldn’t expect it to be 90 minutes of punk rock bad-assery, but boy was I pleasantly surprised.

Lukas Perez anchors the show as the titular Lizzie, innocent and manic, all the while singing the absolute house down (and clearly having a ball doing it). They’re paired well against Jessica Huysing as Alice who brings a softness to an otherwise hard hitting show.

Brittany Isaia shows off her vocal prowess as Lizzie’s sister Emma – with her and Perez’ duet ‘What the F*** Now Lizzie’ a highlight. Sarah McCabe rounds out the small but mighty group as the eerie Borden house servant Bridget.

McCabe doubled as costume designer for the show and did not miss, with some beautiful period style outfits turned rock-princesses later on, and an excellent choice of colour blocking to clearly identify each character.

With an on-stage band (expertly led by piano-conductor Akari Komoto) and large set piece that dominates the space the cast are left with little room to make use of which both added to the concert-like feel though also made some moments feel constrained. This carried through to the overall movement and choreography which at times felt uncertain and squashed – again potentially due to perhaps the unexpected lack of performance space.

Technically, balancing a rock band against just four voices was always going to be a challenge, with the singers often overpowered in the louder points of the show. However, this certainly improved in Act 2, and I’m sure it was just an opening night teething issue.

Directors Kieran Ridgway and Luke Miller have rounded up the very best of Perth talent for this production, and believe me it shows. A master-class in vocal agility – do yourself a favour and buy a ticket because this cast is deserving of far more than its small (yet highly appreciative) opening night crowd and you certainly won’t be disappointed.

To book tickets to Lizzie, please visit https://drpac.sales.ticketsearch.com/sales/salesevent/144012.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Terry Pratchett’s The Truth – A Delight for Discworld Fans

As a longtime fan of the Discworld series, I had the pleasure of experiencing the stage adaptation of Terry Pratchett’s The Truth. The production, presented by Roleystone Theatre at the Don Russell Performing Arts Centre, successfully brings the vibrant world of Ankh-Morpok to life.

The storyline revolves around William de Worde’s bold steps into the role of Discworld’s first investigative journalist. And it is a baptism of fire as scandalous charges of attempted murder and embezzlement against the esteemed leader of Ankh-Morpok, Lord Havelock Vetinari, emerges.

The cast is large, with highlight performances from Lord Vetinari(Lilly Litchfield), Gangsters Mr Pin(Aaron O’Neill) and Mr Tulip(Peter Carr), William De Worde(William Darlington) himself. However, due to the large ensemble, keeping up with the frequent scene changes can take a lot of work, and every cast member gets their chance to shine.

For avid Terry Pratchett fans, this stage adaptation is an absolute treat. It encapsulates the unique humour and charm that Pratchett’s writing is known for. However, those unfamiliar with his work or who have yet to read The Truth might sometimes find the storyline a bit demanding to follow.

The production stays faithful to Pratchett’s style and includes his signature quirky commentary on contemporary life through the lens of Discworld’s foray into journalism. William’s frustrations with the public’s blind acceptance of information and reluctance to believe the truth resonate strongly in today’s society. The play cleverly satirises the willingness of some individuals to believe falsehoods while rejecting the truth.

Roleystone Theatre deserves commendation for taking on this ambitious endeavour. The adaptation captures Terry Pratchett’s brand of humour and seamlessly weaves it into the narrative.

In conclusion, Terry Pratchett’s The Truth on stage is a must-see for fans of his Discworld series. The production effectively brings Pratchett’s beloved world to life with solid performances, creative staging, and the infusion of his distinctive humour. While it may be slightly challenging for newcomers to grasp the storyline fully, the overall experience is a delightful tribute to Pratchett’s legacy and satirical take on truth and journalism.

Terry Pratchett’s The Truth only has three sessions remaining. Book a session for Friday at 7:30 pm 7th, July or Saturday at 2 pm/7:30 pm 8th July.

This review also appears in On The House

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