“Prehistoric” is a coming of age story set in the 11th year of Australia’s Bjelke- Petersen administration. In Brisbane, a group of young adults explore their relationship with themselves, their culture, families, friends, and the politics that their society is being shaped by. Deb, Pete, Rachel and Nick form a band, in an attempt to respond to the way things are and challenge the accepted norm to invoke what could be; through punk rock, tenacity and determination to discover and live out their truths.
Underground Theatre Company presents this play by Marcel Dorney, and utilises the creative direction of Tate Newman and Tim Bell. The combined sound, lighting and stage design by Hannah Page, James Ledingham, Keely Baird and Bryn Swain was notable in the ways that each costume, red/blue/white spotlight and song played by the cast was executed with precision and intentionality. The colour of the lights, placed during monologues representing internal dialogue, offered the audience opportunities to connect with the characters in a well paced and engaging way.
The stage, shaped like an X, was an interesting idea. There were moments where blocking was an issue, however given the room and stage layout it makes sense that this would occur from time to time. Often the cast would take their places in the corners of the stage, alternating the positions to allow themselves to be in full view at different times. Another interesting and dynamic idea was when interactions between characters occurred center stage, the actors walking in a circle. This allows the audience more of a 360 degree view, and attempts to utilise the space fully.
Casting was done fairly well in this production, as each character demanded emotional depths and development that could be explored intentionally and thoroughly. From learning and performing with their musical instruments, to the monologues, to conflicts between characters; all of the cast did remarkably well. Their movements that accentuated their personalities, the projection, use of props and facial expressions fell seamlessly into place, engaging the audience fully.
Deb, expertly played by Ava Ryan, notably encapsulated the female struggle in professional and social contexts, allowing us to see how she processed difficult emotions and developed courage. Vince Lapore, who played Pete, also portrayed their role/s with professionalism, capturing the attention of the audience on multiple occasions intentionally and as though they have been doing this for years. Rachel Woodnett plays Rachel with ease and audacity; accurately depicting the emotionally troubled and passionate lead vocalist of the band, who consistently offered social commentary on the state of things. Dylan Spokes was an impressive Nick, playing the confident and enthusiastic character who felt deeply and acted boldly. The audience was frequently amused by how Nick entered a room, and took command of the space without overshadowing the rest of the cast.
All of the cast and crew have done an amazing job here and I highly recommend this production for ages fourteen onwards. It is to be noted that there are drug and sexual references on occasion that may not suit younger audiences.
To book tickets to Prehistoric, please visit https://piptheatre.org/2025-prehistoric/.
