Pomona

Pomona

Pomona Rating

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4

Content Warnings: Coarse language, adult themes, references to sexual assault, and suicide.

Science fiction, Dungeons and Dragons, and a missing sister. Pomona has it all.

With a well-oiled cast who together bring the desolate Blade Runner-esque world to life, the audience is sucked into the mystery of the missing sister.

“Ollie? Like, Oliver? Like, a boy’s name?”

We follow the stories of multiple characters in Manchester; as they manoeuvre through the story the characters watch one another’s performances from the stairs and behind the audience in the cloisters. Are they judging each other? Observing from afar? Making a point of the interconnections between the characters? You decide.

The jagged, raw emotions from each character as they navigate their lives, their connections, and their mistakes is palpable, and flows naturally from the performers. The stress, fear, and love emanate from the stage – no performer holds back, fully immersing themselves and their audience in their character’s storyline.

 

The costumes bring a balanced mix of dreary and science fiction, looking natural on the performers while adding to the worldbuilding of this alternate Manchester. Each costume appeared carefully considered and tailored for the character, while managing to encapsulate the atmosphere of the alternate Manchester and the performance. There are few costume changes, and each of them were smooth, blending into the story seamlessly.

The same can be said for the set design and the set changes – well-chosen pieces that showcase the ambience of Manchester, and seamless changes undertaken by the performers. The set changes were efficient, and elegantly doubled as an opportunity for the performers to drape themselves in their next observation location for the scene. The pieces doubled as a backdrop for the city, never straying far from the stage, and some contained multiple uses, changing from a bed to a desk and back again – a very tasteful use of the pieces at hand without overwhelming the performers or audience.

The audience was enraptured from the first lowering of the lights – LED strip lighting lined the stage and emitted a soft glow of anticipation. With torches being used by the performers as well as the lighting team, there was no shortage of creative use. This extends to the use of sound, as they work hand-in-hand with the lighting team to not only set the scene, but fully immerse the audience.

Pomona jumps forward and back in time to tell the story, with the mystery of the missing sister unfolding as the characters’ connections and personal gripes unfold. Be prepared to walk away with questions, and maybe even a desire to play Dungeons and Dragons.

To book tickets to Pomona, please visit https://www.trybooking.com/events/landing/1476481.

Photographer: Sophie Livingston-Pearce & Alice Smith

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The Taming of the Shrew – The Adelaide University Theatre Guild

The Taming of the Shrew

The Taming of the Shrew Rating

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1

Review: The Taming of the Shrew – The Adelaide University Theatre Guild

The Adelaide University Theatre Guild’s new adaption of one of Shakespeare’s more problematic plays puts The Taming of the Shrew into a new realm of pop and rock music to great effect while still holding mostly true to the original text.

Dispensing with Shakespeare’s original play within a play concept, and instead of being set in the usual Padua, this version is set in Paradise which is “a powerhouse record label and the battlefield is the charts.” The play begins with Bianca (Jessica Merrick) and her band singing and dancing to her pop song, then enters Katherine (Heather Crawford), her rock chick older sister with her band and her sharp edges.

Bianca has two suitors, Gremio (Martin Penhale) and Hortensio (Macey Lawson) who wish to marry her but her mother, Minola Baptista (Deborah Walsh), will not agree to anyone marrying Bianca until her older sister Katherine is married. Lucentio (Ben Proeve) arrives with his loyal servant, Tranio (John Charles), and Lucentio also falls in love with Bianca. To try to win her love, Lucentio disguises himself as a tutor for Bianca and Hortensio disguises himself as a musician to also gain access to her to try to do the same. Tranio disguises himself as Lucentio to help convince Minola Baptista to allow Lucentio to marry Bianca.

Standing in their way however is Minola Baptista’s demands that the quarrelsome Katherine be married first. Petruchio (Tom Tassone) arrives and after hearing about Katherine he decides to court her, and he is assisted in this task by Gremio and Hortensio. Upon meeting Petruchio, Katherine resists his advances, but he is not discouraged and he sets a wedding date and so begins the taming of the shrew.

 

 

Setting the play in Paradise and revising it for a contemporary time is successful and adds a welcome fresh dimension to the play, although the audience seemed to be a little confused by Bianca and Katherine’s entry. In addition, modern music references to the original text brings many humorous elements. The limited space of the Little Theatre always adds production issues, but both levels of the theatre are skilfully utilised by Olivia Jane Parker’s first-rate direction. In addition, the music includes songs by Ben Waller and two songs by Macey Lawson.

The whole cast handles the fast-moving proceedings superbly, Tom Tassone as Petruchio, John Charles as Tranio with Macey Lawson as Hortensio are particularly impressive. Heather Crawford delivers Katherine’s long final monologue exceptionally.

This version of the thorny The Taming of the Shrew, set innovatively in the modern music scene, is outstandingly well performed and adds to the long line of exceptional productions by the Theatre Guild.

Reviewed by Rob McKinnon
Rating; 4/5

Production Details

Venue: Little Theatre, Adelaide University, The Cloisters, Adelaide SA 5005

Performance Dates:
Saturday 9 May – 3pm
Sunday 10 May – 3pm
Wednesday 13 May – 6:30pm (w/ post-show Q&A)
Thursday 14 May – 7:30pm
Friday 15 May – 7:30pm
Saturday 16 May – 3pm
Sunday 17 May – 3pm

To book tickets to The Taming of the Shrew, please visit https://tasaonline.org.au/series/the-taming-of-the-shrew/.

Photographer: Maggie Morris

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