Every time I see a show with puppets, I’m reminded just how much I love puppets, and how there should be more shows with puppets – and Same Time Next Week is no exception.
In its global premiere – this production delights audiences with its immersive and completely encapsulating world.
We follow a group of friends as they cope with their friend Mark’s leukaemia diagnosis – whose final wish is to play Dungeons and Dragons. As someone who knows only vaguely about the world of D and D I was apprehensive going in that I would not be able to fully appreciate the story but boy was I wrong.
At the centre of the show is Mark – portrayed by Nick Pages-Oliver – who navigates his diagnosis with sincerity. He brings grace and leadership to the wise bird Vincenzo the Magnificent.
Amberly Cull is a driving force as dungeon master Drew – who also serves as a few key campaign players in the likes of Freya the bar keep and villain Lady Morinyth. An all-round talent, her vocal performance is a highlight, with a bright tone that makes for easy listening. Her solo ‘What’s So Good About Being Good’ a particular high point.
A personal favourite for this reviewer was Courtney Henri as Liz. Maybe it was her relatability as someone new to the world of D and D, but she quickly embraces her fierce character, Ophelia Backbrace, and is a joy to watch.
Tristan McInnes brings the laughs as D and D super fan Digby, whose Detective Smoked Meats is a treat. While Daniel Buckle nicely rounds out the story in a few fun cameo appearances.
Jackson Grigg’s original score really completes this show – with the folky whimsical themes helping transport audiences into a fantasy realm from the second, the lights go down. The catchy tunes are accompanied by fun lyrics from writer/director Scott McArdle with harmonies expertly executed under the guidance of Grace Johnson. A huge shout-out must go to the trio of musicians who also served as backing vocalists – a feat that did not go unnoticed.
The simple yet versatile set from Bryan Woltjen was effective in aiding the jump between fantasy and reality, with the added help of choice lighting cues by Kristie Smith.
And finally, we cannot go without mentioning the stars of the show – the charming puppets (also by Woltjen). Gorgeously crafted and mastered well by the actors (thanks to the direction of Cull and Pages-Oliver), they are the cherry on top of this musical cake that, once again, perfectly bridges the gap between the two worlds in which the show takes place. A pleasant surprise for (on the night of this performance) some unsuspecting patrons.
A short but sweet run – I can’t wait to see more from McArdle, who offers a smorgasbord of all the best bits of live theatre with’ Same Time Next Week’.
This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.
