Poison: British Film Festival

Poison

Poison Rating

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Poison is a film that examines the relationship between a long-separated couple and their shared grief over the loss of a child. Premiering in Australia as part of the British Film Festival, the production marks the feature debut of Désirée Nosbusch.

The opening scenes promise much, carefully shot by cinematographer Judith Kaufmann, with particular striking images of a petrol station. Alas, from this point onward, the vision and action are confined to church buildings and their surroundings, where the couple meets to discuss the potential exhumation of their son’s grave.

The main roles are taken by English actor Tim Roth and Danish actress Trine Dyrholm, who play the ex-husband Lucas, and ex-wife Edith, respectively. The production feels more like a two-hander than a full cinematic experience. It’s no surprise to learn that the film is based on a play by the same writer, Lot Vekemans.

 

As the conversation unfolds, pain and bitterness begin to surface. It becomes clear that Edith has not moved on from her grief, while Lucas has remarried and is expecting a child. There are some well-written moments, but the script is choppy, with some glaring inconsistencies. For instance, when it’s clear that no one is coming from the church (a ruse by Edith?) a sense of tedium and claustrophobia set in. One begins to wonder why either character stays —or, for that matter, why the audience does.

Is it the script? The casting? The direction? The British-Danish pairing of the two leads simply doesn’t gel, although both actors deliver credible performances individually. This may be one of the reasons the film fails to resonate: there’s a total lack of onscreen chemistry.

This is a slow-moving piece that explores the suffocating nature of grief, or more specifically, grief as experienced by two individuals. It’s inoffensive, but strangely lacking in conviction and emotional power.

My Rating: A luke-warm coffee in the rain

The British Film Festival 2024 runs from Nov – Dec 8.

To book tickets to this or other films click https://britishfilmfestival.com.au/ for session and venue details.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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The Tundra Within Me

The Tundra Within Me

The Tundra Within Me Rating

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The Tundra Within Me is part of the Scandinavian Film Festival, Freedom From Fear stories. The film is set on the snowy plateaus of Northern Norway and revolves around an erstwhile reindeer herder who gave it all up to become an artist in the city.

The main character, Lena, is played by Risten Anine Kvernmo Gaup and presents the film’s main problem, ergo, a not particularly likeable central character. As a single mother with one son, Lena returns to her roots and almost immediately embarks on an affair with a local herder, Máhtte, (Nils Ailu Kemi,) who isn’t particularly likeable either. Neither party is represented as particularly appealing, which makes for dull, screen-time company. Sigh!

Unfortunately, first-time director and writer Sara Margrethe Oskal presents us with a predictable, linear narrative that is weirdly enervating. However, the film’s strengths are the landscape, the actual reindeers, and some beautiful footage of the Aurora Borealis.

As the plot progresses, there’s a (slight) love triangle presented, amidst a bit of phone-texting. (Roll of eyes) Lena draws by romantic-looking candlelight, what? Generally, artists need a bright, stable light source, and her naked, reindeer horns n’ skull themes are risible. (Any teenage, angst-ridden, ex-art students in da house?)

The Tundra Within Me

That being said, there’s a local yoiking competition, which is a kind of indigenous chanting, and singer Gaup can hold a tune. Perhaps this is why she was cast? This is a high point in terms of her performance. Credible supporting cast include Anitta Suikkari as the disapproving Márjá and the local bar-owner, (name unascertainable,) amidst other Guap-family members, including the son. No nepotism here!

It’s all a very tepid, or should that be icy? affair that is ultimately unsatisfying. Like the title, perhaps something has been lost in translation? Better writing and casting might have made a difference, especially when the film revolves around one character. The film does have something to say in regard to the clash between modernity and tradition, and it does provide an insight into the traditions of the Sápmi herding life; for that, it may be worth seeing.

My Rating: Slushy – as in the melting snow kind

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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