Every Tale has a Beginning

Pip Theatre’s latest production, produced by Moonspark Productions, of David Eldridge’s play, Beginning, is a poignant musing about two lonely people in our present day, seeking some sort of connection in inner-city London.

A real-time examination of two damaged people reaching out at the end of a party, with the woman taking the initiative. This two-hander movingly reminds us that, even in the age of social media and internet dating, creating a connection with another person remains as problematic as ever.

Laura is a 38-year-old managing director whose new north London home is where the housewarming party happened. Danny is a 42-year-old middle-management man who, having come along at the invitation of a friend, is the last man standing. They are similar in age, but in many ways, they are universes unto themselves. She is passionate, capable and, organised. He lives with his mum.

Taking place in real time over 100 minutes, the play shows them desperate for love and affection. It would be a big spoiler to reveal why they are so needy. Eldridge captures the way people’s desires rarely synchronise. Laura seems more assured, yet we sense a vacancy in her life.

Danny clearly likes her but is nervous, resisting her advances through evasion tactics, including cleaning up the detritus of the party. Eldridge shows that contrary to all the myths of our technological age and the allure of advertising, solitude is still pervasive.

The Australian premiere of the play is currently running in Brisbane at PIP Theatre, 20 Park Road, Milton. Crystal Arons and Jesse Blachut do an admirable job of bringing to life the angst of the two slightly sloshed Londoners.

The hunger animating Laura is evident, and Danny’s rugged wariness suggests a man who conceals a buried hurt. Director Heidi Gledhill has them hitting the right rhythm as both actors peel away protective layers, leaving you caring deeply about them, adding an eerie quality to present-day dating.

This is the production’s final week with only the following sessions of Beginning to choose from:-

  • Thu 27 July 7.30 pm
  • Fri 28 July 7.30 pm
  • Sat 29 July, Matinee 2 pm
  • Sun 29 July 7.30 pm
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Hauntingly Beautiful – Children of the Black Skirt

If you’re looking for a hauntingly beautiful Australian classic, Angela Betzien’s Children of the Black Skirt is an absolute must-see. This production was first performed 20 years ago by a group of young art graduates after approaching the Queensland Art Council, proposing a way to tell real Australian stories.

Time has not aged this piece as it’s just as relevant today. It’s being performed at The Curators Theatre at Milton’s Christ Church, by the Lost Child Ensemble, right under the wing of Suncorp Stadium. The team has fought pandemics, fires, and floods to put this performance together. It runs for 60 minutes with a 15-minute Q&A with the cast and crew at the end.

Five young children find an abandoned orphanage, and the spirits stuck inside possess them as vessels to tell their long-lost stories in hopes of finally being free. Throughout the play, four children are under the ever-watching eye of the Black Skirt, Emily Greenant (Lisa Hickey), cycling through the stories of different spirits who had suffered in her charge.

The talented Mikeal Bobart, Shahnee Hunter, Malika Savoury, and Vivien Whittle play the four children. Choosing anyone as a stand-out performer is nearly impossible as they all put on incredible performances.

The soundscape is unnerving, with children’s songs and bird calls mixed with reverse clips of children playing. It sets the scene perfectly and sits comfortably with the gothic quality of the Church.

Bill Haycock and Peter Goodwin worked incredibly well together on the set and sound, but one cannot give enough praise to Helen Strube for bringing it all together in the end. Props must also be given to the church for hosting such a harsh critique of institutional abuse in Australia’s history.

If you have the time for a Gothic fairytale, Children of the Black Skirt cannot be recommended highly enough.

With the production running for just one more week, be sure to get tickets for any one of the following sessions at The Curators Theatre:-

  • Wed 19 July, Matinee 12.30 pm
  • Wed 19 July, Evening 7.30 pm
  • Thurs 20 July, Matinee 12.30 pm
  • Thurs 20 July Evening 7.30 pm
  • Fri 21 July Matinee 12.30 pm
  • Fri 21 July Evening 7.30 pm
  • Sat 22 July, Matinee 12.30 pm
  • Sun 23 July Twilight 5.30 pm
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