We Have Never Been Modern Film Review

We Have Never Been Modern Film Review

We Have Never Been Modern is a 2023 Czech-Slovak crime drama directed by Matej Chlupacek and written by Miro Sifra. The film is set in 1937 in a town that is being transformed into a modern metropolis by the Bata shoe company. We Have Never Been Modern is a glimpse into life in Czechoslovakia.

In We Have Never Been Modern, we meet protagonist Helena (Elisha Krenkova), a former medical student who moves to Svit with her husband, Alois (Miloslav Konig), a factory manager. However, their hopes for a bright future are shattered when a shocking discovery is made on the factory grounds.

We Have Never Been Modern Film Review

The performances of this film are excellent, especially by Krenkova, who portrays Helena with intelligence and courage. Helena is not afraid to say what is on her mind, which is a touch of humour, and to go after what she thinks is right. Another stand out of the film was Richard Langdon, who played Alexander “Sasa” Matula, a young man’s story we follow in the second half of the film.

The film ran for 1 hour and 57 minutes, but the pacing kept you watching throughout the film, especially during the second half. This is the second feature film from director Matej Chlupacek, but with his approach and execution of his vision, I will be watching more of him in the future.

The film has a rich colour palette, dynamic cinematography, and a production design that recreates the period atmosphere. Although the design recreated the period atmosphere, it did not make the film look dated. The film features a score by Martin Douba, adding suspense and emotion of the story. There were one or two moments where I thought the score was too loud for the story.

The film explores the themes of otherness and prejudice in a society undergoing rapid modernization. Helena is the only one who wants to uncover the truth behind the mysterious case, while the others are quick to dismiss it as communist sabotage or a curse.

She faces resistance from the local authorities, the factory workers, and even her husband, who are all invested in maintaining the status quo and the image of progress. As she delves deeper into the investigation, she also uncovers secrets and lies that threaten to destroy her marriage and her life.

The film is a compelling and original blend of historical drama, mystery, and social commentary. It challenges the conventional notions of gender, identity, and morality. I found the film a reflection of how we have grown, but how we have stayed the same in a way.

We Have Never Been Modern is a film that challenges us to rethink our assumptions and embrace the complexity and diversity of life. It can be seen at this year’s Europa Film Festival, which runs from Feb 15 to Mar 11. Užívat si (Enjoy!)!

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Spudtastic – The Appleton Ladies’ Potato Race

The Appleton Ladies' Potato Race

The Appleton Ladies Potato Race premiered at Hunters Hill Theatre earlier this month and has viewers take a trip to the rural town of Appleton.

The play, inspired by actual events, follows the return of city-trained doctor Penny to her rural hometown just in time for the annual potato race. The yearly potato race is the backdrop for an entertaining and thought-provoking tale.

The narrative centres around the return of city-trained doctor Penny (played by Caroline Lloyd) to her quaint rural hometown just in time for the much-anticipated potato race. However, the atmosphere takes a turn when Penny uncovers a startling disparity in the prize money – $1000 for men and $200 for women. The Appleton Ladies Potato Race shows Penny’s journey as she navigates small-town politics and challenges the status quo in her pursuit of justice.

The cast’s performances are nothing short of commendable. I felt the character of Nikki (played by Tonia Davis) captured the essence of rural life and was a standout performance. Caroline Lloyd as Penny perfectly blended city sophistication and small-town charm. The supporting cast also added some humour and authenticity to the play. As an ensemble, I think all the cast worked well together to keep us engaged.

Jennifer Willison was the director and really nailed getting to the characters’ hearts while keeping with the comedic elements. The set design echoes the charm of a small town with a beautiful backdrop and complementary sound design.

This play is a must-see for great storytelling and performance. It is successful in balancing entertainment with an exploration of societal issues. Bravo to the cast and crew for bringing this story to life on the stage. The Appleton Ladies Potato Race can be seen until December Third at Hunters Hill Theatre, so you better catch it while you can!

Remaining Sessions

  • Friday 1st Dec, 7:30pm
  • Saturday 2nd Dec, 2pm
  • Saturday 2nd Dec, 7:30pm
  • Sunday 3rd Dec, 2pm

Club Ryde, 728 Victoria Road, Ryde, 2112

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Ho Ho Ho – A Savage Christmas

A Savage Christmas

Prepare for things to get savage in the latest Australian Christmas flick from director Madeleine Dyer. In A Savage Christmas, transwoman Davina heads home after three years.

Davina anticipates the spotlight to shine on her transition but is surprised as family secrets and lies come to light. These revelations pose a threat to not only their lives but also to another Christmas lunch. A Savage Christmas is a fun addition to a long list of films centred around Christmas.

In A Savage Christmas, we meet the Savage family. Their Christmas day is set to be much like their last name – Savage! The family get together to celebrate the jolly day over lunch. Each family member brings their own issues that come to light as the day progresses. Can the family mend their relationships, or will this year be their last family Christmas?

The ensemble cast of characters successfully demonstrated believability as a dysfunctional family, each with a unique story. Some well-known actors pop up to add another comedy element to the story. We saw supporting roles from the likes of Gary Sweet as a thug and Rachel Griffith as a doctor.

The film’s writers have crafted a group of eccentric characters in amusing situations with witty dialogue delivered from some new and familiar faces.
Throughout the film, we glimpse the typical Australian humour paired with some important topics such as gender identity and adoption.

At times, almost too many topics were included, unfortunately ensuring that most were only partially explored. It was refreshing, however, to see two trans characters take the lead in this movie.

The final scenes highlight the significance of family and forgiveness, which viewers may recognise as relatable to their own family chaos.

This is not one that I would add to my regular yearly Christmas viewing, but it is a lighthearted flick that provides comedic relief during a busy time of the year and is well worth a viewing.

Check your local cinema for session viewing times.

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Paris Memories: A Survivor’s Journey

Paris Memories

Prepare for your latest French Film experience – Paris Memories – soon to be showcased in cinemas throughout Australia.

Paris Memories delves into the story of Mia, a survivor of a recent bistro terrorist attack, who grapples with the haunting memories of that dreadful night. To move beyond the trauma, Mia embarks on a journey to retrace her steps and delve into her memories. The film offers an exploration of the aftermath of a catastrophic event, shedding light on the resilience of survivors as they try to rebuild their shattered lives.

Director Alice Winocour draws inspiration from her brother’s personal experience during the Bataclan attack in Paris. After being trapped in a terrorist attack at a bistro in Paris, Mia discovers herself affected by the ordeal. Three months after the event, she begins trying to remember what happened that day but also understands that some parts of her life can’t be fixed.

Virginie Efira’s portrayal of Mia earned her a Cesar award, and rightfully so. She masterfully conveys the multi-layered impact of a terrorist attack on an individual’s mental health. Nastya Carax takes on the role of Felicia, a young woman who tragically lost her parents in the same attack, serving as a reminder of the collateral damage such events inflict.

Mia’s discovery of a survivors’ support group becomes a turning point in her journey to recovery. This unique approach sets the film apart, as it favours witnessing Mia’s memories resurface as she progresses instead of conventional flashbacks. The film illustrates human connections that form among survivors as they collectively grapple with the aftermath of the tragedy.

Paris Memories is a powerful film that will stay with viewers well after the viewing and is not one to be overlooked. Don’t miss the chance to experience it on the big screen starting November 9th. Check your local cinema listings for showtimes. Au revoir!

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