If you’re searching for an evening of new theatre that allows you to champion emerging artists and writers while enjoying captivating performances, look no further than the Melbourne Writers Theatre’s presentation of Lyceum Highway alongside the Metropolis Monologues. Staged at the The Stables @ Meat Market, this combined offering of a one-act play and monologue showcase runs for approximately two hours and thirty minutes, allowing audiences to see fresh works in a cosy and intimate setting.
Lyceum Highway is written by K V Adams, directed by Brooke Fairley, and performed by Laura Iris Hill (as Maggie) and Kevin Dee (as G). It’s a compelling one-hour piece delving into themes of redemption, recovery, forgiveness, and personal growth. The story unfolds on a road trip, with Maggie picking up G, a mysterious hitchhiker who may or may not be who he claims to be. Hill’s portrayal of Maggie is simultaneously fragile and bold, showing a character who’s both wounded and healing, and the emotional journey she takes us on is genuinely gripping.
Kevin Dee’s G provides a contrasting energy; his calm insight anchors Maggie as she confronts her past, and their rapport is palpable, carrying the audience through moments of tension, humour, and heartfelt connection. The clever use of projections designed by Minty Hunter and sound design by John Jenkin works seamlessly to enhance the road-trip vibe, transporting viewers to shifting landscapes and emotional states. The production team collaborated to create a cohesive and visually engaging show. Producer Clare Mendes should be commended for bringing this new work to the stage.
On the evening I attended, five monologues were featured as part of the Metropolis Monologues: The Night Market by Gary Helmore performed by Mark Opitz, The Most Alive Part of Me by Peter Farrar performed by Amir Rahimzadeh, Off the Grid by Marie Collie performed by Katrina Mathers, Snakes and Ladders by Donna De Palma performed by Janine McGrath, and Till Death Do Us Part by Louise Hopewell performed by Nick Steain.
Each piece explores how a place, real or metaphorical, shapes personal experiences. Whether it’s a literal market or an abstract emotional space, these short pieces emphasise the power of location in uncovering what makes us vulnerable, determined, or reflective. Seeing different writers and actors unite to bring these stories to life highlights how monologues can offer an intimate theatrical experience.
A Triumph for Emerging Voices: Melbourne Writers Theatre has curated an event with energy, creativity, and promise. From the reflective depths of Lyceum Highway to the variety of voices in the Metropolis Monologues, this is a perfect example of how we, as theatre lovers, can support new work and help local writers and performers refine their craft. The Meat Market’s small and intimate setting of the The Stables @ Meat Market draws the audience closer to the performers, allowing for a deeper emotional connection.
If you’re interested in seeing new Australian theatre develop before your eyes—and enjoying a fulfilling evening of storytelling—this production is well worth your time. The passionate performances, skilful direction, and inventive writing offer a memorable night. Above all, Lyceum Highway and Metropolis Monologues are a powerful reminder of the creative talent blossoming in our community and the importance of supporting artists.
To book tickets to Lyceum Highway and Metropolis Monologues, please visit https://meatmarket.org.au/event/lyceum-highway-metropolis-monologues/2025-03-16/.
This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.
